Stars as Commodities. Film Reviewed: The Congress PLUS TIFF14 Whiplash, Mommy, Heartbeat

Posted in Animation, Canada, Cultural Mining, LGBT, Mental Illness, Movies, Pop Art, Quebec, Queer, Science Fiction by CulturalMining.com on August 28, 2014

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, documentary, genre and mainstream films, helping you see movies with good taste, movies that taste good, and how to tell the difference.

Are movies and movie stars and their images commodities? Things that can be bought sold and traded, just like stocks and bond, like bitcoins and pork belly futures? In some ways, they are. International film festivals — like TIFF, which opens in Toronto in less than a week — are partly there to put films on the market. This week I’m going to talk about an unusual new film about movie stars as commodities, and, first, three must-see films coming to TIFF.

One movie that jumped out at me and slapped me in the face is

282f0eaa028d2851cd1689724e8a76deWhiplash
Dir: Damien Chazelle

Andrew (Miles Teller) is a 19-year-old drummer just starting at a prestigious music conservatory who is spotted by Fletcher a music teacher (JK Simmonds). He’s allowed to audition for their award- winning jazz band, and feels everything is turning out great. But he soon discovers that Fletcher is a cruel and twisted perfectionist, who brings his players up to the top, and then has them crash down into the dirt again. He treats them worse than the toughest marine sergeant in Full Metal Jacket. The acting, the passion and the relentless tension in this movie is just incredible… you gotta see it. Don’t want to say Oscar bells are already ringing, but… Whiplash definitely deserves one.

434c654375241fb0e9419d0e7af58f03Mommy

(Dir) Xavier Dolan

Another great movie is Quebecois director Xavier Dolan’s latest, Mommy. It’s a reworking of his first film J’ai Tue Ma Mere, but takes it to a new level. Steve-o (Antoine Olivier-Pilon) is a working-class, foul-mouthed teenager with ADHD. He’s kicked out of boarding school and sent home to his single mom Diane (Anne Dorval) who is as gutter-friendly, violent and sexually charged as her boy. It’s up to Kyla, the psychologically-damaged ex-school teacher next door, to try to fix things and keep Steve from being locked up. Dynamic, shocking and hilarious performances from all three actors, Mommy is not to be missed.

Also catch a gentle, quirky, musical story called

ad8a5b8174106f7e916e8a3c98a356afHeartbeat
Dir: Andrea Dorfman

Justine (Tanya Davis) is a creative soul trapped in a boring cubicle job in Halifax. Her best friend is in babyland, her artist-boyfriend-with-benefits Ben has dumped her, and she dresses in her late grandma’s wardrobe. But when she starts jamming with Ruby (Stephanie Clattenburg) she met in a music store window, things begin tot look up. Justine starts to Esty-fy her wardrobe and arts-and-crafts her love life. Heartbeat starts slowly but toasts like a marshmallow on a stick, ending strangely shaped, but crispy, gooey, warm and delicious.

Look out for Heartbeat, Whiplash and Mommy at TIFF.
Robin Wright Congress Affiche
The Congress
Dir: Ari Forman

Robin Wright (Robin Wright) is an over-the-hill movie star who just ekes out a living. She lives beside desert airport with her jaded hollywood daughter Sarah and her innocent but ill son Aaron (Kodi Smit-McFee). She needs money to keep him safe. One day her agent (Harveyt Keitel) makes her an offer she can’t refuse.

A studio wants to buy her name, face, image, voice… basically everything, to turn her back  into a superstar. And theyre giving her a huge contract and a starring role in countless big budget action movies. The catch? She’s not allowed to act or appear in public ever again. Huh?

You see, they want to scan her to make a CGI image that will take her place in all 1233023_407824875984836_624904373_ofuture roles. A star who never ages, never gets into scandals, and never has tantrums on-set. It’s all digital.

Will she do it? 20 years in the future, they up the ante.

They invite her to give a speech at a mysterious Congress, where she — like everyone else — exists only as an animated image of herself. Sort of a Second Life only more so. With the help of Dylan (Jon Hamm), a handsome cartoon character 1048616_380428355391155_743806434_owho created her image himself, she tries to escape from this strange psychedelic cartoon version of her world, and maybe save her now-adult son.

This is a super-bizarre movie, filled with glorious animation modeled on Max Fleischer-type characters from the 1920s and 30s mixed with 1960s psychedelia. At parts I’m totally into it, but other parts have dismally awful lines. Its flawed, not perfect, but worth seeing if your into mind-stretching and super-weird fantasy epics.

The Congress opens today, check your local listings, and Heartbeat, Mommy, and Whiplash are all playing at TIFF which starts up next Thursday. Details at tiff.net.

This is Daniel Garber at the Movies, each Friday morning on CIUT 89.5 FM and on my website, culturalmining.com

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