Happy trails. Films reviewed: Ghost Town Anthology, Red Rover, The Hummingbird Project

Posted in Canada, Canadian Screen Awards, comedy, Computers, Death, Ghosts, Mars, Quebec, Romantic Comedy, Toronto, Wall Street by CulturalMining.com on March 15, 2019

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

You know, Canada makes a lot of movies. Oscar season might be over, but the Canadian Screen Awards are on at the end of March, with lots of great nominees, including Les Salopes, The Drawer Boy, What Walaa Wants, The Grizzlies and The Hummingbird Project. And for a look at next year’s possible winners the Canadian Film Fest will be showing a dozen new movies starting on Tuesday.

This week I’m looking at three new Canadian movie about people blazing new trails. There’s a man in Toronto following a path to Mars, another man constructing a straight line from Kansas City to Wall Street, and locals in northern Québec trying to block strange outsiders from entering their town.

Ghost Town Anthology (Répertoire des villes disparues)

Wri/Dir: Denis Côté

Irénée-Des-Neiges is a mining town in Northern Quebec whose mine was shut down. The population is steadily decreasing and young people are moving south. So when Simon Dubé, one of the few young man left in the town, dies in a strange car crash everyone is devastated. His mom (Josée Deschênes) and little brother Jimmy (Robert Naylor), are hit especially hard. Was it an accident, a suicide, or something else? Whatever the cause it seems to spark a change in attitude in this dying town.

The Mayor Simone Smallwood (Diane Lavallée) reassures everyone that while it’s a sad event, the town will survive – we are a place for the living and will never be a ghost town. But Jimmy tells his best friend André (Rémi Goulet) his dead brother is communicating with him – so they go to visit the shack where his coffin is stored till spring (you can’t dig graves in the winter up north).

Adèle (Larissa Corriveau) a gawky young woman, prone to paranoia, is sure she hears strange noises late at night. Loulou and Robert a pair of retired busybodies thinks there might be wolves in the woods. Pierre and Camille, the attractive rich couple who own the local restaurant, see the shrinking of the town as a good thing – maybe they can renovate abandoned houses? When a grief counsellor arrives from Montreal (wearing a hijab, no less! *gasp*) the mayor sends her packing. We can take care of ourselves. We don’t like outsiders.

But the outsiders keep coming, including strange little kids wearing felt masks and Peruvian ponchos. Who are they and what do they want? Are they real, or just a hallucination? But when things turn really strange, the town has to make a decision – move away or get rid of these unusual outsiders with help from the outside.

Ghost Town Anthology is an eerie look at history, kinship, and mourning in small town Quebec. It’s also about the xenophobia and fear of strangers that persists long after secularism replaced Catholicism as its official religion.

Shot in beautiful, grainy 16mm film, it embraces the coldness and grey skies of a Canadian winter. With good acting and a consistently surprising story, Denis Côté continues his flirtation with magic realism in this unusual film.

Very interesting movie.

Red Rover

Dir: Shane Belcourt

Damon (Kristian Bruun) is a failed man. He’s a geologist at at a mining firm in Toronto’s financial district but his MBA boss Brad steals his research and treats him like dirt. His ex-girlfriend Beatrice (Meghan Heffern) dumps him the day he proposes, pushing him into the basement of the house they share. Now he’s forced to listen to her having sex with Mark (Morgan David Jones) a narcissist instructor from Australia she’s shacked up with. Damon is just a pudgy, depressed introvert who wallows in his misery. His only pastime is searching for treasure on the beaches with a metal detector.

But everything changes when he runs into a woman dressed in a space suit dancing in the sands. Phoebe (Cara Gee) is a singer- songwriter who is everything he is not – joyful, hopeful and full of life. She’s currently promoting Red Rover, a program to send a few people to settle on the planet mars! It’s sponsored by Gopi, a billionaire, who will choose the best applicants. She agrees to help Damon apply and they gradually are drawn to each other? Is it love or just a fling? Can Damon regain his self confidence? And is her really flying to Mars?

