Daniel Garber talks with David Bull and Toru Tokikawa about Ukiyo-e Heroes at Hot Docs

Posted in Movies, Cultural Mining, documentary, Canada, Japan, Clash of Cultures, Art by CulturalMining.com on May 12, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Hokusai, Hiroshige, Utamaro – these are the masters of Ukiyo-e or  Japanese block printing.

Their images of great waves, courtesans and journeys along the Tokaido highway are recognized around the world. Ukiyo-e flourished in Edo Japan, with the masters treated like superstars. But when the country modernized and westernized, the craft of woodblock printing began to fade. It lay moribund, until an unusual influence, a Canadian craftsman, is helping to reawaken interest. Who is this Ukiyo-e Hero?

Ukiyo-e Heroes is the name of a new feature which premiered at HotDocs, Toronto’s International Documentary Festival. It tells the story of two people helping to revive interest in ukiyo-e in Japan: Canadian David Bull who learned the traditional craft despite all the obstacles imposed on him. And Jed Henry, an American artist obsessed with Japanese pop culture. The film is directed by LA-based Toru Tokikawa, known for his award-winning music videos.

I spoke with Toru and David in studio at CIUT 89.5 FM.

Photos by Jeff Harris.

Daniel Garber talks with Ben Donoghue about Pierre Radisson: Fjord and Gulf

Posted in Art, Canada, documentary, Quebec by CulturalMining.com on April 21, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Pierre Radisson was an explorer in New France adopted by the Iroquois, whose journeys led him to the rivers around Hudson’s Bay. This was an area teeming with beavers ready to be exploited for the European market. The Pierre Radisson is also the name of a Canadian Coast Guard icebreaker, a mammoth metal vessel that plies the waters of the Gulf of St Lawrence and the Saguenay Fjord, making waters navigable for scientists and commercial ships. And Pierre Radisson: Fjord and Gulf is also the name of a feature film shot aboard the Pierre Radisson, a piece of moving-image art. Through a series of composed, contemplative shots – ranging from 20 seconds to more than 4 minutes long – it shows us the ice-breaker — interior and exterior, top to bottom, bow to stern – as it journeys up and down Canadian waters.

Ben Donoghue is a Toronto based artist, curator, and filmmaker, and is the former Executive director of LIFT (Liaison of Independent Filmmakers of Toronto). Pierre Radisson: Fjord and Gulf is his first feature which had its world premier at Toronto’s Images Festival on Sunday, April 21, 2017 at 5 PM at Innis College Town Hall.

I spoke to Ben in studio at CIUT 89.5 FM.

Unusual relationships. Movies reviewed: Room 213, Your Name, Maudie

Posted in Animation, Art, Canada, Denmark, Drama, Japan, Nova Scotia, Romance, Supernatural by CulturalMining.com on April 14, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

April 19th is National Canadian Film Day, which bills itself as the world’s largest film festival. On that day — at theatres around Toronto, and across the country – you can see free screenings of Canadian movies, often with actors or directors in attendance. Comedies, kids’ movies, French, indigenous… and they’re all free.  Check it out.

This week I’m looking at movies about unusual relationships. There’s a disabled woman who moves in with a recluse, a ghost who inhabits a young girl, and a teenage boy and girl who inhabit each other’s bodies.

Room 213

Dir: Emilie Lindblom

Elvira (Wilma Lundgrun) is a 12-year-old Danish girl heading to camp for the first time. Camp Bjorkuddens is a lot like a Canadian summer camp: it’s on a lake, they play games, roast weenies on sticks and tell scary stories by the campfire. The big difference is instead of tents or small, bare cabins they stay in a huge, elaborate building filled with dusty antiques. Elvira has two roommates, the blond and snobbish Meja (Ella Fogelström) and the darker, shy Bea (Elena Hovsepyan). And due to a plumbing problem they move to room 213, empty for many years.

That’s when weird things start to happen. The door creaks open in the middle of the night, and treasured items disappear (and the three girls suspect one another). A girl with red hair and bright green eyes named Mebel appears — is she a ghost? And when Elvira’s brown eyes start turning green, is it Mebel taking over?

Room 213 is a scary movie aimed at small children. It’s tame even by YTV standards — no violence at all, no slashers in hockey masks, just general spookiness. And it deals with problems like exclusion, bullying and young love in a multi-ethnic Denmark. But this is definitely a movie for little kids only.

