Daniel Garber talks with fimmaker Laurie Lynd about Killing Patient Zero

Posted in 1980s, 1990s, Canada, Death, Disease, documentary, H.I.V., LGBT, Movies, Toronto by CulturalMining.com on May 3, 2019

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Photos by Jeff Harris.

It’s the early 1980s, with gay liberation, culture and sexual freedom at its peak, when an unknown disease infects gay men. It’s called gay cancer, GRID or AIDS. And people start to die in large numbers. Scientists trace its spread across North America by a single, promiscuous Canadian flight attendant, known as Patient Zero. This selfish, sexual predator is to blame for the epidemic. Or is he…?

Killing Patient Zero is a new documentary that traces the origins of the AIDS epidemic while debunking its myths. Through vintage footage and new interviews with scientists and researchers, this film takes a new look at widely-held ideas about the spread of the HIV virus. It also talks with friends and colleagues of Gaetan Dugas – the so-called patient zero – and rescues his undeserved reputation.

It’s written and directed by Toronto’s Laurie Lynd, based on Richard McKay’s book Patient Zero and the Making of the Aids Epidemic. Laurie is an award-wining TV and film director whose work ranges from Degrassi, to Queer as Folk, to Breakfast with Scot.

I spoke with Laurie Lynd in studio at CIUT 89.5 FM.

Killing Patient Zero had its world premier at Hot Docs 19. It’s opening soon in Toronto.

Daniel Garber talks with Tasha Hubbard and Jade Tootoosis about Nîpawistamâsowin: We Will Stand Up

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Photos by Jeff Harris.

On August 9, 2016, young Colten Boushie was shot in the back of the head, point blank, in an SUV on a Saskatchewan farm. These facts are undisputed. A cut and dry case.

So how come the shooter got off scott free? Every trial is different but one fact stands out: the shooter – and the jury – were white, while the victim was indigenous. This case has reverberated across the country as people try to understand what is happening.

Is justice is just a myth for some Canadians?

Nîpawistamâsowin: We Will Stand Up is a new documentary that looks at the Colten Boushie trial and its aftermath, how it fits in Canada’s checkered history, and what Colten’s supporters are doing about it. It’s written and directed by award-winning filmmaker Tasha Hubbard and had its world premier at Toronto’s HotDocs Canadian International Documentary Festival. Jade Tootoosis, from the Red Pheasant Cree First Nation, is Colten’s sister who helped bring the issues the trial raised to national and international attention.

I spoke with Tasha Hubbard and Jade Tootoosis in studio at CIUT.

Nîpawistamâsowin: We Will Stand Up will have its theatrical released in June.

Daniel Garber talks with Jamie Kastner about There Are No Fakes

Posted in Art, Canada, Crime, documentary, Indigenous, LGBT, Ojibway, Organized Crime by CulturalMining.com on April 19, 2019

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Photos by Jeff Harris

Norval Morrisseau was one of Canada’s most celebrated painters, whose brightly-coloured images, surrounded by thick, black outlines are instantly recognizeable. An Ojibwe shaman from an area north of Thunder Bay, Morrisseau incorporated Anishinaabe culture and storytelling into his work. His paintings hang in top galleries and are highly prized by art collectors. So musician Kevin Hearn, of the group Barenaked Ladies, was  pleased to buy a large green Morrisseau canvas from a Toronto Gallery. Until, that is, he discovers it’s a fake.

There Are No Fakes is a new documentary that looks at the roots of Canada’s biggest case of art fraud ever uncovered. It also looks in depth at the dark underworld of fine art, filled with deception, organized crime, money laundering, and terrible violence.

It’s written and directed by award-winning Toronto filmmaker Jamie Kastner and is having its world premier at Toronto’s Hot Docs Canadian International Documentary Festival. He’s known for his quirky, funny, shocking and highly original documentaries on a wide range of topics. I’ve spoken to Jamie twice before on this show, once about the Great Disco Revolution (2012) and again, in 2016, about the Highjacker’s Tale.

I talked with Jamie Kastner in studio at CIUT 89.5 FM.

There Are No Fakes will have its world premier on April 29th at 6:00 pm at the TIFF Bell Lightbox.