Shot in Toronto, Red Rover is a lighthearted rom-com with an unusual science fiction twist. It’s full of people telling stories and singing songs… and Cara Gee is especially appealing as the quirky love interest.

The Hummingbird Project

Wri/Dir: Kim Nguyen

Vinnie Zaleski (Jesse Eisenberg) is a young guy full of spit and vinegar. He works with his cousin the nerdy and neurotic Anton Zaleski (Alexander Skarsgård) a computer programmer. They work at a Wall street investment firm headed by the canny Eva (Salma Hayek). She keeps a close eye on her employees. Vinnie has a grand vision: to build a fiber optic line stretching from the Kansas City stock exchange directly to Wall street. By sending data a few milliseconds faster, the speed of one flap of a hummingbird’s wings. he could make billions of dollars on stock trades.

But the project is enormous. It involves digging a tunnel through mountains, under rivers in an absolute straight line, withthosands of tiny land purchase – just the width of the cable – along the way. He finds a secret investor from New Jersey to pay for it, an engineer, Mark Vega (Michael Mando) to do the physical planning, and hundreds of others to do the digging. They are working against time. Anton has to speed up the transmission. The investor has to keep investing, and Vinnie himself is postponing a potentially lifesaving operation to bring the project in on schedule. But can they complete the project in time, and overcome all the obstacles along the way?

The Hummingbird project is a look at the importance of the small local obstacles that can stall huge projects, and the burning ambition needed to complete it. It’s wonderfully shot in a forests and mountain ranges, with backplows, giant helicopters and sputtering drills all along the way. It’s a sometimes touching, sometimes tender story of an impossible dream. Eisenberg is great as Vinnie and Skarsgård unrecognizeable as Anton. Don’t get me wrong, I liked this movie’s energy, ambition and passion. It just seems at times that the meandering story is just an excuse for showing cool scenery and actors in hard hats.

Ghost Town Anthology opens today in Toronto; check your local listings. The Hummingbird Project opens in a week, and Red Rover is the opening night feature at the Canadian Film Fest next Tuesday night.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Daniel Garber talks with Pugly directors Michael McNamara and Aaron Hancox

Posted in Animals, Canada, documentary, Movies, Toronto, TV by CulturalMining.com on January 11, 2019

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

If you’ve ever been to Trinity Bellwoods park on a certain Sunday, you may have noticed dozens of strange animals running rampant in the park’s dog run. They have big round eyes, squashed in faces, and make the oddest squawking sounds. What are they, and where did they come from?

They’re pugs, a popular breed of companion dogs popping up everywhere in this city. Many people devote their lives to these high-maintenance dogs. But it’s harder than it looks. Some have runny noses, birth defects, eating disorders and a host of other emotional and medical difficulties.

Pugly: a Pug’s Life, is a new documentary that follows these strange creatures and looks at some of their problems… and the people who come to their rescue. It’s co-directed by award winners Michael McNamara and Aaron Hancox. Michael is a TV and film writer and director who created The Cockroach that Ate Cincinnati. Aaron’s a producer/director, whose docs have been show on Netflix and other outlets.

I spoke with Michael McNamara & Aaron Hancoxhere in studio at CIUT 89.5 FM.

Pugly premiers tonight at 9:00 pm on CBC Docs POV.

Daniel Garber talks with Justin McConnell and Jack Foley about Lifechanger

Posted in Canada, Crime, Death, Drama, Fantasy, Horror, Thriller by CulturalMining.com on December 28, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

It’s Christmastime at a bar in Toronto.

Julia is a young woman sitting in her usual spot, trying to forget her own tragic history. She chats with the usual suspects – strange men trying to hit on her, and women looking for a shoulder to cry on. But what she doesn’t realize is that most of the strangers she talks to each night… are all the same person.

Then there’s Drew. He suffers from a bizarre illness. The only way he can survive is to refresh his body by inhabiting a new one… until the body is worn out and he moves on to the next. Can Drew tell Julia the truth and convince her to accept his unusual lifestyle?

