Daniel Garber talks with Sarah Kolasky and Adam Garnet Jones about Great Great Great

Posted in Canada, comedy, Cultural Mining, Drama, Movies, Romance, Secrets, Sex, Toronto by CulturalMining.com on March 17, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Lauren and Tom have been together for five years. Lauren is smart, sexy and successful, while unemployed Tom is a mild-mannered homebody who really loves her. They’re a perfect couple… until two things happen. First Lauren’s parents divorce. Her mom says a good marriage isn’t good enough – she deserves a great one. Then Lauren discovers her new boss is Dave, a man she had a passionate tryst with years before she ever met Tom. Dave is older and aggressive; Tom is faithful but wimpy. Should she stick to brunches and Lego with Tom? Or go for 50 Shades of Dave. Which relationship is just good enough, and which one will be great, great, great?

Great Great Great is a new feature, a bittersweet comedy drama, shot in Toronto and playing next Thursday at the Canadian Film Fest. It’s co-written by Adam Garnet Jones and Sarah Kolasky. Adam also directed the award-winning film Fire Song – I spoke to him on this show in 2015. Sarah who plays Lauren, is an accomplished producer, writer and sketch comic from Toronto.

I spoke to Adam Garnet Jones via telephone from Winnipeg and Sarah Kolasky in studio at CIUT.

We talk about sex, relationships, nudity, Toronto, Daniel Beirne, comedy… and more!

 

Daniel Garber talks to filmmaker Kevan Funk about Hello Destroyer

Posted in Canada, Depression, Drama, Hockey, Morality, Movies, violence by CulturalMining.com on March 10, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Tyson Burr is a minor league hockey player in Prince George, BC. He’s a rookie at his first job but is already getting a reputation as a destroyer, an enforcer who keeps the other teams’ players at bay. Violence on the ice is strongly encouraged. But when an overzealous fight sends a player to hospital, Tyson falls from hero to zero overnight. He is forced to move back home, work at manual labour and try to pull what’s left of his life back together in the rise, fall and rise again of a hockey destroyer.

Hello Destroyer is a first feature which premiered at TIFF16 and was chosen as one of Canada’s Top Ten Films of 2017. It’s a thoughtful and impressionistic examination of violence and self-worth in a distinctly Canadian setting. The film is written and directed by prize-winner Kevan Funk, and opens today in Toronto.

I spoke with Kevan Funk, in studio, about hockey, violence, masculinity, Canadian machismo, Todd Bertuzzi, hockey movies…  and more!

Heimat Films. Movies reviewed: Schultze Gets the Blues, Window Horses

Posted in Animation, Canada, Clash of Cultures, comedy, Germany, Iran, Movies, Music, Poetry by CulturalMining.com on March 10, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Heimat is the German word for home, homeland and fatherland… with hints of blood and soil. It’s also the name of a particular postwar film genre. Backed with strong American encouragement it helped Germans forget their economic problems and troublesome past, and look blithely forward toward a better tomorrow. Heimat films were made in southern Germany and popular in Bavaria, Austria and Switzerland, depicting traditional small towns filled with girls in blonde pigtails. Heimat films are having a comeback in contemporary Germany, perhaps in response to Conservative governments and feelings of turmoil and insecurity. They concentrate on a mixture of traditional, homogeneous, smalltown Germany, so-called authentic culture, and a longing for a simpler past. Toronto’s Goethe Films: Heimat Now series is running until March 14th.

This week I’m looking at movies about home. There’s a comedy about German man whose accordion leads him to zydeco; and an animated feature about a Canadian woman whose poems lead her to Shiraz.

Schultze Gets the Blues

Wri/Dir: Michael Schorr

Schultze (Horst Krause) is a miner in a small town Germany. This town is so small that the radio traffic report is just a long pause. The village is dominated by a railroad crossing, a motorcross track and an enormous slag pile, expelled from the mine where Schultze works with his two friends Jurgen (Harald Warmbrunn) and Manfred (Karl Fred Muller). But when the three men retire they find they have nothing to do. Chess games end in fights, and trips to the local pub means just the same old faces, over and over.