NAFTA movies? Films reviewed: Giant Little Ones, Sólo con Tu Pareja PLUS Sui Generis: An Alternative History of Mexican Cinema

Posted in 1990s, Bullying, Canada, comedy, Coming of Age, Cultural Mining, Depression, LGBT, Mexico, Movies, Sex by CulturalMining.com on March 29, 2019

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

If you’ve been watching movies over the past few years, you may have noticed a big change. Some of the biggest Oscars are going to directors like Guillermo Del Toro, Alfonso Cuaron and Alejandro Gonzales Iñaritu.

When did Mexico start making movies? The answer is: Mexico has been making great movies for a very long time… we just never knew about it. But there is one way to fill in that gap in our collective memories.

Sui Generis refers to unique species or bodies of work. Sui Generis: An Alternative History of Mexican Cinema is a suprising series of films at TIFF Cinematheque. It’s programmed by Diana Sanchez and Guillermo del Toro and includes some really famous movies – like Buñuel’s Avenging Angel – and an equal number I’ve never heard of. Surprises include anti-church satires, political protests, bizarre fantasies and fantastical films that transcend the genres we know. There’s also a sexual frankness largely missing in Hollywood movies under the Hays Code (1930-1968), but legal in Mexico.

Aside from Buñuel’s films and a few others, I had never heard of most of these movies, but Mexican cinephiles weep over the importance and uniqueness of these selections; a staple on late-night Mexican TV  but rarely seen on the big screen. This series features directors like Ripstein, Buñuel, Cuaron, del Toro and many others, from the 1930s up to recent times.

It’s quirky, eclectic and grand. I recommend this series.

This week I’m looking at movies from Canada and Mexico. There’s a Mexican sex farce about a man who bites off more than he can chew; and a Canadian coming-of-age drama about a boy forced to choke back his tears.

Giant Little Ones

Wri/Dir: Keith Behrman

It’s a middle class suburb somewhere in North America Franky (Josh Wiggins) is about to turn 17 at a big party. All his teammates from the swim team will be there, his divorced mom (Maria Bello) will be away that night, lots of alcohol and music, and his beautiful but vapid girlfriend says she’s ready to spend the night with him. And his best friend Ballas (Darren Mann) will be there to cheer him on. They’ve been inseparable since childhood and the two are popular and respected at school. This will be a life changing night for Franky… but not in the way he expects it.

The party ends early when his mom comes home, and his girlfriend decides not to stay. So the two drunk best friends end up crashing in Franky’s bed, and something happens in the dark. Ballis rushes home, and the next day everything’s different. Rumours about Franky start spreading, he’s blanked in the hallways and ghosted on instagram. People say he’s gay and did something to Ballas, who does nothing to defend his former best friend.

Only a few people stick by him. Mouse (Niamh Wilson) his out lesbian lab partner who packs a fake appendage in her jeans teaches him how to live with bullying (but I’m not gay! says Franky. Doesn’t matter says Mouse); and Natasha, Ballas’s sister (Taylor Hickson). She was once popular too, until she was “slut shamed” after something terrible happened to her. They turn to each other, first as pariahs and friends, but it gradually turns into something more.

Adding to the complications is Franky’s divorced gay Dad (Kyle MacLachlan). Franky hasn’t spoken to him since he moved away to live with his lover. He’s ready to offer advice but first Franky has to conquer his own homophobia. What really happened that night with Ballas? Will they ever be friends again? Is he in love with Natasha, or is it something else? And will things ever get better at school?

Giant Little Ones is an excellent coming-of-age drama, well acted, and based on an elegantly symmetrical script. It’s tender, funny and surprising, without leaving you depressed. I’ve seen this Canadian movie twice now, and it was just as moving the second time through.

Sólo con tu pareja (1991) (a.k.a. Love in the Time of Hysteria)

Wri/Dir: Alfonso Cuarón

Tomás Tomás (Daniel Giménez Cacho) is known for his sexual prowess and enormous ego. He sleeps with a different beautiful woman every night. He’s also fond of challenges and pranks like running naked down the stairwell to the lobby each morning to pick up the morning paper before anyone sees him. He’s handsome and fit, with a successful career as an advertising creative and lives in a swank apartment building in a good Mexico city neighbourhood. He lives two doors away from Dr Mateo Mateos (Luis de Icaza) and his wife, both good friends, who give him the keys to their apartment while they are away for the weekend.