Your Name (君の名は)

Dir: Makoto Shinkai

Taki is a high schooler in central Tokyo. He’s scrawny but quick to fight. He hangs out with his two best friends and has a crush on his sophisticated, female boss at his part-time restaurant job. Mitsuha is a teenaged girl in a remote Japanese village, known for its obscure shinto shrine and little else. She lives with her little sister Yotsuha and her traditional grandmother who knows about the old ways. Things like weaving colourful lanyards, and chewing up glutinous rice, spitting it back into a wooden box so it ferments into sake. Yum! And there’s a celestial comet that passes close to the town every 200 years (that day is approaching soon.)

Taki and Mitsuha are total strangers who live far away from each other. So what’s their connection? Some mornings, Taki is waking up with breasts, and Mitsuha with a penis. Well not exactly; they’re actually waking up inside each other’s bodies. They have to live those days at school, at work and with friends they’ve never met before. It’s not all bad. Mitsuha lands Taki a date with his boss, and Taki gains some insight into shinto rituals. He becomes more mature and she is more assertive. The two manage to communicate with each other using cryptic scrawls they leave in notebooks and diaries recorded on cel phones so they can know what happened during their switch-body days. Until something changes. The body switches suddeny stop and all the notes they left each other fade away. For Taki it’s as if Mitsuha never existed and it was all a dream. But it was real. He can’t remember her name, but he knows it all happened. Using a sketch of her town he drew from memory, he sets out to find her.

Your Name is deeply-moving romantic drama with a touch of the supernatural. It’s a beautifully- drawn, animated film from Japan with neat camera angles and lovely art. It’s also a record-breaking smash hit across East Asia that has finally reached these shores. It’s the only movie playing now to sell-out crowds, with huge lineups inside the theatre before each screening. And I understand why. No spoilers, but there’s a wrenching revelation in the middle that sent shivers down my spine, the sign of a really good story. Anime is a particular genre, and if you’re not familiar with it it might be hard to understand, but if you like anime, this one is a must-see.

Maudie

Dir: Aisling Walsh

Maud (Sally Hawkins) is a disabled woman who lives in post-war Digby, Nova Scotia with her controlling aunt. Every moment of her life is supervised and she’s treated like a simple-minded child. But on a visit to a local shop she finds a way to escape: a hand-written ad for a live in housekeeper. Everett Lewis (Ethan Hawke) wrote the note, though his house is barely a home. He lives in a rundown shack on a small plot of land, earning a meagre living as a fish monger. He’s unmarried, mainly because no woman can put up with his rudeness.

But Maudie can. After dogged persistence, she moves in with him and immediately starts to work. He is peculiar and abusive, but she sticks with it. In her free time she begins to decorate the walls with small paintings of flowers and animals. When her hand-painted postcards sell out at the local general store, she moves on to bigger paintings, selling them for $5 apiece. These catch the eye of a rich woman from N.Y. City who spreads the primitivist paintings among her friends back home. Meanwhile, Maud’s relationship with Everett gradually shifts from boss/servant to bedmate to wife. But can a reclusive misanthrope handle living with a recognized artist and local celebrity?

Maudie is the true story of a self-taught painter whose works now hang in famous galleries and in the homes of collectors. It’s also an unusual romance about a pair of social outcasts hammering out an unusual relationship on their own. Sally Hawkins is outstanding as Maudie – you really believe she is who she is playing. Hawke, though capable in his portrayal of such an unsympathetic character, pales in comparison to his co-star. This is a good — though very dark — movie.

Your Name is now playing and Maudie opens today in Toronto; check your local listings. Room 213 is one of many films showing at the TIFF Kids Festival – go to tiff.net for details. And canadianfilmday.ca will tell you where to see free films on April 19th.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Daniel Garber talks to OCADU artist-in-residence Isaac Julien with Yuling Chen

Posted in Art, Cultural Mining, LGBT, Migrants, Movies, Toronto, UK by CulturalMining.com on March 31, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

In the late 1970s and early 1980s,  Thatcher’s England was a place of great unrest and mistrust. The country was rocked by strikes, demonstrations and riots. It was also the time of a burgeoning music scene, with fashion, art and the punk movement inspiring international change. It was into this world that Isaac Julien came of age in London’s East EndAs an artist and filmmaker he embraced three separate movements: the Afro-Caribean scene, London’s gay nightlife and the largely white progressive left. His work incorporated themes of sex, politics and interracial  relationships. Over the decades to follow, his focus shifted from film to art installations.