At least Schultze has his garden gnomes and his trusty accordion. Like his father before him, he’s been entertaining townsfolk with his polkas for two generations. They’re even planning on sending a cultural emissary to its twin city in Texas. Nothing ever changes, until one day, out of nowhere, he hears accordion music on his radio that isn’t quite right. It disturbs him. It’s not a polka, it’s faster, jumpier, and catchier. What is this Amerikanische music? It has entered Schultze’s brain and will not go away. Locals listen in horror and shout the N-word at him. So Schultze sets off for the swamps and bayous of America in search of Zydeco. And he finds the people in small town Texas a whole lot like the ones he left back home.

Schultze Gets the Blues is a simple, endearing comedy about a big-bellied man looking for meaning in music. I have to admit watching this movie felt, at first, like watching paint dry. I guess I’m a city boy used to a faster pace. But once I adjusted to the slower small-town rhythms, it was funnier, fascinating, almost profound. I ended up liking it.

Window Horses

Wri/Dir: Ann Marie Fleming

Rosie Ming (Sandra Oh) is a young woman with pigtails who lives in Vancouver but dreams of Paris. Her mom died, and her dad abandoned her when she was just a little girl so now she lives with her kind but overprotective grandparents.

She works in a fast food joint, and loves poetry, berets and the romance of far-off France. She writes down the words that come to her as she strums at her guitar, and publishes a collection of these poems at a vanity press. Imagine her surprise when she’s invited to a poetry festival far away. Not in Paris, France, but in Shiraz, Iran. With her grandparents consent she arrives there, a Chinese-looking Canadian dressed in a black chador, the most conservative type of Iranian dress, a combination black hijab and full-length gown.

At the poetry festival, she seems out of place. Iran is a land of poetry and Shiraz its poetic capital. At poetry slams she tries to understand what she hears, but the poems in Farsi, German and Chinese evade her. Gradually she meets people who had heard of her… through her father. Far from abandoning her, she discovers her dad was forced to leave her and kept away from her by outside forces. Not only that, but he was Iranian, loved poetry and once lived in Shiraz. His story, and its connection to Rosie May is gradually revealed through the music, the poetry and the people who seek her out. But will she ever discover the truth about her Iranian father?

Window Horses is a visually and musically beautiful movie, portraying a naïve Canadian woman exposed to a colourful and culturally rich country. This is an animated film with simple drawings. Rosie is a stick figure with two lines for eyes, who almost disappears in her Chador. Others have faces decorated with oblong jowls and curlicue eyes. Animation shifts from traditional two dimensional figures to sepia -coloured 3-D frescoes. Voices are provided by Sandra Oh as Rosie, with Don McKellar, Ellen Page and Shohreh Aghdashloo in other roles.

I like this movie.

Window Horses starts today in Toronto; check your local listings. And Schultze Gets the Blues is playing at the Heimat Now series at the Goethe Institute in Toronto.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Daniel Garber talks with Raindance founder Elliot Grove

Posted in Canada, Movies, UK by CulturalMining.com on March 3, 2017

Elliot Grove, RaindanceHi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Movies look so easy on the screen, but the trip from story to  script to finished product is Elliot Grove Sundancelong and arduous. So how do you do it? How do you break into the film industry?

You may have heard of the festival called Raindance. Based in London, Elliot Grove RaindanceRaindance is a combination of movies, courses, lectures and networking, a veritable indie hub for aspiring actors, writers and filmmakers. It’s where many new players turn to learn the ropes of filmmaking.

Founded in 1993 it is the work of author and filmmaker Elliot Grove, who is in Toronto for two weeks of intensive panels on pitching, writing and selling films.

I spoke with Elliot Grove in studio at CIUT.

 

Lions and Lambs. Films reviewed: Handsome Devil, Before I Fall, Bitter Harvest, Table 19

Posted in 1930s, Bullying, comedy, Coming of Age, Death, Drama, Gay, Ireland, Science Fiction, Supernatural, Ukraine by CulturalMining.com on March 3, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

March came in like a lamb, followed by a pride of lions, roaring at the gate. I’m talking about the spring film festival season, which is on now with films from Ireland and more.

This week I’m looking at movies with lions and lambs: a few comedies plus one tragedy. There’s friendship in Ireland, tragedy in Ukraine, fantasy in the northwest and a wedding in the midwest.

handsome devilHandsome Devil

Wri/Dir: John Butler

Ned (Fionn O’Shea) is a skinny redhead at a boy’s boarding school in Ireland. He likes reading and indie music, and dresses in hip rocker gear. Popular kid, right? Wrong. He’s bullied, reviled and labeled as gay just because he’s not into rugby. and rugby is the school handsomedevil_04sport.