Or is that just too big a life change for either of them to accept?

Lifechanger is a new fantasy/horror movie that will keep you guessing till the end.

It’s written and directed by Justin McConnell (who I interviewed 5 years ago about his documentary Skull World.) Lifechanger has won multiple awards at international film festivals across North America and around the world. It co-stars Jack Foley as the romantic lead… who is also a man with a secret.

The film opens today in Toronto, Calgary and Ottawa.

I spoke with actor Jack Foley and writer/director Justin McConnell in studio at CIUT 89.5 FM.

Lower Budget. Films reviewed: Dead in a Week, Nothing Like a Dame, Clara

Posted in Acting, Canada, comedy, Death, documentary, Movies, Romance, Science Fiction, Space, Suicide, Thriller, Toronto, UK, Women by CulturalMining.com on November 30, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

There are lots of big-budget blockbusters and Oscar bait cluttering the theatres these days, but I thought I’d give you a break from all that. So this week I’m looking at three lower- budget films that might otherwise fall through the cracks. There’s a documentary on the hidden side of acting; a dark comedy about the humorous side of suicide; and a scientific romance about the spiritual side of astronomy and quantam physics.

Dead in a Week (or your money back)

Wri/Dir: Tom Edmunds

William (Aneurin Barnard: Dunkirk, Bigger, Bitter Harvest ), a brooding young English writer, is a total mess. He’s lonely and depressed, with a dead-end job, and daily rejection letters for his unpublished book. Things are so bad he wants to off himself. But he has terrible luck with that too. Each time he tries to kill himself something goes wrong, saving his life. In desperation, he hires an assassin to kill him. “Dead in a week or your money back.” His assassin, Leslie O’Neil (Tom Wilkinson: Selma, Denial, The Happy Prince ) was the country’s top hitman in his heyday, but no more. His homey wife and the Assassins League president are both pushing for him retire. But this hit could change his luck, putting him over the required minimum murders so he’s stoked and ready to kill. Everybody’s happy, until…

William gets an unexpected call from a publisher who wants to meet him. Ellie (Freya Mavor: The Sense of an Ending, The Lady in the Car with Glasses and a Gun), an editor, is intrigued by his book. She’s also bright, cynical and pretty. Suddenly William has a reason to live. Trouble is you can’t cancel a contract once it’s been signed. And through a series of mishaps, other assassins are also on their tail. Are they both doomed? Or will they find love beneath a dark cloud in the picturesque southern counties of England?

Dead in a Week is Tom Edmunds’s first film, and it’s a very enjoyable, twisted comedy. It starts with a ridiculously implausible premise, but manages to ride it to a fun and unexpected conclusion. It twins bland, small town life – budgies and needlepoint – with bloody violence and an almost supernatural “League of Assassins”. And the main actors stick to their oddball characters in absurd situations without resorting to mugging or hamming.

This would make a perfect date movie for an emo and a goth.

Nothing Like a Dame

Dir: Roger Michel

What do actors Judy Dench, Maggie Smith, Joan Plowright and Eileen Atkins have in common? They are longtime actors of the London stage, and good friends since the 1950s. They are also all addressed as “Dame” a title awarded by the Queen, the equivalent of Sir for men. This documentary follows them at their retreat in the English countryside as they reminisce about life on the stage, and reveal untold stories about what really was going on; their homelives and marriages. They talk abut naturalism, stagefright, forgotten lines, and whether they read critics of their work. And what it’s like growing old before the cameras.

I’m not a big celebrity hound, so a lot of what they say that might be common knowledge to you was all new to me. I never realized Joan Plowright was married to Lawrence Olivier. (How could I have missed that?) I remember as a kid seeing Maggie Smith as Lady MacBeth at Stratford… but until now I never knew that the reason she was in Canada was she was scared to perform Shakespeare in England. And that all four of them protested the Vietnam War at demos in London.

