Putting Together, Tearing Apart. Movies Reviewed: Earth to Echo, It’s only Make Believe, Borgman
Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, documentary, genre and mainstream films, helping you see movies with good taste, movies that taste good, and how to tell the difference.
Does your life ever feel like a never ending battle between order and chaos? This week I’m looking at three movies that explore this theme. There’s an American sci-fi adventure about kids trying to put the metal pieces of an extraterrestrial back together; a Norwegian drama about an ex-con trying to put her family life back together; and a Flemish movie about a mysterious visitor trying to tear a family apart.
Three best friends — Munch, Tuck and Alex — go to Junior High together in Nevada. Munch (Reese Hartwig) is a chubby blond kid with with glasses. He’s the kind of boy who has to line up his ketchup packets, just so. He’s OCD. He’s also an electronics whiz. Alex (Teo Halm) is a tough talking foster child whose worst nightmare is being abandoned by his family. And Tuck (TV rapper Astro) is the leader of the group – he’s smart, but ignored by his parents and cooler, older brother.
They’re about to tear down their neighbourhood to build a freeway, so it’s the three boys’ last day together.. That’s when they discover something strange – cryptic messages coming through their cellphones that point to a place in the desert. They hop on their bikes and head out on an adventure.
This leads them to find a rusty hunk of junk… which turns out to be a living, sentient being of some kind. It’s a palm-sized metallic ET: an owl with awesome magnetic powers. Joined by a smart girl, they name the metal thing Echo and decide to help him find his spaceship to take him back to… well, wherever he came from. But can they outsmart all the meddling grown-ups, and scary government agents, who might mess it all up?
Earth to Echo is a fun, kids’ movie, totally enjoyable by adults. It’s all about found footage and jiggly, handheld cellphone cameras. Obviously it harkens back to ET, with its Spielbergian feel, but it’s very much a contemporary story. More Super 8 than ET. No stars, simple dialogue, but very engaging characters, and awesome special effects involving pieces of metal coming together in midair. I liked this one.
Frank and Jenny are young lovers who do casual work together in small town Norway. That work involves petty crime, and they dress the part, with matching leather jackets and blonde hair. On their way to a small job, Jenny (Silje Solomonsen) tells him she’s pregnant. He’s elated, gives her a stolen engagement ring, and vows to stay together forever. But the simple job goes wrong and someone is killed. Ten years later, Jenny is out of prison, ready to start a new life. A childhood schoolmate, Gary, who works at a bank, wants to date her. But she has no money, just an old, broken down home. Fiance Frank is quadriplegic and comatose. Their daughter, Marete, born after Jenny was in prison, has a stepmother of her own. She’s into crazy dancing and horse riding. And, to Jenny’s dismay, the dark figures from her past – drug dealers and thugs — start to pop up again, trying to drag her back to a life of crime. Can she shrug off the old and start anew?
This movie is hard to categorize. One scene is a happy montage of playing with her 10-year-old daughter, and renovating her house. The next will be sinister encounters with violent criminals. Then more happy montage with pop/folk music… then more violence. Is it a family drama or a crime thriller? I have no idea. But the acting is good, the main star, Solomonsen, is easy to watch, and the story keeps you interested.
Richard and Marina (Jeroen Perceval and Hadewych Minis) are a successful couple who live in a mansion surrounded by woods. He’s an arrogant but successful executive,
while Marina is a compassionate but bored and naïve housewife. A Danish nanny named Stine cares for their three perfect children.
But into this world comes Camiel Borgman (Jan Bijvoet) a combination magician, tramp, fantabulist, storyteller and demon. . He has long hair, a beard, and looks like he just stepped out of a Rembrandt painting. He, and his confreres Ludwig and Pascal, live like hobbits in underground houses connected by twisted tunnels. Rounding out their team are two deadly, female hitmen, and a pair of elegant race dogs.
They gradually work their way into the family and strange things begin to happen. Camiel tells strange old fairytales to the kids, indicting them into his view of the world. People start dying and disappearing. Richard notices an X mark tattooed onto his shoulder. And at night Camiel climbs onto Marina’s sleeping body like a succubus, implanting scary dreams into her thoughts.
Borgman is a very strange, dark comedy, a combination fairytale, fantasy, horror movie and family drama. It remind me of French director Leos Carax, but with that distinctively cold northern European deadpan feel. Really weird, cool movie.
Earth to Echo is now playing and Borgman, and It’s Only Make Believe open today in Toronto. Check your local listings. Also opening today is Gerontophilia, from director Bruce La Bruce.
This is Daniel Garber at the Movies, each Friday morning on CIUT 89.5 FM and on my website, culturalmining.com