Enter Conor (Nicholas Galitzine) his new roommate. Conor was kicked out of his last school for fighting. Is he an outcast? Just the opposite. He’s handsome, athletic and on the pitch he’s both nimble and brutal. He quickly becomes the king of rugby, a handsomedevil_05veritable idol at his new school. He’s even nice to Ned, and stops the bullies — especially one called Weasel — from beating him up. Has Ned found a friend?

Things get even better when a new English teacher, Mr Sherry (Andrew Scott) encourages the kids to broaden their interests beyond just rugger, to include music and literature. But that’s sacrilege, and the coach won’t have it. He decides to break up Ned and Conor’s friendship whatever it takes.

Handsome devil is a funny and moving coming-of-age story about an unexpected friendship. I like this one.

before-i-fallBefore I Fall

Dir: Ry Russo-Young

It’s a big day for Sam (Zoey Deutch), a teenaged girl in the Pacific northwest. It’s Valentine’s day and she’s going to have sex with her boyfriend for the first time. Her dad and mom (Jennifer Beals), and her cute little sister who likes origami, are all nice but they just don’t get it. It’s her posse, her three best friends, that she shares everything with: Ally – rich but insecure; Elody – sexually halston-sage-medalion-rahimi-cynthy-wu-zoey-deutch-in-before-i-fallaudacious; and Lindsay (Halston Sage). She’s the alpha dog, the honey badger: she always keeps her cool; just don’t get on her bad side.

Her school has special traditions for Cupid Day. All the girls (except the class lesbian) receive messages from their admirers. While the teacher drones on about the myth of Sisyphus, Sam gets baskets of roses delivered to her desk… including one _X6A7999.JPGfrom Kent (Logan Miller), a geeky poet in her class that she ignores. In the café, the four friends relentlessly mock Juliet Sykes (Elena Kampouris) a blonde woman with frizzy hair. She’s the school pariah… are Sam and her friends bullies? That night at the party, things spiral out if control, with a breakup, a drunken fight and a terrible car crash.

But the next morning it’s a new day and everything’s back to normal. Until Sam realizes… it’s the same day as yesterday! Her little sister’s origami, the rose from Kent, Juliet in the cafeteria, and the fight at the party. Like Sysiphus, she’s caught in a cosmic, karmic loop, and she can’t escape. No zoey-deutch-in-before-i-fallmatter what she tries to change, she still wakes up each morning on Valentine’s Day. Can Sam right all her wrongs in a single day, or will she be stuck to repeat them forever?

Before I Fall, is a fantasy set in the present day. There have been others about people caught in a repeating loop – Groundhog Day, Edge of Tomorrow, Source Code – but this is the first I’ve seen from a female point of view. Like the Twilight series, it’s set in the Pacific North West but without its unbearable soppiness. This is a good YA movie.

15194340_949283011838918_4071947400932947185_oBitter Harvest

Dir: George Mendeluk

It’s the 1930s in a small village in Ukraine. Yuri (Max Irons) is a young farmer who is also a skilled artist. He’s the grandson of a great swordsman named Ivan (Terrence Stamp), and is in love with his childhood sweetheart Natalka (Samantha Barks). They paint, frolic in the woods and attend church regularly. All is going well until the Russian Bolsheviks come to town, led by a man with a scar across his cheek. Sinister 15895153_988096897957529_6383476820894374352_nSergei (Tamer Hassan) is dressed in black leather from head to toe and carries a whip. Sign this paper, he orders, and collectivize those farms! Your farm, your wheat, even you belong to the state now! The people refuse and chase Sergei out of the village. But he will return.

After hiding the treasured town icon of St Yuri, his namesake sets off to Kiev carrying his grandfathers prized knife. In the city, he studies art and spends time with his best friend, Mykola. Mykola also happens to be the head of the Ukrainian Communist 15319318_967538840013335_3644678351628886805_nParty, uniting Ukrainian nationalism with socialism. But he doesn’t realize that in Moscow, Stalin has other plans at work. Stalin despises Ukrainians and vows to kill them all. Party members are purged, Yuri is sent to prison, and Stalin, with evil subordinates like Sergei, send all the wheat to Mother Russia, leaving Ukraine with a terrible 15941277_990987597668459_5998812033080133428_nfamine killing millions. A Bitter Harvest indeed.