Nothing like a Dame is an enjoyable look at famous actors chatting. There’s also amazing footage of stage, film and TV performances spanning their careers. But if you’re expecting salty stories about clandestine romances and shocking backstage sex scandals, you’re not going to find them here. Everything they say is guarded and carefully worded, suitable language for a Dame.

Clara

Wri/Dir: Akash Sherman

Dr Isaac Bruno (Pattrick J Adams) is a young astronomy prof at a Canadian University, who works in a lab beside his best friend Charlie (Ennis Esmer: Sex after Kids). Isaac is a sweater nerd with wire rimmed glasses and a neck beard. He hates teaching, preferring to study the stars using Extremely Large Telescopes, continents away. He feels angry and adrift since his marriage collapsed. His only obsession? His search for evidence of life on a distant planet. And he needs to find it soon, before the WEBB telescope is introduced, opening the universe to amateur star searchers.

But when he loses his research priveleges he hires an unpaid research assistant to help analyze data in his home. But she’s not like his normal students. Clara (Troian Bellisario) is a free spirit in a duffelcoat with long black hair. She travels the world, carrying a pouch of small stones, one from each continent, to plot out her next journey. She’s a study in contradictions, a highschool dropout who can speaks five languages. And whenever she closes her eyes, she’s overwhelmed with images of galaxies, stars and planets… Can Clara’s spiritual views coexist with Isaac’s die-hard science-based research? Do they share a cosmic entanglement? And could there be a populated planet like Earth somewhere far, far away?

Clara is a nicely-made first film set in Toronto. It’s filled with amazing telescopic footage of quasars, meteors, galaxies and stars rushing through space, as visualized in Clara’s brain, and as seen through super telescopes. And I’m no astronomer, but the film seems accurate in its reading of space data. This is not a perfect film — some of the characters’ motivations seem too simplistic – but I still liked it.

Clara, Nothing Like a Dame, and Dead in a Week all open today in Toronto; check your local listings.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

 

 

Far from the Madding Crowd. Films reviewed: Border, The Drawer Boy

Posted in 1970s, Acting, Canada, Crime, Fairytales, Farming, Folktale, Horror, Intersex, Sex, Supernatural, Suspicion, Sweden, Theatre, Toronto by CulturalMining.com on November 23, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Fall festival season is coming to an end in Toronto but there’s still some left to see. This weekend, watch out for Blood in the Snow. Not literally. BITS is the all-Canadian film fest that shows horror, genre and underground films at the Royal Cinema. And at the ROM this weekend, presented by Ekran and The Polish Filmmakers Association, you can see films with historic themes celebrating 100 years of Poland’s Regained Independence, featuring Andrej Wajda, Roman Polanski and other great Polish directors.

This week, I’m looking at two movies set far from cities. There’s a Canadian actor who thinks a farmer’s stories don’t smell quite write; and a fairytale-like Swedish customs officer who can sniff out crime.

Border

Dir: Ali Abbasi

(Based on a short story by John Lindqvist, author of Let the Rght One In)

Tina (Eva Melander) is a customs officer at a remote ferry dock in rural Sweden. She lives in a cabin in the woods. She feels a kinship with the local foxes and reindeer, more so than with people. She shares her home with a redneck dog trainer named Roland, but rejects his

sexual advances. It just doesn’t feel right. She’s resigned to a life of celibacy, partly because of her very unusual appearance. She’s kind and friendly, but… pretty ugly. She looks almost neanderthal, with her heavy brow, scarred skin, scraggly hair, and a nose like a lion’s. And with that nose comes an amazing sense of smell. She can detect the hidden emotions – shame, cruelty, and evil intent – of smugglers and criminals passing through her customs line. When she sniffs out kiddy porn on a businessman’s cel phone, the local police begin to take notice. They ask her to help them uncover a kidnapping ring.

Meanwhile, one day at the customs house, she sniffs out a strange man. Vore (Finnish actor Eero Milanoff) looks like her and sniffs like she does. She’s suspicious at first but notices a definite attraction. When they finally get together, their sex is explosive! He urges her to run away with him and stop living “like the humans”. Wait… what?!