But Tomas’s limits are challenged one night when he is faced with more than even he can handle. Mateo’s statuesque nurse Sylvia (Dobrina Cristeva) is arriving for a date, while his boss Gloria is also dropping by

LOVE IN THE TIME OF HYSTERIA, (aka SOLO CON TU PAREJA), Daniel Gimenez Cacho, 1991. ©IFC Films

to hear his advertising pitch for a brand of canned Jalapeños (and maybe a bit of spicy fun). Soon enough he’s bedding his boss in Mateo’s flat, Sylvia in his own, and is forced to inch his way naked back and forth between the bedroom windows and satisfy both women without letting either one know about the other. To make matters worse, he finds himself infatuated by a new tenant in the flat between

the two rooms. Clarisa is a flight attendant (Claudia Ramírez) and when he sees her robotic miming of seat belts and oxygen masks he sees through her window heid smitten. But can one man keep three women satisfied at one time? Alas, no.

He is fired from his job, and the vengeful nurse falsifies his medical tests telling him he is HIV positive, plunging him into a deep depression. Will Tomas discover the truth and change his ways? Or will he succumb to despair and throw himself off the tallest tower in Mexico City?

Sólo con Tu Pareja is a seldom seen, silly screwball comedy from the early 90s. It’s also Cuaron’s first feature film, long before his big hits like Gravity, Roma and Y Tu Mama Tambien. This is no masterpiece, but it is a fun and interesting look at a totally different era. It reminds me of the 1960s comedy Boeing, Boeing, starring Jerry Lewis and Tony Curtis, also about a promiscuous man who juggles three flight attendant gilfriends in one Paris apartment. This one is also dated, but better than Boeing Boeing — the women in this movie have personalities, and Daniel Giménez Cacho is on fire as Tomas. And it adds a pair of Japanese businessmen, some mariachi musicians and a Montezuma lookalike to give it a more Mexican feel.

Giant Little Ones opens today in Toronto; check your local listings; and you can see Sólo con Tu Pareja just tonight at the Tiff Bell Lightbox as part of the fantastic TIFF Cinematheque Mexican film series called Sui Generis: An Alternative History of Mexican Cinema, on now.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Happy trails. Films reviewed: Ghost Town Anthology, Red Rover, The Hummingbird Project

Posted in Canada, Canadian Screen Awards, comedy, Computers, Death, Ghosts, Mars, Quebec, Romantic Comedy, Toronto, Wall Street by CulturalMining.com on March 15, 2019

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

You know, Canada makes a lot of movies. Oscar season might be over, but the Canadian Screen Awards are on at the end of March, with lots of great nominees, including Les Salopes, The Drawer Boy, What Walaa Wants, The Grizzlies and The Hummingbird Project. And for a look at next year’s possible winners the Canadian Film Fest will be showing a dozen new movies starting on Tuesday.

This week I’m looking at three new Canadian movie about people blazing new trails. There’s a man in Toronto following a path to Mars, another man constructing a straight line from Kansas City to Wall Street, and locals in northern Québec trying to block strange outsiders from entering their town.

Ghost Town Anthology (Répertoire des villes disparues)

Wri/Dir: Denis Côté

Irénée-Des-Neiges is a mining town in Northern Quebec whose mine was shut down. The population is steadily decreasing and young people are moving south. So when Simon Dubé, one of the few young man left in the town, dies in a strange car crash everyone is devastated. His mom (Josée Deschênes) and little brother Jimmy (Robert Naylor), are hit especially hard. Was it an accident, a suicide, or something else? Whatever the cause it seems to spark a change in attitude in this dying town.

The Mayor Simone Smallwood (Diane Lavallée) reassures everyone that while it’s a sad event, the town will survive – we are a place for the living and will never be a ghost town. But Jimmy tells his best friend André (Rémi Goulet) his dead brother is communicating with him – so they go to visit the shack where his coffin is stored till spring (you can’t dig graves in the winter up north).

Adèle (Larissa Corriveau) a gawky young woman, prone to paranoia, is sure she hears strange noises late at night. Loulou and Robert a pair of retired busybodies thinks there might be wolves in the woods. Pierre and Camille, the attractive rich couple who own the local restaurant, see the shrinking of the town as a good thing – maybe they can renovate abandoned houses? When a grief counsellor arrives from Montreal (wearing a hijab, no less! *gasp*) the mayor sends her packing. We can take care of ourselves. We don’t like outsiders.

But the outsiders keep coming, including strange little kids wearing felt masks and Peruvian ponchos. Who are they and what do they want? Are they real, or just a hallucination? But when things turn really strange, the town has to make a decision – move away or get rid of these unusual outsiders with help from the outside.