Bitter Harvest is the story of a Ukraine village during the Holodomor, the horrible famine that killed millions of Ukrainians in the 1930s. It’s an important part of history, rarely portrayed, that deserves to be shown on the big screen. This movie, unfortunately, doesn’t quite cut it. While it includes authentic-looking Ukrainian costumes, locations and folklore, the rollicking story is just not told very well. The movie is clunky and Kludgy, unintentionally campy and melodramatic, and full of comic-book villains. It lacks the gravity it deserves. Bitter Harvest isn’t bitter enough.

table-19-posterTable 19

Dir: Jeffrey Blitz

Eloise (Anna Kendrick) is a grudging guest at her best friend’s wedding party at a lakeside hotel in Michigan. Grudging because her boyfriend Teddy – the bride’s brother – dumped her. Blonde, bearded Teddy (played by Wyatt Russell, looking like a younger and dumber Owen Wilson), is best man but Eloise has been demoted from maid of honour at the centre table to the dreaded table 19.

Table 19 is a veritable land of Lost Toys, the cast offs of the wedding party. Bina and Jerry (Lisa Kudrow, Craig Robinson) a bickering middle aged couple; Rezno (Tony Revolori) a socially-awkward adolescent; elderly Jo (June Squibb), the bride’s childhood nanny; and gangly ex-con 13123270_780360932099535_7819038637567418602_oWalter (Stephen Merchant). Eloise is mortified by her table mates and just plain depressed. But things start to look up when a suave and handsome stranger, named Huck, arrives. They dance and kiss before disappearing into the mist like a male Cinderella. But when jealous Teddy confronts her, mayhem ensues, resulting in a ruined wedding cake. The Table 19ers, retreat to their hotel rooms to clean up, and their they learn that they’re a lot more fun than they expected. Together they vow to find love for Eloise, a first date for Rezno, a reunion between Jo the Nanny and the bride, and more.

Table 19 is a gentle social comedy that shows that, once you get to know them, even outcasts are real human beings with foibles of their own. The script is co-written by the Duplass brothers, known for their indie movies about quirky oddballs. It’s tame for a comedy, with a few too many pratfalls, but it’s also touching, with a cute, romantic ending. Hendricks is terrific as Eloise, and the rest of Table 19 all keep their characters from falling into dumb stereotypes.

Table 19, Before I Fall, and Bitter Harvest all start today in Toronto; check your local listings. And Handsome Devil is playing this weekend at Toronto Irish film fest. Go to toirishfilmfest.com for info.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Daniel Garber talks with movie critic Simon Howell about the Oscars

Posted in Cultural Mining, Hollywood, Movies by CulturalMining.com on February 24, 2017

sordid-cinemaHi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Hooray for Hollywood. Yes, it’s Oscar time again, with the excessive glitz and glamour that goes with the award ceremony: things like 100,000 dollar swagbags, and a red carpet to show off a parade of dresses. Then there’s the awards themselves, the celebration of an increasingly rarefied and incestuous genre that some say exists only for the awards themselves. And yet… as many as a billion people still watch it – including me.

To help me talk about the Oscars and present our (probably) wrong predictions, I invited movie pundit Simon Howell.  Simon co-hosts two podcasts: one focused on genre film called Sordid Cinema, and another The Lodgers, a Twin Peaks podcast, that he also produces. Previously a music and talk show host at CJLO in Montreal, Simon is an “avid devotee of all forms of expression that let you remain invisible.”

I spoke to Simon Howell in studio at CIUT 89.5 FM.

Black History. Films reviewed: A United Kingdom, I Am Not Your Negro

Posted in 1950s, 1960s, Africa, African-Americans, Apartheid, documentary, Drama, France, Gay, Racism, Romance, UK, US by CulturalMining.com on February 24, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

It’s Black History Month, so I’m looking at some historical movies that fit the profile. There’s a British drama about forbidden love and a united kingdom, and a French documentary about a writer’s look at African Americans in the divided United States.

A UNITED KINGDOMA United Kingdom

Dir: Amma Asante

It’s London in the 1950s. Ruth (Rosamund Pike) is an attractive, professional woman who lives with her parents. One night she meets a handsome student from Oxford at a dance. After a few dates he reveals he’s a prince, destined to become the king of a far off country called Bechuanaland. They fall in love, decide to marry, and move there… it’s like a fairy tale. But they face one problem. Seretse Khama (David Oyelowo) is black, and Ruth is white. This doesn’t A UNITED KINGDOMmatter much to them, but it does to the people around them.