If they’re not human what are they, exactly? And what other secrets is Vore hiding?

Border is a fantastic Swedish movie, a combination horror and supernatural thriller that manages to be funny, repulsive, touching and shocking (not for the faint of heart). It also deals with a wide range of unexpected topics, from intersexuality and gender transformation, to ostracism, folklore, mental illness, and a whole lot more. The acting is fantastic, the look and feel of this movie is amazing.

If you want to see something truly different, this is a film for you.

The Drawer Boy

Dir: Arturo Pérez Torres, Aviva Armour-Ostroff

Based on the play by Michael Healey

It’s the early 1970s in rural southern Ontario. Miles (Jakob Ehman) is an earnest young actor, part of a Toronto theatre collective that wants to create a play about farmers and farm life. He arrives with a bunch of other actor/hippies, each staying on different farms, who get together, every so often, to rehearse and compare notes. Miles’s new home is run by two men who have lived there since 1945 after serving together in the army.  Angus (Stuart Hughes) bakes bread in the kitchen and keeps the books. He seems a bit touched in the head. In fact he has no short term memory – there’s a metal plate in his brain from a wartime explosion. Morgan (Richard Clarkin) is more like the boss, handling the heavier farm work. Morgan lets Miles stay there as long as he adapts to farm life. That means 3:00 a.m. wake-ups, hard work, and “don’t ask too many questions”. Angus doesn’t like thinking about troubling memories… it gives a headache.

Morgan talks slow and low, like a farmer, but he’s smarter than he looks. He feeds gullible Miles lots of halftruths and impossibilities, which Miles dutifully scribbles down in his ever-present notebook. Things like “dairy cows eat pigs”, and are terrified of humans, knowing they could be slaughtered any day.

Morgan also tells a story to Angus each day, to restore his lost memories. It’s about a boy who draws, two tall sisters, and a house on the farm they were all supposed to share. But when the actors perform their workshop in a barn for all the local farmers, including Angus, something clicks. Seeing his own story performed on the stage, suddenly, like a knock on the head, unleashes a flood of memories. Memories that Morgan doesn’t want Angus to know…

The Drawer Boy is a film adaptation of the famous Canadian play from the 1990s, which itself was about the making of an earlier play in the 1970s. I’m always cautious about plays turned into movies – sometimes the media just don’t match. But don’t worry, this play makes a wonderful movie. It incorporates the drama of the original while adding special effects and scene changes hard to show on stage. The three actors are all excellent, and seeing it in a real barn with real cows, tractors and bales of hay just adds to the realism. The Drawer Boy is a great movie about storytelling, memory, loss, and relationships… a perfect dose of Canadiana on the big screen.

The Drawer Boy and Borders both open today in Toronto; check your local listings.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Daniel Garber talks with Michael Del Monte and Janae Marie Kroczaleski about Transformer

Posted in Bodybuilders, Canada, documentary, Family, LGBT, Sports, Trans, Women by CulturalMining.com on October 19, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Photos by Jeff Harris.

Janae Marie is a Michigan pharmacist, originally from Ypsilanti, divorced with three sons.

Matt was a high school football player, a former marine who rose to fame as a competitive bodybuilder and power lifter. What brings the two together?

Jenae used to be Matt.

She’s a transwoman facing the unusually difficult transition from titanic 250 pound man into her current status. This transformation is documented in a new feature film called Transformer.

The documentary is directed by Toronto native, award-winning filmmaker Michael Del Monte.

It follows Janae both at home with family and friends, and inside the hypermasculine world of competitive weightlifting. It shows her life both as Matt and as Janae while she makes the difficult decisions and myriad changes faced by all trans people, as well as those unique to her world. Transformer is an eye-opening, surprising, touching and always respectful movie.

I spoke to Janae Marie Kroczaleski and Michael Del Monte on location during Hot Docs.

Del Monte’s Transformer won the won Hot Docs Emerging Canadian Filmmaker Award and the Rogers Audience Choice Award for Best Canadian Doc. It starts its theatrical run today.