From young soul rebel to international art star, Julien’s moving image installations can now be seen in Europe, Asia and around the world. Recently two of his works ran at the Royal Ontario Museum, another is on at the Museum of Modern Art, and two of his early films will be screening at Toronto’s Images Festival. He’s artist in residence at OCAD University (the Ontario College of Art and Design) where he is mentoring five students who will follow him to London.

Yuling Chen is a Toronto artist, originally from Hainan, China. She creates animation, video and performance art and is studying with Isaac Julien.

I spoke to Isaac Julien and Yuling Chen in studio at CIUT. 

 

 

Village People. Films reviewed: Mapplethorpe: Look at the Pictures, Silence, 20th Century Women

Posted in 1970s, Art, Christianity, Clash of Cultures, Coming of Age, Family, Feminism, Gay, Japan, Punk, Women by CulturalMining.com on January 13, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Everyone lives in a neighbourhood, whether it’s a city or a small town. This week I’m looking at movies about village people. There’s a photographer in the East Village, a priest in a Japanese village, and a woman who believes it takes a village.

MapplethorpeMapplethorpe: Look at the Pictures

Dir: Fenton Bailey, Randy Barbato

Robert Mapplethorpe was a major 20th century artist who rose to fame just as four major changes were taking place: the gay liberation movement, the Aids crisis, the socially conservative backlash under Ronald Reagan, and the sudden rise in value of contemporary art and photography. Born in Queens NY he went to Pratt art college and moved in with 201605317_1_img_fix_700x700underground poet and musician Patti Smith. He smoked acid and boiled a dead monkey. Mapplethorpe fell in with the jet-set of the ultra-rich in Mustique, in the Caribbean, creating a demand for his black and white photos. And his second life was spent in a legendary S&M gay bar called the Mineshaft in the meatpacking district. Likewise, he divided his work docs_mapplethorpe02-296x300into three categories: X, Y and Z. Explicit gay S&M imagery (X); flowers (Y); and nude portraits of African-American men, focusing on their genitals (Z). He died of Aids in the late 80s at the height of his career, just as conservative Jesse Helms blocked his art from a Washington museum, plus a court case labelling his art as obscene.

This documentary covers his life and career, and most of all reveals his work. It’s a great introduction to his art and its history, but I was bothered by its stance: venerate the art – as significant and valuable; but denigrate the artist – as vain, selfish, ambitious and petty.

15137495_1333188413378658_1730090754012238611_oSilence

Dir: Martin Scorsese (based on Endo Shusaku’s novel)

Rodrigues and Garrpe (Andrew Garfiield and Adam Driver) are Jesuit priests in 17th century Portugal. The Jesuit mission to convert the Japanese under Frances Xavier has failed: the Tokugawa government banned Christianity, and closed off the country to all outside contact. Japanese Christians have reverted back to Buddhists or else practice their religion underground. Worst of all, their mentor, Father Ferreira (Liam Neeson) is missing. So they sneak into Japan with the help of a shady fisherman named Kichijiro (Kubozuka Yousuke). Once there to their surprise, they discover hidden Christians everywhere, who call them Padre and rush to confess. But behind the scenes lurks the grand inquisitor Inoue (Ogata Issei), a samurai whose sole job is to flush out hidden Christians, and convert them to Buddhism. When he finally meets 15168802_1341247705906062_2844253298776036664_oRodrigues the two embark on an extended religious debate. Who will triumph? The Christlike Rodrigues or the cunning Inoue?

Silence is a beautiful looking movie. For Rodrigues, Japan is witnessed mainly through cracks in wooden walls, either hiding from the authorities or imprisoned by them. The islands are lush and green shrouded in a mist that surrounds the padres and their followers. But 15235447_1344428582254641_1724759706567928024_oonce the action shifts to a battle of minds on government land, it becomes sharp and austere.