Ruth’s parents are dead set against it, and as a mixed race couple they face abuse and even violence from strangers on the streets of London. In Bechuanaland, a British protectorate in Southern Africa, Seretse also faces trouble. He’s going against tradition by not choosing a wife from his own tribe. His uncle, the current Regent, objects strongly. And then there’s Sir Alistair Canning (Jack Davenport), a highly-placed diplomat in the foreign service. He’s condescending, snotty, racist and sexist – he A UNITED KINGDOMassumes Ruth works in a typing pool (because she’s a woman) when she’s actually an underwriter at Lloyds of London. And he has ulterior motives.

Bechuanaland (now Botswana) is a British protectorate completely surrounded by Rhodesia (Zimbabwe), South Africa and South-West Africa (Namibia). Since 1948, South Africa has been under apartheid rules which make it illegal for whites and blacks to marry. For the king of Bechuanaland to openly flout these racist laws might undermine South A UNITED KINGDOMAfrica’s legitimacy. South Africa is a commonwealth member and the region is a huge source of mineral wealth for multinationals. Under current laws, Seretse and Ruth are not legally permitted to share a drink in a restaurant… in the land he’s supposed to rule!

Politics is strange. Seretse is forced into exile, while Ruth – and their new baby – remain in Africa. Can Ruth and Seretse win the trust of their countrymen? Can they win the sympathy of the British public? Can they bring justice and prosperity to a remote arid country? And can love hold a separated family together?

A United Kingdom is a historical drama, with equal helpings of romance and British parliamentary politics. It’s based on a true story I knew nothing about. Although it ends abruptly, it has a surprisingly fascinating story. I liked this movie.

3ea9d0fe-c6c6-4980-9ef1-727cc28d7b96I Am Not Your Negro

Dir: Raoul Peck (Written by James Baldwin)

James Baldwin was an African American writer, the author of Notes of a Native Son, and novels like Giovanni’s Room. Born in Harlem he took part in the civil rights movement of the 50s and 60s. But because of the racism and potential violence he faced in America he left for Paris where he spent most of his life. He joined the expat community there, including Nina Simone and Josephine Baker. He wanted to be known not as a black writer,  not as a gay writer, but 6bbac4d9-bdd8-4d22-aae4-fa76fe7ab6a0as a writer.

This film follows Baldwin’s writings on three important figures in the struggle for civil rights: Medgar Evers, Malcolm X, and Martin Luther King, Jr.,

They represented, respectively, the NAACP, Black Muslims, and the Southern Christian Leadership Conference. All three were spied on and harassed by the FBI and labeled “dangerous”, and all three were assassinated before the age of 40.

Courtesy of the Mississippi Department of Archives and History.

Courtesy of the Mississippi Department of Archives and History.

Baldwin looks back at their stories and his encounters with them, but also sets himself apart. He’s not a Muslim, not a Christian, not a member of the NAACP or the Black Panther Party.

The title, I Am Not Your Negro, is Baldwin’s central point. The story of the Negro in America, he says, is the story of America, and it’s not a pretty story. It’s a history of violence and racism.There is no difference between the North and South, Baldwin says, just the way you castrate us. He covers slavery, lynching, segregation, and incarceration. And the film neatly connects the slaying of Medgar Evers by a white supremacist with current racist murders, like the deaths of Tamir Rice and Trayvon Martin

4357c413-cb69-4edf-841e-9d3ce1e5660b Samuel L Jackson’s narration of Baldwin’s prophetic words alternates with Baldwin’s own voice: on the Dick Cavett show and at the Cambridge Debates. Baldwin – and director Peck — tells his story with a barrage of Hollywood images. From the pink-scrubbed face of a dancing Doris Day, to John Wayne’s 7f8cc584-e699-49bc-ba66-791cb899b7f5confidence in killing native Americans. Baldwin recalls his childhood shock at a John Wayne Western when he realized he’s not the “cowboy”, he’s the “Indian”.

I Am Not Your Negro is about the fear and violence faced by African Americans. It’s a terrific documentary, a cinematic essay told through the masterful use of period still images. These are not the photos and clips you’re used to but jaw-dropping, newfound pictures. There’s lush nighttime footage and a fantastic juxtapositions of words and images. (The film reminds me of the work Adam Curtis.) It’s nominated for an Oscar for best documentary.