Golden. Films reviewed: The Old Man & the Gun, Let the Corpses Tan, The Sisters Brothers

Posted in 1800s, 1980s, Belgium, Canada, Crime, Cultural Mining, France, Horror, San Francisco, Sex, Texas, Western by CulturalMining.com on October 5, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

This week I’m looking at three genre movies -– a heist, a western and a retro horror/thriller — about the search for gold. There’s an old bank robber lookin’ for love while stealing krugerrands, two brothers in the old west working as hitmen while searching for gold nuggets, and criminals in Corsica killing for gold bars.

The Old Man & the Gun

Dir: David Lowery

It’s the 1980s in Texas. Forrest Tucker (Robert Redford) is the consummate gentleman, always kind and charming, especially with the ladies. He meets one such woman named Jewel (Cissie Spacek) by the side of the road where her car overheated. She’s a widow with a ranch but no family or friends nearby. He gives her a ride and they share lunch at a roadside diner. But when he jokingly tells her what he does for a living she doesn’t believe him. Who would think such a kindly old man is a bank robber?

But a bank robber he is, and a damned good one. Working with his partners Teddy and Waller (Danny Glover, Tom Waits) they pull off a stream of successful bank heists from Dallas to St Louis, without ever firing a shot or leaving a single fingerprint behind. That is until detective Hunt (a moustachioed Casey Affleck) connects the dots between these seemingly unrelated crimes. (This is long before google.) Can Tucker quit bankrobbing and settle down with Jewel before Hunt tracks him down?

The movie is based on a true story about a career criminal and escape artist but it’s so much more than that. It’s a tender love story (between Tucker and Jewel), and a buddy drama (between him and his respectful rival, the cop). It’s well-acted, wonderfully directed and with a classic script of the kind I thought Hollywood had forgotten how to write. It even has some filmmaking tricks – like a clever history of his escape attempts – inserted in an unexpected place.

What a feel-good movie this one is.

Let the Corpses Tan (Laissez bronzer les cadavres)

Dir: Hélène Cattet, Bruno Forzani

It’s a sundrenched day at a cliffside bed and breakfast in Corsica. Madame Luce (Elina Löwensohn) – a sultry, middle aged woman with a pageboy haircut – is your hostess, but don’t expect a five star rating. It’s a BnB… from hell. The rooms are made of crumbling rock shelters and breakfast means fried eggs served with live ammo. The guests include a scheming criminal, a crooked lawyer, a young tough, and a smash-faced thug. The only paying guest, Max Bernier, is an over-the-hill novelist from Paris in a perpetual drunken stupor. What are they all there for?

A heist, of course, in the form of a Brinks truck carrying a case of solid gold bars. They carry it off — killing two cops and the driver in the process — but then things start to go wrong. Bernier’s beautiful young wife and kid show up unexpectedly, and a pair of motorcycle cops, dressed in black leather, stop by to take a look around. At this point, gunshots start and rarely stop till the end of the movie. Some of the bad guys realize they’ve been stabbed in the back. Soon everyone on the mountainside is either a hostage or hostage taker, a shooter or a victim (or a potential sex partner) in a final shootout for the gold.

But this plot description doesn’t do justice to what this film really is. It’s an over-the-top horror/thriller/heist movie, flawlessly done in the style of 1960s spaghetti westerns. It’s intense, from the saturated colour to the Morricone score.  Every gun shot — and there are thousands – is followed by a mammoth splash of blood; every cigarette is lit with a whoosh of flame that fills the screen; every stabbing has a disgustingly loud squishing sound. There are extreme close ups, with a single eye or curled lip filling the entire screen. And lots of gratuitous nudity and violence, especially when the drunken novelist imagines stylized sex scenes from his own books.

See this one on a big screen.

The Sisters Brothers

Dir: Jacques Audiard

It’s the 1850s in the Oregon territory, and the country has gone gold crazy. Eli and Charlie Sisters (John C Reilly, Joaquin Phoenix) are brothers who earn their living shooting to kill. Eli is smart and kind at heart, while Charlie takes after their dad, a drunk, mean bastard. They work for a shady robber baron known as the Commodore. Their latest job? Meet up with another man

who will provide them with their victim.

