Scary and Scarier. Movies Reviewed: Dark Skies, Act of Killing PLUS Oscar predictions
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, documentary, genre and mainstream films, helping you see movies with good taste, movies that taste good, and how to tell the difference.
Oscar is back – and I’m not talking about Pistorius the Paralympics star’s trial. This weekend, the good and the bad compete for the most important prizes in the industry.
So, once again I will make my Oscar predictions – but a warning: I’m almost always completely wrong.
I have a feeling Amour, Haneke’s devastating film about the final years of an elderly couple, will come out on top. Zero Dark Thirty – the CIA torture-fest about the hunt for Bin Laden – will be largely shut out. And Silver Linings Playbook, the bi-polar rom-com, and Argo, a light, revisionist history about the Iranian hostage crisis, will divide the rest if the spoils.
Best Movie: Amour should win, but Argo will win. Best Actor: I haven’t seen Lincoln yet, so I can’t judge Daniel Day Lewis, but of the other four, Joaquin Phoenix did the best performance. He should win. Best Actress: Emmanuel Riva should and will win. Supporting actor? Robert De Niro in Silver Linings should win, but Christopher Waltz will win. Supporting actress: I liked Amy Adams in The Master, but I think Anne Hathaway will win. I think Michael Haneke will win best director and he deserves it.
The documentaries are all fantastic. I have a feeling Looking for Sugarman will win. And the foreign language films this year – Rebelle, No, Amour, Kon Tiki (plus Royal affair, which I haven’t seen) – are all outstanding. Three of them are on my 2012 best ten list, and No would be as well, if it had been released in time. You should see them all. And finally best original and adapted screenplays: I think Amour and Silver Linings will win that.
Some of the Oscar choices are scary, and so are their song and dance numbers. Even scarier are two movies: a Spielberg-style family thriller-chiller, and an unbelievably strange documentary out of Indonesia.
Dir: Scott Stewart
It’s a hot summer, and the fourth of July is a couple days away. In the best of times, the Barrets are not a perfect family. Mom and Dad (Keri Russel and Jeff Hammond) are in trouble: their mortgage payments are three months overdue. Daniel’s out of work, and Lacey’s real estate sales aren’t doing well. Then there’s their two kids, Jesse and Sam (Toronto-native Dakota Goyo and Kadan Rockett). Jesse is hanging out with an older, “bad” friend, Ratface, who introduces him to long guns, bong-smoking and vintage porn videos (Jesse’s 14.) They hang out in one of the fixer-upper houses Lacey’s trying to sell. And little Sam is having nightmares – the sandman keeps coming to him at night. Still, the family likes their nice suburban neighbourhood, with its swimming pools, American flags and backyard barbecues and don’t want to move. Jesse calms the waters by staying up late, talking to Sam by walkey-talkey.
But things go from bad to worse. Birds smash into the windows. The family starts having absence seizures, wetting their pants, and walking into walls. Strange bruises and marks are appearing on the kids’ bodies – is someone calling Children’s Aid? They open their mouths wide and start screaming, like in Invasion of the Body Snatchers. They wake up in the middle of the night to find strange, little tricks left behind by a Poletrgeist-like being. And humming sounds and bright white lights appear under doors, just like in ET and Close Encounters. (Get the picture?)
Dad is perturbed, so he puts video camera in all the rooms to see of there is any Paranormal Activity at night. And sure enough, he finds something… but what are they? Can they fight off the enemy and keep together as a family unit? Or will they disappear, one by one?
I love the pseudo-retro quality of the movie as they plunder all the scary movies from 70s and 80s. The kid actors are all great, and the adults are usually good. And there are some wicked semi-psychedelic dream sequences popping up all through the movie. They almost make the whole film worthwhile. Almost.
But the story is a mess, some of the characters are lame, and the dialogue waivers between good to chokingly awful. So even though I felt like I should like this kind of film – it was really disappointing, especially the ending. It almost feels like they ran out of money before they could rewrite flubbed dialogue, and re-shoot missing scenes, and just decided to release it half edited. Too bad.
Dir: Joshua Oppenhemier (and another director remains anonymous)
This is one of the weirdest documentaries I’ve ever seen, and has to be seen to be believed. Apparently, a group of former militants from Sumatra, Indonesia, decide to produce a fun, action film portraying the torture and murders it carried out in the 1960s. And they want to play themselves and their victims on the original sites where they murdered them. But they want to make it enjoyable, so they add musical numbers, dancing girls, a man in drag (one of the killers) for comic relief, and all sorts of additions to make it “entertaining”.
Historical context: In 1965-66, there were riots and mass-killings of about half a million ethnic Chinese Indonesians and Communist Party members in the mid-sixties around the fall of President Sukarno.
This is simultaneously the western filmmaker’s a first-hand record of the mass murderers unapologetically admitting their war crimes, and a film-diary of a bizarre low-budget Indonesian pop production. Jaw-dropping film.
Dark Skies opens today, check your local listings; Act of Killing is playing at the Human Rights Watch film festival in Toronto – go to tiff.net for details; and the Academy Awards are on TV this Sunday. Also opening tonight in Toronto is the very cool, experimental film Tower, directed by local Kazik Radwanski, who I interviewed last week. Check that one out.
This is Daniel Garber at the Movies, each Friday morning on CIUT 89.5 FM and on my website, culturalmining.com .