The original novel is by Shusaku Endo, a Catholic Japanese novelist (a rare thing). Andrew Garfield (who plays Rodrigues) is becoming a poster child for Christian philosophy in a Japanese setting – he’s also starring in Hacksaw Ridge about a conscientious objector fighting in Okinawa in WWII. Garfield is great, as is the entire Japanese cast, filled with top actors and a surprising number of directors. (You can tell they all want to appear in a Scorsese film). To name just two, Kubozuka is fascinating as the Judas character Kichijiro, and Ogata is amazing as Inoue (he starred in Aleksandr Sokurov’s masterpiece The Sun). Silence is a long and intense movie, filled with philosophical debate, and punctuated by disturbing death and torture. This is not an easy movie to take in but it’s well worth seeing.

_DSC1289.NEF20th Century Women

Wri/Dir: Mike Mills

It’s 1979. Dorothea (Annette Bening) is a single mom in small town California who works as a designer in a canning factory. She’s a 20th century woman who wears Birkenstocks and smokes menthol cigarettes. She was the first female pilot in the Air Force in WWII. Now she lives in a big house with her son Jamie (Lucas Jade Zumann). Jamie is 15, rides a skateboard and just hangs out. But when he nearly dies after a silly game, Dorothea realizes they aren’t connecting anymore. So she asks for help from the younger women in her life. Julie (Elle Fanning) is Jamie’s childhood crush. She likes riding her bike and _TND7063.NEFattending her mom’s psychotherapy encounters. She’s exploring sex and will sleep with any guy she likes…except Jamie. Well she’ll sleep with him and share his bed, just no sex. Abbie (Greta Gerwig) rents a room in their house, recovering from cervical cancer. She’s a punk _DSC4067.tifphotographer who dyes her hair red. She introduces Jamie to feminism with a copy of Our Bodies Ourselves. He gets in his first fist fight at school in an argument about clitoral orgasm. And then there’s William (Billy Crudup) a hippy handyman drifter who repairs the house in lieu of rent. Mom is loving and giving and wants to share it all with Jamie and the rest, but fears the effects of feminism, and the sexual revolution on his development as a man. And Jamie? He just wants to live life and make sense of it all.

Twentieth Century Women is a funny and fascinating ensemble piece. It’s narrated by an omniscient version of Dorothea in some future incarnation. There are a few jarring anachronisms:  would a 15 year old in 1979 receiving a gift of recorded music exclaim “It’s a Mixtape!”? But that doesn’t detract from this excellent coming-of-age story within an impromptu family. Great movie.

Silence is now playing, 20th Century Women opens today in Toronto; check your local listings; and Mapplethorpe: Look at the Pictures opens on January 13th,  with a special screening at the AGO. This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Love lost. Films reviewed: Nocturnal Animals, Manchester by the Sea, Allied

Posted in 1940s, Art, Cultural Mining, Family, Meta, Sex, violence, WWII by CulturalMining.com on November 23, 2016

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

With U.S. Thanksgiving this weekend and Christmas just a month away, this is when Hollywood pulls out the big guns – Oscar-bait films, serious topics and big-name actors. This week I’m looking at three of these grown-up dramas. There’s love and lies in London, lost love in LA, and family ties in New England.

NOCTURNAL ANIMALSNocturnal Animals

Dir: Tom Ford

Susan (Amy Adams) is a rich, LA art dealer who leads a rarefied but hollow life. She receives a package in the mail from Tony, a writer (Jake Gyllenhaal). They were a passionate couple in their twenties but she dumped him when his career stalled in favour of the unfaithful Stepford husband she’s currently married to. But she’s intrigued by what he sent her: a novel called Nocturnal Animals in manuscript form. The story comes to life on the screen as she reads it.

It’s about a middle class family brutally carjacked on a desert highway by redneck killers. The husband survives the attack and vows revenge. He enlists a local sheriff NOCTURNAL ANIMALS(Michael Shannon) to help.

As Susan reads the book, she examines her current, pointless life, and remembers earlier days with her ex, Tony. The movie alternately follows all three strands — the novel, her flashbacks and the present day — as filtered through Susan’s mind.

Nocturnal Animals is a fascinating but flawed movie. It moves you emotionally, but NOCTURNAL ANIMALSwithout tears or love. The emotions it stirs are fear, revulsion and uncomfortableness. Director Tom Ford made the unusual leap from high fashion to Hollywood, so Nocturnal Animals is visually powerful. But it’s too “meta”. We see Tony’s book through the reader (Susan)’s eyes as envisioned by Tom Ford – three steps away from the plot. Which leads to weird images, like performance art we see in Susan’s gallery appearing again, but in distorted form, in Tony’s story. Get it?