Meanwhile, in a town nearby, is the idealistic Hermann Warm (Riz Ahmed) a brilliant scientist who is flat broke. He has an invention that could make him a millionaire. It’s a chemical he claims will make panning for gold easy as pie. On his travels he meets an upper-class adventurer named John Morris (Jake Gyllenhall). Warm likes Morris’s polite relaxed manner and sees him as a genuinely nice guy. As they travel he share his secret, though not the details, with him. What he doesn’t know is Morris – like the Sisters Brothers – works for the evil Commodore, and that he plans to hand over his erstwhile friend to those killers. But things aren’t necessarily what they seem. The hunters become the hunted with posses tracking the Sisters brothers for their past crimes. The four find themselves on the same side, at least temporarily, but who can be trusted?

The Sisters Brothers is French director Audiard’s first English language film, and he totally pulls it off. This is an excellent western that captures the frantic expansion of the gold rush towns in the old west with entire settler towns appearing, on-screen. We watch characters discover new technology like toothbrushes and hot-water plumbing. It captures the utopian politics of the time (though completely ignoring the plight of indigenous people). Reilly and Phoenix make great shootists, but it’s Riz Ahmed who really steals the show. The Sisters Brothers (based on Canadian writer Patrick deWitt’s novel), is a wonderful, new take on the classic western.

The Old Man & the Gun, Let the Corpses Tan and The Sisters Brothers — all great movies, though for different reasons — all open today in Toronto; check your local listings.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Daniel Garber talks with Renée Beaulieu about Les Salopes at #TIFF18

Posted in Canada, College, Feminism, Quebec, Scandal, Science, Sex, Women by CulturalMining.com on September 7, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Marie-Claire is a professor of Dermatology at a Montréal university. She’s in her forties and happily married to Adam, with two teenaged kids. She is researching whether skin cells – which convey touch, the most important of all senses – react to sexual pleasure. And as part of her research she pursues a course of radical experimentation: she decides to sleep with whatever man she desires, whether at work, at play or at home. She finds sexual pleasure without guilt. That is, until she begins to feel the backlash…

Les Salopes: or The Naturally Wanton Pleasure of Skin is a new movie at the Toronto International Flm Festival. It’s an erotic feminist tome that shifts the focus of desire, seduction, pleasure and satisfaction to the female gaze, with men as The Other.

Les Salopes is written and directed by Renée Beaulieu, a screenwriter, filmmaker and teacher at the Universite de Montreal.

Les Salope has its world premier tonight;  I spoke with Renée Beaulieu in studio at CIUT.

More Films by Women. Films reviewed: Never Saw it Coming, Skate Kitchen

Posted in Canada, Coming of Age, Movies, Mystery, Skateboards, Thriller, Women by CulturalMining.com on August 17, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

TIFF promises one third of all movies showing this year will be directed by women. This was virtually unheard of even a few years ago. But I’m finding — especially with indie productions — that there’s been a sea change with loads of good movies being made by women. This week I’m looking at two such movies, one from Canada and another from south of the border. There’s a body hidden beneath the ice in Sudbury and a subculture hidden between the skyscrapers of Manhattan.

Never Saw it Coming

Dir: Gail Harvey

Wri: Linwood Barklay

Keisha (Emily Hampshire) is a psychic in Sudbury Ontario. She specializes in locating lost relatives, dead or alive. By touching a personal item she has visions pointing straight to a grave site. But is she authentic? Keisha lives with her young red head son Matt (Keegan Hedley) and her on-again, off again boyfriend Kirk. He moved in with her four months ago but has yet to pay rent.

She’s saving up to buy her son the keyboard he’s always wanted but money is scarce. So she agrees to pull off a onetime scam, involving parents desperate to locate their drug-addicted son.