A United Kingdom and I Am Not Your Negro both start today in Toronto; check your local listings. Also opening this weekend: if you’re a cat person, there’s Kedi, about the street cats of Istanbul; or if you’re a zombie or a zombie-lover, there’s the wonderful horror movie The Girl with all the Gifts (read the review here).

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Youth. Films reviewed: Land of Mine, The Young Offenders, Before the Streets

Posted in Canada, Coming of Age, Denmark, Depression, Drama, drugs, First Nations, Germany, Indigenous, Ireland, Movies, WWII by CulturalMining.com on February 17, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Twelve to twenty-four-year-olds make up the biggest chunk of frequent moviegoers in North America, but what are they given to watch? Superheroes, spaceships, slashers and rom-coms. Rare is the serious movie about people their age, people they can identify with. So this week, I’m looking at movies about youth. There are two guys in Ireland searching for cocaine, Germans in Denmark digging up landmines, and an aboriginal man in Quebec facing up to his past.

bd52baf8-2b00-4bee-a2ae-a68f84b1982a

Land of Mine (Academy Award nominee: Best Foreign Language Picture)

Wri/Dir: Martin Zandvliet

It’s Denmark, May, 1945, Victory in Europe and the hated German soldiers are force- marched back across the border. But they left a gift: thousands of landmines planted across pristine Denmark’s beaches. (They thought the allies would invade there, not in Normandy) Hard-ass Sgt Rasmussen (Roland Møller) is called in to supervise a cleanup of the beaches using German POWs. They put them there — they should be the ones to get rid of 8e2649d8-61de-447e-894b-6dbd2abd2cd4them. It’s a simple process: sweep off the sand, unscrew a bolt, defuse the mine, then move on to the next one. Do it wrong you get blown up. Do it right you get sent back home… once the entire beach is clear. And that’s when you’ll get to eat again – no point wasting food on Nazi POWs.

97abadb7-b7bc-47f5-839f-d1216540b6d0What Rasmussen doesn’t expect is that these so-called soldiers are just boys, pulled off farms and remote villages at the end of the war. Kids like innocent identical twins Ernst and Werner (Emil and Oscar Belton) who still hold hands to feel safe; the earnest Sebastien who always wears a paisley scarf (Louis Hofmann); and even the bitter Helmut (Joel Basman) who considers himself in charge of this ragtag unit. Can these teenagers keep up their morale even as they see 25579aa2-36b8-4321-9219-c9e677cfa6bctheir friends exploding all around them? And can hard-hearted Sgt Rasmussen ever feel for these boys that are his prisoners?

Land of Mine is a touching, high-tension war drama based on true events. And you can’t help but feel for these poor kids forced into a horrible situation. I cried. It’s a real tear-jerker, and it addresses long-hidden war guilt on the part of the allies — stories that must be told. But it’s also very manipulative, painting Germans as the innocent victims and Danes as their cruel oppressors… just days after the end of WWII!

youngoffenders_06The Young Offenders

Wri/Dir: Peter Foott

It’s 2007 in Cork, Ireland. Two 15 year olds, Conor and Jock (Alex Murphy, Chris Walley) are schoolmates. They’re inseparable, with the same tracksuits, the same haircuts, the same zits. They even share the same underwear.

The shorter one, Conor, works in a fish shop with his single mum. Jock’s lives with his dad an abusive drunk. The taller Jock earns money as a bike thief known as Fake Billy: he commits his crimes wearing a realistic rubber mask that looks just like the real Billy, a dangerous local hood. Jock and Conor aren’t particular smart or youngoffenders_02good looking or rich, but at least they have each other. Then fortune smiles on them – they hear about a shipwreck of 61 bales of contraband cocaine, worth 7 million Euros each, off the coast of Ireland. This is their chance. Even if they get caught, as 15-year-olds they’d avoid doing hard time.

So they set off across the country on two stolen bikes to find their one bale of coke. But they don’t realize they’re being chased by a vengeful cop, a deranged drug dealer, and a vicious hood. Will their friendship – and their lives – survive this great road trip?