Interestingly, Ford bucks the Hollywood trend of exploiting women’s bodies. The naked women you see here are either grossly obese… or dead. Instead, he undresses his men — Gyllenhall, Karl Glusman, and Aaron Johnson — at every possible opportunity. Lots of surface shocks and surprises in Nocturnal Animals, but nothing deep.

76e05278-81a6-4fc7-97b4-861c73eee46eManchester by the Sea

Dir: Kenneth Lonergan

Lee Chandler (Casey Affleck) is a handyman who lives alone in Quincy, just outside Boston. He’s called back to his hometown, a picturesque, fishing village, when his divorced brother John dies. It’s up to him to tell his nephew Patrick that his dad is dead. Patrick (Lucas Hedges) is 16 years old, on the school hockey team and in a band. Lee was close to him as a child, until something terrible happened, and Lee left town. Now, suddenly and against his wishes, he finds himself Patrick’s de facto dad. It’s written in his brother’s will. He doesn’t know what to do.

He had kids once, and Randi, his ex-alcoholic, ex-wife (Michelle Williams) still lives MBTS_2354.CR2there, but that was long ago.

At first he acts like Chris’s buddy – lets him drink, take girls home, say or do whatever he likes. But gradually reality sets in as Lee realizes he has to do the right thing: either raise him properly or find someone else who can. Trouble is Lee’s reputation in this town is dirt, and no one will hire him. Can he raise his stubborn nephew despite their geographic and emotional divide?

MBTS_3869.CR2Manchester by the Sea sounds like a typical movie, but it’s not.. It’s an emotional powerhouse that will leave you shaken. The movie is edited in a chop-up style, with flashbacks appearing unannounced right after a present-day scene. So you have to pay attention to understand it. It’s a devastating tearjerker, gradually revealed as his flashbacks come to life. The whole film is exquisitely structured, with certain scenes repeated but with new, subtle variations and revelations. And Casey Affleck might be Ben Affleck’s little brother but you can see who has all the talent. Casey is just fantastic in this understated drama.

I recommend this movie.

14708276_1786944501572397_9000336162931941931_nAllied

Dir: Robert Zemeckis

It’s 1942, when Casablanca was a hot spot for foreign spies. Max (Brad Pitt) is a Royal Canadian Air Force pilot who carries out daring flights behind enemy lines. He’s in French Morocco to meet up with Marianne (Marion Cotillard) a legendary spy with the French resistance. In ten days they plan to assassinate a top Nazi at a high-society party. He is pretending to be her husband, 14700787_1785050565095124_6988829959708533249_oa phosphate executive from Paris, madly in love with her. But they are actually meeting for the very first time. They play their parts well, laughing, kissing and staring in each other’s eyes. And, the night before the big day, not knowing if they will survive, they make passionate love in a car surrounded by a sand storm.

Later, Marion joins Max in London. This 14884429_1792693047664209_3520425651819957282_otime they really are in love. They marry, have a child, and settle into a normal life in Hampstead, even as German bombs fall all around them. But then Max receives distressing orders from HQ. He must carry out a blue dye test – planting a false message to see if it‘s picked up by enemy agents. And who is the potential Nazi spy? Marion! If she proves to be a double agent, Max has to kill her in cold blood. Can spies ever know if they’re really in love when they’re so good at telling lies?

I liked but didn’t love Allied. Marion Cotillard is as passionate as Brad Pitt is stiff and wooden. Most of the side characters are instantly forgettable, the plot has holes in it, pod2gand there seems to be cigarette product placement throughout the film. The movie is not slow, but it feels flat until the last quarter, when it finally gets exciting. Allied is an OK historical drama… but it ain’t no Casablanca.

Nocturnal Animals and Allied are now playing today, while Manchester by the Sea opens November 25th in Toronto, check your local listings. And if Hollywood isn’t your thing, an animated reboot of Dr Who: The Powers of the The blood-in-the-snowDaleks, a 70s episode lost for 50 years, is showing next Wednesday; and an all-Canadian horror festival is on this weekend. Go to bloodinthesnow.ca for details.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Daniel Garber talks with curator Jon Davies about Conundrum Clinique at Images Film Festival

Posted in 1970s, Art, Canada, Cultural Mining, documentary, Movies, Toronto by CulturalMining.com on April 15, 2016

Jon DaviesHi this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 fm.