At the same time she searches out a family with a mother who has gone missing. (The movie opens with her car sinking into a frozen lake as the woman screams for help) The missing woman’s husband Wendel (Eric Roberts) and daughter Melissa  (Katie Boland) have appealed for help on TV, along with police detective Wedmore (Tamara Podemski). Keisha sees this as a chance to locate a missing person and make some quick cash. But her meeting goes terribly wrong, and her chaotic life becomes impossible to handle. Now she has to deal with a suspicious detective, her partner in crime turned junkie blackmailer, and threats from her volatile, layabout boyfriend.

Can her visions – if they actually exist – save Keisha? Or is she heading for the big house?

Never Saw it Coming is a short but credible Canadian mystery thriller, with lots of scurrilous characters without many sympathetic good guys. It seems like almost everyone in Sudbury is a lowlife. Still, I always enjoy a good noirish Canadian movie, despite its flaws. Emily Hampshire and Tamara Podemski as the psychic and cop in a battle of wits, stand out. And Eric Roberts is great as a sketchy schemester.

Skate Kitchen

Dir: Crystal Moselle

Camille (Michelle Vinberg) is an 18 year old vegan who lives with her mom in Long Island. She has long hair, glasses and wears shorts, white socks and thrasher T shirts. She spends most of her time hanging at a nearby skate park practicing her moves, despite the catcalling and abuse she takes from the guys there. But when a mishap sends her to hospital with gushing blood between her legs, her mother forbids her from using a skateboard again. But skating is her life. What can she do?

Find a crew on instagram to skate with. An all female one. She joins them in Manhattan and makes fast friends. They skate the city, exchange stories and defend themselves against asshole guys. There’s strength in numbers. After a big fight with her mom she ends up moving in with Janay (Ardelia Lovelace), one of the girls in the group.

She also gets a day job, as a cashier in a super. There she meets Devon (Jaden Smith) who works in the stock room. He’s a skater too, with dyed red hair, and asks her to let him snap her pics. She does some solid moves on the top of a skyscraper near the empire state building. And sparks seem to fly.

The problem is she likes him, but Devon and Janay used to be a thing. And she never got over their nasty breakup. Can Camille keep her relationship with Devon a secret from her fiercely loyal crew? Or will her life collapse like a house of cards?

Skate Kitchen is a great coming-of-age story set within the world of skateboarding – the music, fights, drugs, sexual experimentation, tampons, comeradery, as well as misogynistic bragadoccio on the male side.

This movie, though, is unique in that it’s painted from a female point of view, a community usually totally absent from anything skate-related. It’s modelled on a real group, also called Skate Kitchen, with many of the actors playing roles based on themselves, including Vinberg, its founder. This gives it a very realistic feel, and provides a genuine look at a seldom seen subculture. This movie’s the real thing and I liked it.

Skate Kitchen and Never Saw it Coming both open today in Toronto; check your local listings.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Daniel Garber talks with Sofia Bohdanowicz about Maison du Bonheur

Posted in Canada, Cooking, documentary, Fashion, France, Movies by CulturalMining.com on August 17, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Juliane is a retired astrologer in her 70s who lives in a Paris apartment in the 18th arrondissement, in Montmartre. She believes her personal presentation – hair, makeup, clothes, and shoes – must always be impeccable. Her life should be full of delicious food, lovely colours and fast friends. And her apartment, part of Haussmanns original design, should be a veritable “house of happiness”.

Maison du Bonheur is a wonderful new documentary that follows Juliane over the course of a month by a Canadian filmmaker who comes to stay with her. It records the mundane, yet fascinating, details of the everyday life of a classic parisienne, even as it subtly reveals her — and the filmmaker’s — unspoken secret histories. The film was directed, shot and edited on a microbudget by Toronto-based Sofia Bohdanowicz. Winner of the Jay Scott Prize, the Emerging Canadian Directors award (at VIFF) and many more, this is Sofia’s second film.

Maison du Bonheur opens tonight at the TIFF Bell Lightbox in Toronto.

I spoke with Sofia at CIUT 89.5 FM.

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