Ghost Town Anthology is an eerie look at history, kinship, and mourning in small town Quebec. It’s also about the xenophobia and fear of strangers that persists long after secularism replaced Catholicism as its official religion.

Shot in beautiful, grainy 16mm film, it embraces the coldness and grey skies of a Canadian winter. With good acting and a consistently surprising story, Denis Côté continues his flirtation with magic realism in this unusual film.

Very interesting movie.

Red Rover

Dir: Shane Belcourt

Damon (Kristian Bruun) is a failed man. He’s a geologist at at a mining firm in Toronto’s financial district but his MBA boss Brad steals his research and treats him like dirt. His ex-girlfriend Beatrice (Meghan Heffern) dumps him the day he proposes, pushing him into the basement of the house they share. Now he’s forced to listen to her having sex with Mark (Morgan David Jones) a narcissist instructor from Australia she’s shacked up with. Damon is just a pudgy, depressed introvert who wallows in his misery. His only pastime is searching for treasure on the beaches with a metal detector.

But everything changes when he runs into a woman dressed in a space suit dancing in the sands. Phoebe (Cara Gee) is a singer- songwriter who is everything he is not – joyful, hopeful and full of life. She’s currently promoting Red Rover, a program to send a few people to settle on the planet mars! It’s sponsored by Gopi, a billionaire, who will choose the best applicants. She agrees to help Damon apply and they gradually are drawn to each other? Is it love or just a fling? Can Damon regain his self confidence? And is her really flying to Mars?

Shot in Toronto, Red Rover is a lighthearted rom-com with an unusual science fiction twist. It’s full of people telling stories and singing songs… and Cara Gee is especially appealing as the quirky love interest.

The Hummingbird Project

Wri/Dir: Kim Nguyen

Vinnie Zaleski (Jesse Eisenberg) is a young guy full of spit and vinegar. He works with his cousin the nerdy and neurotic Anton Zaleski (Alexander Skarsgård) a computer programmer. They work at a Wall street investment firm headed by the canny Eva (Salma Hayek). She keeps a close eye on her employees. Vinnie has a grand vision: to build a fiber optic line stretching from the Kansas City stock exchange directly to Wall street. By sending data a few milliseconds faster, the speed of one flap of a hummingbird’s wings. he could make billions of dollars on stock trades.

But the project is enormous. It involves digging a tunnel through mountains, under rivers in an absolute straight line, withthosands of tiny land purchase – just the width of the cable – along the way. He finds a secret investor from New Jersey to pay for it, an engineer, Mark Vega (Michael Mando) to do the physical planning, and hundreds of others to do the digging. They are working against time. Anton has to speed up the transmission. The investor has to keep investing, and Vinnie himself is postponing a potentially lifesaving operation to bring the project in on schedule. But can they complete the project in time, and overcome all the obstacles along the way?

The Hummingbird project is a look at the importance of the small local obstacles that can stall huge projects, and the burning ambition needed to complete it. It’s wonderfully shot in a forests and mountain ranges, with backplows, giant helicopters and sputtering drills all along the way. It’s a sometimes touching, sometimes tender story of an impossible dream. Eisenberg is great as Vinnie and Skarsgård unrecognizeable as Anton. Don’t get me wrong, I liked this movie’s energy, ambition and passion. It just seems at times that the meandering story is just an excuse for showing cool scenery and actors in hard hats.

Ghost Town Anthology opens today in Toronto; check your local listings. The Hummingbird Project opens in a week, and Red Rover is the opening night feature at the Canadian Film Fest next Tuesday night.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Daniel Garber talks with Pugly directors Michael McNamara and Aaron Hancox

Posted in Animals, Canada, documentary, Movies, Toronto, TV by CulturalMining.com on January 11, 2019

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

If you’ve ever been to Trinity Bellwoods park on a certain Sunday, you may have noticed dozens of strange animals running rampant in the park’s dog run. They have big round eyes, squashed in faces, and make the oddest squawking sounds. What are they, and where did they come from?

They’re pugs, a popular breed of companion dogs popping up everywhere in this city. Many people devote their lives to these high-maintenance dogs. But it’s harder than it looks. Some have runny noses, birth defects, eating disorders and a host of other emotional and medical difficulties.