A place like Toronto is known for its reputation. Migrants from farms and small-towns and far-away countries flock here to recreate themselves as Jon Davies someone richer, more attractive, more famous and talented. Their new images are reinforced through fancy condos new cars, hairstyles and fashions. It is plastered on TV in movies, online, and in advertisements. But where does a facade end and reality begins?

A new collection of films called Conundrum Clinique examines Jon DaviesToronto’s invented images and facades as viewed in 1975 and today. It’s a world of collapsing castles, flashing lights, and real estate ventures lighter than air. It includes work by Janis Cole and Holly Dale, Oliver Husain, Robin Colyer and many others. Conundrum Clinique is the work of award-winning Toronto curator Jon Davies and has its world premiere on Saturday as part of the Images Film Festival.

Jon tears off Toronto’s cultural façades and examines them. I spoke to him in studio at CIUT.

Daniel Garber talks with Apichatpong Weerasathakul about Cemetery of Splendour at #TIFF15

Posted in Art, Cultural Mining, Dreams, Folktale, Psychology, Satire, Thailand by CulturalMining.com on March 11, 2016

Apichatpong Weerasathakul1Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

It’s present-day Northern Thailand, near the Lao border. Thai soldiers digging up the grounds of a school are all struck with a mysterious Tropical Malady: a sleeping sickness. Laid out in beds in a makeshift hospital on the site, they are cared for by a housewife and a young medium. By reading the soldier’s unconscious minds they discover  this building was built on ruins of an ancient palace — also the site of great battles. And from the dreams of the sleeping soldier named Itt, via AnXGy9_CEMETERYOFSPLENDOUR__06_o3_8915159_1450196114the medium Keng, Jen is guided through an invisible palace and a splendid cemetery.

Cemetery of Splendour is the latest film by master Thai Director Apichatpong Weerasathakul and it’s his funniest and greatest movie so far. It’s also his most accessible. It is filled lOkoZ1_CEMETERYOFSPLENDOUR__01_o3_8915047_1450196097with strange images — like glowing sticks intruding in people’s thoughts, an invisible palace, and goddesses who still wander their ancestral realms. It’s also a trenchant criticism of contemporary Thailand, which is currently under military rule. I spoke with Apichatpong Weerasathakul on site at the Toronto International Film Festival.

Cemetery of Splendour opens today (March 11th, 2016) in Toronto.

Photo by Jeff Harris

Daniel Garber talks with writer/directors Christina Zeidler and John Mitchell about Portrait of a Serial Monogamist

Posted in Art, comedy, Cultural Mining, Interview, Lesbian, LGBT, Movies, Romance, Toronto by CulturalMining.com on February 5, 2016

Christina ZeidlinToronto is a city of small towns within small towns. Elsie lives in a tight-knit arts community in Toronto’s west end. She has good job at a TV station and a loving relationship with Robyn, an artist. But big changes are coming. Her show faces a corporate takeover, Robyn John Mitchellfaces her first gallery show, and Elsie decides on a change of her own: she’s dumping Robyn — nicely of course! — and repeating her pattern of being a “serial monogamist”.

Portrait of a Serial Monogamist is the name of a new feature film that looks at the lives of women in the close-knit LGBT arts community of Parkdale. It was written and directed by Christina Zeidler and John Mitchell and opens in Toronto next Friday (Feb 12, 2016).

I spoke to Christina (by phone from LAX) and to John in studio at CIUT 89.5 FM.

 

 

Art House or not? Films reviewed: Florence and the Uffizi Gallery, The Revenant, Mustang

Posted in Art, Canada, Clash of Cultures, Cultural Mining, Movies, Turkey, Western by CulturalMining.com on January 15, 2016

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

“Art house movies”. That traditionally meant low-budget indie movies that play at rep cinemas and film festivals. But times are changing and definitions are blurring. This week I’m looking at three movies. A violent, outdoor western with scenery as pretty as art; an art-house drama about five Turkish sisters confined to their house, and a 3-D look at an Italian house of art.

florence3d-580x326Florence and the Uffizi Gallery (in 3D and 4K)

