September 21, 2012. TIFF Round-up. Movies Reviewed: Silver Linings Playbook, Lawrence, Anyways + TIFF12 awards

Posted in Cultural Mining, Dance, Drama, Football, Mental Illness, Movies, Quebec, Queer, Trans, Uncategorized, US by CulturalMining.com on October 6, 2012

Photographs by Jeff Harris

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, documentary, genre and mainstream films, helping you see movies with good taste, movies that taste good, and how to tell the difference.
Xavier Dolan TIFF12 awards Photo by Jeff Harris

TIFF is over for the year. I feel like a kid who was left, unsupervised at an all-you-can-eat buffet with no one to tell me to stop stuffing my face. I ended up seeing 53 TIFF movies (if including the 17 press screenings I saw in the weeks before the festival started), and liking about 2/3 of them. I ran on adrenaline — not food, sleep, or exercise — for the length of it, turning my eyes red, my body to mush, and my brain to putty. Luckily I kept good notes.

The winners were announced on Sunday, with the Blackberry People’s Choice going to Silver Linings Playbook, the Midnight Madness award to the very funny Seven Psychopaths, the NETPAC award to Sion Sono’s excellent Land of Hope, a look at the Japanese nuclear meltdown, and the City of Toronto award to Laurence, Anyways. The Canadian first feature prize was split between Jason Buxton’s excellent Blackbird, for its authenticity and social conscience, and Brandon Cronenberg’s Antiviral for its sophisticated visuals and plot. So this week, I’ll take a look at two of these winners, both of which deal with odd couples and mental illness.

Silver Linings Playbook

Dir: David O. Russell

When Pat Jr (Bradley Cooper), a schoolteacher from suburban Philadelphia, is let out of a me­ntal hospital he vows to make his life better. He’ll get back in shape, re-connect with his estranged wife, Nikki, and stop all the negativity in his mind. He’s going to look at the silver linings in his life, not the dark clouds. But the dark clouds keep coming back. He has moved back in with his mom and dad, and Pat Sr. (Robert de Niro) is an abusive, obsessive-compulsive bookie. Pat Sr wants his whole family to base their lives on his obscure patterns and lucky shirts so he can bring the Eagles football team to NFL victory.

Meanwhile, Pat Jr will do anything to get a letter to Nikki, and he finds out the way to do that, when he meets Tiffany (Jennifer Lawrence), an extremely intelligent and beautiful young woman who stalks him during his morning jogs.

She’s the only one who can see through his BS without being afraid of his odd behaviour. Tiffany understands what he’s going through – since she’s had her own episodes and sexual compulsions. So if Pat agrees to be her dancing partner in a contest, she’ll help him get his wife back. But is that what she really wants?

Silver Linings Playbook is a fun, crowd-pleaser that presents mental illness as a palatable, fascinating, and easy-to-understand difficulty that people can overcome with hard work, the right attitude, and a bit if help from friends and family. Bradley Cooper and Jennifer Lawrence are a nice couple, and De Niro is finally acting again, not just mugging for the camera. I have absolutely no interest in Philadelphia’s football scene, or Dancing With the Stars, but the fact that the story depended on those two subjects didn’t make it ay less interesting.

Laurence, Anyways

Dir: Xavier Dolan

Laurence Alia (French actor Melville Poupaud) is a slim prof with a black buzzcut living in Montreal in the late 80’s. He’s in love with his fiery, beautiful and passionate girlfriend Fred (Suzanne Clement). She’s gaining fame as an assistant director while he’s fighting off the adoring looks of the pretty girls in his lectures on Celine. And the two of them are trying for a baby. But one day, in the middle of having sex he confesses he’s about to die. The old Laurence of the past three decades was all a façade which he is now throwing away to make way for the real Laurence: a woman! Fred is shocked and their relationship teeters on the brink.

As Laurence embarks on her transition, she loses her job, and since she can’t easily “pass” in public, she faces physical danger and derision from strangers. When Lawrence is bashed in a bar she is given refuge by an unusual family – the Five Roses. He awakens in a palatial building filled with the actual tabernacles, chalices, hostiesand ciboires that Fred curses about in one of her rants — a sort of a cathedral of transsexuality, a Quebecois Notre Dame des Fleurs.

Fred, meanwhile, is left to deal with her bipolar episodes on her own, as Laurence is more busy with her own changes than that of her lover. As the decade passes, Fred retreats to Trois Rivieres with a handsome but bland husband, while Laurence, with a new blond girlfriend, publishes her poems in Europe. Will the troubles that tore them apart bring them back together?

Laurence, Anyways is a long, complicated melodrama of mismatched lovers immersed in  Quebec’s cultural life even while facing their personal trials alone and together over the course of a decade.

Poupaud and Clement are great as the lovers, and Monia Chokri (as Fred’s acerbic and offensive sister Stephanie) steals every scene she’s in. This is not a perfect movie: it’s longer than it needs to be, the story has some confusing omissions which leave me unsatisfied, and some of the montages — which look like 80’s music videos — while a welcome break, are a bit jarring. (They feel like the director is intruding into his characters’ story).

This is how I felt watching it. But an amazing thing happens: in the very last, short scene, it all ties together with a masterful ending. This is Dolan’s most challenging and sophisticated  movie so far.

They’re both good, enjoyable movies, touching similar topics.

Laurence, Anyways is less commercial than Silver Linings, the mentally ill characters are less delightful, but it feels more passionate and heartfelt, and less calculated and Oscar-hungry.

Silver Linings Playbook and Lawrence Anyways both won major awards at TIFF. Laurence opens this weekend and Playbook will be released later this fall. And don’t miss the fantastic documentary opening soon at the Bloor, Detropia – a look at the collapse and possible revival of the rapidly shrinking city of Detroit.

This is Daniel Garber at the Movies, each Friday morning on CIUT 89.5 FM and on my website,culturalmining.com.

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