Pugly: a Pug’s Life, is a new documentary that follows these strange creatures and looks at some of their problems… and the people who come to their rescue. It’s co-directed by award winners Michael McNamara and Aaron Hancox. Michael is a TV and film writer and director who created The Cockroach that Ate Cincinnati. Aaron’s a producer/director, whose docs have been show on Netflix and other outlets.

I spoke with Michael McNamara & Aaron Hancoxhere in studio at CIUT 89.5 FM.

Pugly premiers tonight at 9:00 pm on CBC Docs POV.

Daniel Garber talks with Justin McConnell and Jack Foley about Lifechanger

Posted in Canada, Crime, Death, Drama, Fantasy, Horror, Thriller by CulturalMining.com on December 28, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

It’s Christmastime at a bar in Toronto.

Julia is a young woman sitting in her usual spot, trying to forget her own tragic history. She chats with the usual suspects – strange men trying to hit on her, and women looking for a shoulder to cry on. But what she doesn’t realize is that most of the strangers she talks to each night… are all the same person.

Then there’s Drew. He suffers from a bizarre illness. The only way he can survive is to refresh his body by inhabiting a new one… until the body is worn out and he moves on to the next. Can Drew tell Julia the truth and convince her to accept his unusual lifestyle?

Or is that just too big a life change for either of them to accept?

Lifechanger is a new fantasy/horror movie that will keep you guessing till the end.

It’s written and directed by Justin McConnell (who I interviewed 5 years ago about his documentary Skull World.) Lifechanger has won multiple awards at international film festivals across North America and around the world. It co-stars Jack Foley as the romantic lead… who is also a man with a secret.

The film opens today in Toronto, Calgary and Ottawa.

I spoke with actor Jack Foley and writer/director Justin McConnell in studio at CIUT 89.5 FM.

Lower Budget. Films reviewed: Dead in a Week, Nothing Like a Dame, Clara

Posted in Acting, Canada, comedy, Death, documentary, Movies, Romance, Science Fiction, Space, Suicide, Thriller, Toronto, UK, Women by CulturalMining.com on November 30, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

There are lots of big-budget blockbusters and Oscar bait cluttering the theatres these days, but I thought I’d give you a break from all that. So this week I’m looking at three lower- budget films that might otherwise fall through the cracks. There’s a documentary on the hidden side of acting; a dark comedy about the humorous side of suicide; and a scientific romance about the spiritual side of astronomy and quantam physics.

Dead in a Week (or your money back)

Wri/Dir: Tom Edmunds

William (Aneurin Barnard: Dunkirk, Bigger, Bitter Harvest ), a brooding young English writer, is a total mess. He’s lonely and depressed, with a dead-end job, and daily rejection letters for his unpublished book. Things are so bad he wants to off himself. But he has terrible luck with that too. Each time he tries to kill himself something goes wrong, saving his life. In desperation, he hires an assassin to kill him. “Dead in a week or your money back.” His assassin, Leslie O’Neil (Tom Wilkinson: Selma, Denial, The Happy Prince ) was the country’s top hitman in his heyday, but no more. His homey wife and the Assassins League president are both pushing for him retire. But this hit could change his luck, putting him over the required minimum murders so he’s stoked and ready to kill. Everybody’s happy, until…

William gets an unexpected call from a publisher who wants to meet him. Ellie (Freya Mavor: The Sense of an Ending, The Lady in the Car with Glasses and a Gun), an editor, is intrigued by his book. She’s also bright, cynical and pretty. Suddenly William has a reason to live. Trouble is you can’t cancel a contract once it’s been signed. And through a series of mishaps, other assassins are also on their tail. Are they both doomed? Or will they find love beneath a dark cloud in the picturesque southern counties of England?

Dead in a Week is Tom Edmunds’s first film, and it’s a very enjoyable, twisted comedy. It starts with a ridiculously implausible premise, but manages to ride it to a fun and unexpected conclusion. It twins bland, small town life – budgies and needlepoint – with bloody violence and an almost supernatural “League of Assassins”. And the main actors stick to their oddball characters in absurd situations without resorting to mugging or hamming.

This would make a perfect date movie for an emo and a goth.

Nothing Like a Dame

Dir: Roger Michel

What do actors Judy Dench, Maggie Smith, Joan Plowright and Eileen Atkins have in common? They are longtime actors of the London stage, and good friends since the 1950s. They are also all addressed as “Dame” a title awarded by the Queen, the equivalent of Sir for men. This documentary follows them at their retreat in the English countryside as they reminisce about life on the stage, and reveal untold stories about what really was going on; their homelives and marriages. They talk abut naturalism, stagefright, forgotten lines, and whether they read critics of their work. And what it’s like growing old before the cameras.