The Republic of Florence was a city run by oligarchs, not kings, in the Italian Renaissance. And above all were the Medici family. This film – with the help of Italian art historians and an actor playing one of the Medicis — takes you on a tour of Florence. You see uffizi gallery-4its bridges, chapels, palaces and museums and get a very close look at – and explanation of – its paintings, sculptures and stained glass windows. Most of all it looks at the art of the Uffizi Gallery. Uffizi means office, as it was originally built for bureaucrats in the 16th Century. Now it has Botticelli’s Birth of Venus, david3d-580x386the very different Davids of Donatello and nearby Michaelengelo (in the Piazza di San Marco); Caravaggio’s head of Medusa, and the great battles of Paolo Ucello. I remember reading Janson’s History of Art when I was a teenager so a lot of these images are familiar to me, but this is the closest I’ve ever come to the art itself. The movie is a combination tourist ad and art recording. One criticism: 3D is great for sculpture and architecture – the camera all but caresses the naked statues it films – but two-dimensional paintings turned 3-D just look weird. But unless you’re heading to Italy soon, this is your best chance to see it all up close.

revenantThe Revenant

Dir: Alejandro G. Iñárritu

It’s the 1830s in the old West. Hugh Glass (Leonardo DiCaprio) is a guide for a troupe of frontiersman carrying their furs to a trading post. He’s helped by his son Hawk of the Pawnee Nation (Forrest Goodluck) – they communicate in Pawnee. But they are attacked and many killed – seemingly for no reason – by Sioux warriors on horseback. Glass bravely gets them to safety. Then a second disaster strikes: he is attacked and nearly killed by a revenanthuge bear defending her cubs. He can’t go on, but the team’s captain leaves three volunteers to give him a proper burial when he dies: Hawk, Bridger a greenhorn on his first trip (Will Poulter) and Fitzgerald (Tom Hardy) a very shifty character. Fitz does something terrible and then throws Glass’s body in a ditch. He convinces the naïve Bridger he’s dead and they’re under attack. They flee to the revenantfort. But Glass finds the strength to come back from the dead – that’s what revenant means – and seek revenge.

The Revenant is a simple story played out in the spectacular scenery of western Canada. It seems historically accurate, with indigenous groups speaking their own language, and it shows some of the atrocities whites committed against them. And there’s some cool background music and furry costumes and hats. But this is actually a mainstream action movie – fights, chase scenes, a damsel in distress, and a heavy dose of parental revenge – that’s all gussied-up in art-house garb to try to win a few Oscars.

Don’t get me wrong – I liked it, despite the excessive blood, graphic wounds, and DiCaprio’s non-stop grunting and staggering around. And there are some interesting mystical sidebars and dreamy detours to add a bit of spice to the very simple story. But basically it’s still just an action/Western.

f764866e-0e33-4ae7-8994-0c7bdef78e3fMustang

Dir: Deniz Gamze Ergüven

Lale, Nur, Ece, Selma, Sonay are five young sisters living in eastern Turkey on the Black Sea. They are five beautiful girls with rosy cheeks and raven hair,  brimming with girl power. Since their parents died, they’ve lived with their uncle and grandmother, and are more or less left to their own devices. They spend their days playing, reading, watching soccer, and flirting with guys. They are as free as wild horses, like Mustangs running across the prairie. But then something changes. When school gets out for summer, they’re spotted splashing in the water and playing chicken fights with some of the 8b1b96b0-c74a-43cf-8857-7647562711dfschoolboys. And later one sister is seen, unsupervised, with a boy in an orchard.

Suddenly their home becomes a prison, their entrances and exits tightly controlled. They’re like princesses locked in a castle tower. They’re told to cover their hair, act civilized, be polite, conservative, and submissive. It doesn’t work. Theyre d4283799-648b-49f5-80cf-92aae5a92f3ctough and independent girls, not so easily tamed. Even so, soon they’re being married off, one-by-one, to men they don’t love. Can any of the sisters resist this, and escape to freedom?

Mustang is a really nice, low- key movie. It’s a sweet, funny and touching coming-of-age drama. The five young actresses are all new and all wonderful. The cast and first-time director are Turkish, but the film has a very French feel to it (it’s France’s nomination for Best Foreign Language Film Oscar), along with a healthy dose of Fiddler on the Roof.

The Revenant is now playing in Toronto and Mustang opens today. And Florence and the Uffizi Gallery is playing next Thursday, on January 21st; check your local listings.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

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