This is a fun, laddish road movie about life as working-class teens in Ireland. Cute.

beforethestreets_03Before the Streets

Wri/Dir: Chloé Leriche

Shawnouk (Rykko Bellemare) lives a nice life in his Atikamekw community, with his little sister and her baby, their mom and stepdad. He hangs with his best friend, and his on-again, off-again girlfriend. He playing a drums, singing,, smokes grass and exploring the land. But things started to go bad when his stepdad, a cop on the reserve, takes away his bingo winnings. Now he’s broke so he agrees to act as a guide for Thomas (Martin Dubreuil), a Québécois he meets at the liquor dealer’s house. Thomas says he’ll just take the stuff rich city folk leave behind in their summer cottages. But the very first burglary ends in disaster, and Shawnouk flees into the woods in horror. He is beforethestreets_04taken in by strangers, an elder and her granddaughter who nurse him back to health. Reading his face she tells him he must talk with someone about what happened. She wraps tobacco in a piece of red cloth and tells him to go to a sweatlodge on a nearby island.

He takes her offering but stows it always and returns home as if nothing happened. But his cop stepdad is investigating Shawnouk’s crime and is covering it up.

beforethestreets_02But far from relieved he is wracked with guilt and self loathing for what he did, and his bad feelings spread to the rest of his family. His stepdad takes it out on him, forcing him into a horrible job killing stray dogs. He can’t take it anymore. He heads off to his last hope, the sweatlodge, though he knows it won’t help.

Before the Streets is a first film, different from anything I’ve seen. The roles are played by non-actors from the director’s community and all dialogue is in their own language. It’s shot entirely from an aboriginal point of view, incorporating the director’s culture, language, customs and music. It covers sweat lodges, smudging, gift giving and healing, as well as negative issues like suicide, depression, and domestic violence. A touching and informative first feature.

Land of Mine opens today in Toronto; check your local listings. Young Offenders and Before the Streets are both playing at the Next Wave Film Festival right now showing movies and events for free if you’re 25 or younger. Go to tiff.net for details.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Daniel Garber talks to Louis Theroux and John Dower about My Scientology Movie

Posted in Movies, documentary, L.A., Docudrama, Mind Control, Psychology, Interview, Religion by CulturalMining.com on February 17, 2017

mv5bnza0ndc2mjcxml5bml5banbnxkftztcwntk1mjcxnq-_v1_sy1000_cr006641000_al_Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

The Church of Scientology, founded by science fiction writer L Ron Hubbard, is an organization now led by David Miscavige.  Miscavige was raised as a Scientologist and has been a practitioner since he was a child. It attracts followers from around the world partly drawn by John Dowerthe success of its celebrity members. But its secrecy — along with rumours of mind control and corporal punishment — also attracts investigative journalists who want to find out what goes on behind closed doors.

Louis Theroux is one of these journalists, stymied from entering the inner sanctum of Scientology. Instead he decides to shoot Louis Theroux_My Scientology Moviehis own Scientology movie in LA,  auditioning actors to play the roles of Tom Cruise and Miscavige, with former members on hand to give first-hand guidance.

My Scientology Movie is a new feature documentary about Scientology, about making a film about Scientology, and about Louis Theroux_My Scientology MovieScientologists doing everything they can to stop him.

It’s presented by Theroux and directed by John Dower.

Louis Theroux is an award-winning BBC writer/broadcaster known for his intriguing but controversial subjects.  John Dower creates acclaimed documentaries like Thriller in Manila. The two of them co-wrote this film which opens today in Toronto at the Hot Docs Cinema.

I spoke to them in London from CIUT in Toronto via Skype.

Whence America? Films reviewed: Paterson, Tell Them We Are Rising: The Story of Black Colleges and Universities

Posted in African-Americans, College, comedy, Cultural Mining, documentary, Drama, Racism, Slavery, US by CulturalMining.com on February 10, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

The recent executive order known as the Muslim Ban has made the lives of hundreds of thousands of American citizens and residents uncertain. So uncertain that some refugee claimants are fleeing the Land of the Free, seeking sanctuary across the frozen border in Canada.

Whence America? Where is that country heading?

This week, I’m looking at two movies that give a more optimistic look at life in the United States. There’s a new documentary about Historically Black Colleges, and a quirky drama about the state of life in a post-industrial town.

spelman-college-1964Tell Them We Are Rising: The Story of Black Colleges and Universities

Dir: Stanley Nelson

Did you know that under slavery, it was actually illegal for African Americans to learn to read and write? And that even slave owners – who could beat, sexually assault or even murder their slaves with impunity — were legally forbidden from educating them? It was in the best interest of the Government and slave owner to keep black Americans ignorant, docile, and illiterate.

