Folk Heroes. Movies reviewed: Soul Kitchen, Mesrine: Killer Instinct, The Disappearance of Alice Creed, plus Joan Rivers A Piece of Work, and Toronto After Dark Festival

We’re at the hottest time of the year, the dog days of summer, and, with all the sticky, sultry weather, some people get boiled into limp submission… and others just boil over. This week, there was a Johnny Paycheck at Jet Blue Airlines, who’d had it. After being bonked on the head by a falling piece of luggage, he took to the airplane mike, and mouthed the equivalent of the old ’70’s country song “Take this job and shove it, I ain’t workin’ any more”. The flight attendant, Steven Slater, activated the airplane emergency slide, grabbed a couple cans of beer, and slid away. They’re already calling him a folk hero – someone who went with his feelings.

Well, there are some movies opening this weekend, with some very different takes on what to do with your life, including its anger and frustration. And one of them is about an actual folk hero.

Soul Kitchen

Dir: Fatih Akin

This movie is about Zinos (Adam Bousdoukos), a German-Greek guy from Hamburg who owns a rundown diner in an old warehouse. One day, he’s with his rich girlfriend at a big family dinner, when something happens. A customer has complained that his soup is cold. No big deal. Except… the soup is cold gazpacho. So when the customer demands he heat it up in the microwave, the chef goes ballistic and comes out of te kitchen brandishing a cleaver.

Zinos witnesses all this and hires him on as a diner chef. The movie –aside from all the great food shots of chopping and stirring, is really about poor Zinos’s misadventures as he tries to get his restaurant and his life back in order. He has to deal with his icy girlfriend who has relocated to Shanghai; his brother, a thief and gambler on day parole who wants a job but doesn’t want to work; Socrates, an old bearded guy in a Greek fisherman’s cap who’s building a wooden boat behind the restaurant; and the various city zoning officials and real-estate speculators who seem to be teaming up to make his life miserable. And then there’s his bad back…

It’s unusual to see German movies with multi-ethnic casts and storylines – that’s an interesting change. And this cute, light German comedy has lots of scenes of diverse characters rolling with the punches, and eventually exploding. It’s an OK movie, (not a great one) with lots of sex, drugs and rock and roll. Actually, “Soul Kitchen” feels most like a TV sitcom pilot: Introducing all the madcap friends of the beleaguered main character who you can enjoy watching in his crazy musical restaurant, week after week…

The next movie, a biopic, is a lot more powerful.

“Mesrine: Killer Instinct”

Dir: Jean-Francois Richet

Screenplay: Abdel Raouf Dafri (who wrote last year’s amazing prison gangster flick Un Prophete / A Prophet).

Jacques Mesrine, not so well known here, is a full-fledged folk hero in France, and maybe in Quebec. After serving his term with the French army in Algeria (France’s “Vietnam”) he has to move back in with his parents. His mother is demanding, his father is conciliatory and he hates them both. Jacques (or Jacky) wants pride, he wants glory.

He becomes a burglar and a thief of some renown. He can talk himself out of trouble, no prison can hold him. He’s quick with a gun, and a even quicker when there’s a chance of meeting a pretty girl. He rides sports cars, dresses in suits, and keeps a narrow military moustache. When his beautiful and fiery-tempered Spanish wife Sofia leaves him after a violent incident, he takes off for greener pastures. Soon, he’s in Montreal in the late 60’s, with a new Bonnie to his Clyde: Jeanne Schneider. And he shares Molson Ex stubbies and bottles of Canadian Club with his new best buddy, Jean-Paul Mercier from the FLQ. And when they end up in a horrific Quebec penitentiary, they vow: dehors ou mort — to get out or die trying.

“Mesrine: Killer Instinct” is extremely rich, and epic in its scope. From the slick, period scenes of the Parisian demimonde of the 60’s, to the vast hyper-realism of Montreal – forests, bridges, ship yards, and apartment complexes — it all rings true.

The acting – especially the wiry, charismatic star Vincent Cassel, who’s made a career playing fighters and anti-heroes – is absolutely amazing. Gerard Depardieu as his gangster boss, Roy Dupuis as his Quebec friend; and the two female leads, Cecile de France, and Elena Anaya as two of his lovers — they’re all just perfect.

This is a great look at an extremely violent gangster who captured the imaginations of a generation. The movie also gives, for the first time, a stark look at the Canadian prison system in the 1970’s. Really shocking. I do recommend this movie, just be aware it’s quite violent, and it only covers the first part of Mesrine’s life. (“Mesrine: Public Enemy No.1” is coming soon.)

“The Disappearance of Alice Creed”

Dir: J Blakeson

Also opening this weekend, is a thriller I saw last year at the Toronto Film Festival.

Alice Creed is a young woman woman who is kidnapped, bound, gagged and tied to a bed by two masked men. They have a foolproof plan — to hide her in a high rise apartment, without her ever knowing who they are. Their plan is flawless… until it begins to fall apart.

Is she really a total stranger? How

can these two men trust each other? And how innocent a victim is the young woman?

As the three players in this intrigue shift alliance, blame, and loyalty, the power equation constantly changes.

Eventually it all breaks down to who gets the satchel of cash. But isn’t there some sort of unwritten rule for movies — that there can only be so many plot twists before it completely loses its point?

Spindly plot legs can’t support a story with too many heavy plot reversals, and this one has more than you can count. I liked the fact that it has a tiny cast — just the three of them — and I liked seeing Eddie Marsan (the loopy driving teacher from “Happy-Go-Lucky”: En! Ra! Ha!) in another unusual role. But the acting is better than the story. This is not terrible, but not a great one either.

And if these three movies aren’t enough, there’s a fourth one opening this weekend: “Joan Rivers: A Piece of Work” (directed by Ricki Stern and Anne Sundberg) a tell-all documentary about the famous stand-up comic and talk-show host.

This is a really funny movie, with lots of the comedian’s offensive one-liners. You also get to see her behind the scenes reconstructing her face and body for the audiences; and her personal struggles with her husband, daughter, agent and career. As someone who is not a fan of Joan Rivers, and had never actually seen her perform before, even on a talk show, the movie was surprisingly entertaining. I don’t like celebrity culture at all, but this is one good, funny documentary. I don’t know if Joan Rivers can ever be called a folk hero, but she’s a real piece of work.

Finally, for people who love horror, cult, action and science fiction movies, you’re in for a treat. It’s time again for the Toronto After Dark festival.

One full week of al the ninjas, zombies, aliens, robots and monsters you can stand. I haven’t seen any of the movies playing, but the titles say it all: “RoboGeisha”; “Alien vs Ninja”; “The Human Centipede”; and a new remake of the revenge classic “I Spit on your Grave”. Whoa! More scary B-movies than you can shake a stick at. And there’s a special appearance by none other than Eli Roth (who directed “Hostel” and acted in “Inglourious Basterds”) along with the cast of his latest production, “The Last Exorcism”. After Dark is also the kind of festival that attaches short films before the main feature, something that should be done more often.

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