I’m not a big celebrity hound, so a lot of what they say that might be common knowledge to you was all new to me. I never realized Joan Plowright was married to Lawrence Olivier. (How could I have missed that?) I remember as a kid seeing Maggie Smith as Lady MacBeth at Stratford… but until now I never knew that the reason she was in Canada was she was scared to perform Shakespeare in England. And that all four of them protested the Vietnam War at demos in London.

Nothing like a Dame is an enjoyable look at famous actors chatting. There’s also amazing footage of stage, film and TV performances spanning their careers. But if you’re expecting salty stories about clandestine romances and shocking backstage sex scandals, you’re not going to find them here. Everything they say is guarded and carefully worded, suitable language for a Dame.

Clara

Wri/Dir: Akash Sherman

Dr Isaac Bruno (Pattrick J Adams) is a young astronomy prof at a Canadian University, who works in a lab beside his best friend Charlie (Ennis Esmer: Sex after Kids). Isaac is a sweater nerd with wire rimmed glasses and a neck beard. He hates teaching, preferring to study the stars using Extremely Large Telescopes, continents away. He feels angry and adrift since his marriage collapsed. His only obsession? His search for evidence of life on a distant planet. And he needs to find it soon, before the WEBB telescope is introduced, opening the universe to amateur star searchers.

But when he loses his research priveleges he hires an unpaid research assistant to help analyze data in his home. But she’s not like his normal students. Clara (Troian Bellisario) is a free spirit in a duffelcoat with long black hair. She travels the world, carrying a pouch of small stones, one from each continent, to plot out her next journey. She’s a study in contradictions, a highschool dropout who can speaks five languages. And whenever she closes her eyes, she’s overwhelmed with images of galaxies, stars and planets… Can Clara’s spiritual views coexist with Isaac’s die-hard science-based research? Do they share a cosmic entanglement? And could there be a populated planet like Earth somewhere far, far away?

Clara is a nicely-made first film set in Toronto. It’s filled with amazing telescopic footage of quasars, meteors, galaxies and stars rushing through space, as visualized in Clara’s brain, and as seen through super telescopes. And I’m no astronomer, but the film seems accurate in its reading of space data. This is not a perfect film — some of the characters’ motivations seem too simplistic – but I still liked it.

Clara, Nothing Like a Dame, and Dead in a Week all open today in Toronto; check your local listings.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

 

 

Far from the Madding Crowd. Films reviewed: Border, The Drawer Boy

Posted in 1970s, Acting, Canada, Crime, Fairytales, Farming, Folktale, Horror, Intersex, Sex, Supernatural, Suspicion, Sweden, Theatre, Toronto by CulturalMining.com on November 23, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Fall festival season is coming to an end in Toronto but there’s still some left to see. This weekend, watch out for Blood in the Snow. Not literally. BITS is the all-Canadian film fest that shows horror, genre and underground films at the Royal Cinema. And at the ROM this weekend, presented by Ekran and The Polish Filmmakers Association, you can see films with historic themes celebrating 100 years of Poland’s Regained Independence, featuring Andrej Wajda, Roman Polanski and other great Polish directors.

This week, I’m looking at two movies set far from cities. There’s a Canadian actor who thinks a farmer’s stories don’t smell quite write; and a fairytale-like Swedish customs officer who can sniff out crime.

Border

Dir: Ali Abbasi

(Based on a short story by John Lindqvist, author of Let the Rght One In)

Tina (Eva Melander) is a customs officer at a remote ferry dock in rural Sweden. She lives in a cabin in the woods. She feels a kinship with the local foxes and reindeer, more so than with people. She shares her home with a redneck dog trainer named Roland, but rejects his

sexual advances. It just doesn’t feel right. She’s resigned to a life of celibacy, partly because of her very unusual appearance. She’s kind and friendly, but… pretty ugly. She looks almost neanderthal, with her heavy brow, scarred skin, scraggly hair, and a nose like a lion’s. And with that nose comes an amazing sense of smell. She can detect the hidden emotions – shame, cruelty, and evil intent – of smugglers and criminals passing through her customs line. When she sniffs out kiddy porn on a businessman’s cel phone, the local police begin to take notice. They ask her to help them uncover a kidnapping ring.