To counter this, after emancipation and the civil war, African Americans realized education was the most important way to rise up from slavery. The first colleges were opened based on the writings of scholars like Frederick hbcu-students-from-c-1900-graduates-of-atlanta-baptist-college-and-spelman-seminary-from-the-institutions-that-were-later-known-as-morehouse-college-and-spelman-collegeDouglas. And like Douglas, the first students were born into slavery. Early education efforts were aimed at skilled trades or religion, but as the movement grew it shifted to academic subjects.

Two schools of thought emerged. Southerner Booker T. Washington believed in a business-oriented outlook, centred on entrepreneurship but was opposed to any protests or political action confronting the status quo. W.E.B. Du Bois took the opposite stance, and led the movement toward equal rights.

Many of the early colleges were run by whites, who imposed harsher disciplinary policies on black students students.

bp_standingfedbldg_seattle-e1401981658505Fisk University harshly segregated the students by sex and forbade social interaction. This led to a protest and an organized walkout until the school President resigned.

By the 1930s and 40s, the teachers and administration positions were increasingly filled by blacks, many of whom had been educated at these same colleges and universities. The US was still strictly segregated under so-called separate but equal laws. So all the best and the brightest students flocked to these schools, becoming the new black middle class. Doctors, lawyers, teachers, preachers and judges all passed through these schools, including renowned Supreme Court Justice Thurgood Marshall (Howard University Law School).

By the the 1950s and ’60s these schools also became a hotbed of black-led political movements. Civil rights tell_them_we_are_rising_the_story_of_black_colleges_and_universities_xlgactions — like sit-ins at segregated lunch counters — were spearheaded by students at black universities..

100 years after it was a crime for blacks to read or write, the Brown v Board of Education decision promised to end segregation in schools. But this had an unexpected negative impact on black colleges. With white universities now open to black students, there was a brain drain of top applicants to ivy league schools.

Today there are still over 100 black colleges and universities, some thriving, but others crumbling for lack of funds.

Tell Them We Are Rising: The Story of Black Colleges and Universities is the first documentary to tell the full history of this important but not-widely-known institution. It’s narrated by voiceovers and talking heads: historians and former students and professors from these schools. It’s beautifully illustrated with period photos and film clips touching all aspects of black college life, including educational,  political movements and social: fraternities, and sororities, sports and music.

It’s by director Stanley Nelson who also made the excellent The Black Panthers: Vanguard of the Revolution.

04e8c932-9d19-4a19-8e05-12ebd8db89f2Paterson

Dir: Jim Jarmusch

Paterson (Adam Driver) is a bus driver who lives with his girlfriend, Laura, in a small house in Paterson, NJ. He lives a routine life. He carries a lunchpail to work each morning, and a notebook to write down any poems that might occur to him. He eats lunch in a tiny national park. After work he talks with Laura over dinner. And each night he walks his dog to a neighbourhood bar and stays PATERSON_D25_0077.ARWfor a drink or two, chewing the fat.

Laura (Golshifteh Farahani) is an artist who remembers her dreams. She covers everything around her in rough swaths of black and white. Clothes, chairs, curtains, cupcakes… their home is her canvas. Except for his basement where he goes to tinker with things and think. The two of them have a symbiotic relationship. he is the observer, passively PATERSON_D19_0011.ARWtaking in what he sees and hears around him. She is the dynamic one, planning their future, and launching business projects that may or may not succeed.

The town of Paterson serves as the third character in the movie. It’s the first city in North America designed as an industrial centre powered by a series of 18th century canals and mills. It has become an artistic hub for New Yorkers who can’t afford the high rents of that city. Jarmusch includes these brick factories and waterfalls in all his outdoor shots. What he doesn’t show is the parts of town with a large and vibrant middle eastern community there. Instead they’re represented by Laura, played by a Persian American actor. (Paterson is also the place where Trump falsely claimed Muslims were dancing on their rooftops during 9-11.) Maybe it’s because I’ve visited Paterson the town, but I was really tickled by this movie.

Paterson is a richly minimalist film that leaves you feeling good about the state of the world.

Paterson opens today in Toronto; check your local listings. And Tell Them We Are Rising: The Story of Black Colleges and Universities is playing on February 15th at the opening night of the Toronto Black Film Festival. Go to torontoblackfilm.com for more information.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

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