Meanwhile, one day at the customs house, she sniffs out a strange man. Vore (Finnish actor Eero Milanoff) looks like her and sniffs like she does. She’s suspicious at first but notices a definite attraction. When they finally get together, their sex is explosive! He urges her to run away with him and stop living “like the humans”. Wait… what?!

If they’re not human what are they, exactly? And what other secrets is Vore hiding?

Border is a fantastic Swedish movie, a combination horror and supernatural thriller that manages to be funny, repulsive, touching and shocking (not for the faint of heart). It also deals with a wide range of unexpected topics, from intersexuality and gender transformation, to ostracism, folklore, mental illness, and a whole lot more. The acting is fantastic, the look and feel of this movie is amazing.

If you want to see something truly different, this is a film for you.

The Drawer Boy

Dir: Arturo Pérez Torres, Aviva Armour-Ostroff

Based on the play by Michael Healey

It’s the early 1970s in rural southern Ontario. Miles (Jakob Ehman) is an earnest young actor, part of a Toronto theatre collective that wants to create a play about farmers and farm life. He arrives with a bunch of other actor/hippies, each staying on different farms, who get together, every so often, to rehearse and compare notes. Miles’s new home is run by two men who have lived there since 1945 after serving together in the army.  Angus (Stuart Hughes) bakes bread in the kitchen and keeps the books. He seems a bit touched in the head. In fact he has no short term memory – there’s a metal plate in his brain from a wartime explosion. Morgan (Richard Clarkin) is more like the boss, handling the heavier farm work. Morgan lets Miles stay there as long as he adapts to farm life. That means 3:00 a.m. wake-ups, hard work, and “don’t ask too many questions”. Angus doesn’t like thinking about troubling memories… it gives a headache.

Morgan talks slow and low, like a farmer, but he’s smarter than he looks. He feeds gullible Miles lots of halftruths and impossibilities, which Miles dutifully scribbles down in his ever-present notebook. Things like “dairy cows eat pigs”, and are terrified of humans, knowing they could be slaughtered any day.

Morgan also tells a story to Angus each day, to restore his lost memories. It’s about a boy who draws, two tall sisters, and a house on the farm they were all supposed to share. But when the actors perform their workshop in a barn for all the local farmers, including Angus, something clicks. Seeing his own story performed on the stage, suddenly, like a knock on the head, unleashes a flood of memories. Memories that Morgan doesn’t want Angus to know…

The Drawer Boy is a film adaptation of the famous Canadian play from the 1990s, which itself was about the making of an earlier play in the 1970s. I’m always cautious about plays turned into movies – sometimes the media just don’t match. But don’t worry, this play makes a wonderful movie. It incorporates the drama of the original while adding special effects and scene changes hard to show on stage. The three actors are all excellent, and seeing it in a real barn with real cows, tractors and bales of hay just adds to the realism. The Drawer Boy is a great movie about storytelling, memory, loss, and relationships… a perfect dose of Canadiana on the big screen.

The Drawer Boy and Borders both open today in Toronto; check your local listings.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Daniel Garber talks with Michael Del Monte and Janae Marie Kroczaleski about Transformer

Posted in Bodybuilders, Canada, documentary, Family, LGBT, Sports, Trans, Women by CulturalMining.com on October 19, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Photos by Jeff Harris.

Janae Marie is a Michigan pharmacist, originally from Ypsilanti, divorced with three sons.

Matt was a high school football player, a former marine who rose to fame as a competitive bodybuilder and power lifter. What brings the two together?

Jenae used to be Matt.

She’s a transwoman facing the unusually difficult transition from titanic 250 pound man into her current status. This transformation is documented in a new feature film called Transformer.

The documentary is directed by Toronto native, award-winning filmmaker Michael Del Monte.

It follows Janae both at home with family and friends, and inside the hypermasculine world of competitive weightlifting. It shows her life both as Matt and as Janae while she makes the difficult decisions and myriad changes faced by all trans people, as well as those unique to her world. Transformer is an eye-opening, surprising, touching and always respectful movie.

I spoke to Janae Marie Kroczaleski and Michael Del Monte on location during Hot Docs.

Del Monte’s Transformer won the won Hot Docs Emerging Canadian Filmmaker Award and the Rogers Audience Choice Award for Best Canadian Doc. It starts its theatrical run today.

%d bloggers like this: