Daniel Garber talks with Andrew Gregg about Skinhead, his new documentary on CBC Docs POV

Posted in Canada, CBC, Conservativism, Cultural Mining, documentary, Movies, Nazi, Politics, Racism, Skinhead by CulturalMining.com on November 24, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Neo-nazis, white supremacists and the alt right have captured headlines for more than a year now. Vandalism has escalated to demonstrations, shootings to terrorism. And some say the election of Donald Trump has given these groups new power in mainstream politics. But surely that’s an American phenomenon, with no traction in Canada….right?  A new documentary looks at the extreme right in Canada and pokes holes in the illusions of complacent Canadians.

The documentary is called Skinhead. It tell the story of a former skinhead and white supremacist named Brad, his beliefs, and what led him to abandon his ideology. Skinhead is written and directed by award-winning documentary filmmaker Andrew Gregg. (I previously interviewed him here and here.)

I spoke with Andrew in studio at CIUT 89.5 FM.

Skinhead will be broadcast on CBC TV on Sunday, November 26th at 9:00 pm.

Daniel Garber talks with Moze Mossanen about My Piece of the City

Posted in Canada, documentary, Housing, Movies, Musical, Poverty, Toronto by CulturalMining.com on November 17, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Regent Park is a section of Cabbagetown in Toronto’s east end. After WWII, tenements were razed to the ground replaced with lowrise housing surrounded by grass parks. It was meant to lessen poverty and crime, but it didn’t quite work out that way. Now they are replacing it all with clean, market rent condos integrated with public housing. But what will become of the longtime residents of this unique piece of the city?

My Piece of the City is a new documentary that looks at Regent Park, then and now, in the form of a theatrical production performed there each summer. The Journey combines song, dance, spoken poetry and drama in a celebration of the neighbourhood, its history and the people who live there.

It is written and directed by award-winning Canadian filmmaker Moze Mossanen, known for performance-based documentaries like Nureyev, Roxanna, and The Rings of Saturn. His works play in cinemas and are broadcast across Canada and around the world.

My Piece of the City will have its world premier on November 18th, 2017 at the Regent Park Film Festival.

I spoke with Moze Mossanen in studio at CIUT 89.5 FM.

Daniel Garber talks with director Michèle Hozer and Ramez about Sponsorland

Posted in Canada, documentary, Refugees, Syria, War by CulturalMining.com on November 3, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

The Syrian civil war has killed hundreds of thousands of people, with millions fleeing their homes. Their plight was brought home when the tragic photo of 3-year-old asylum seeker Alan Kurdi hit the news. In Canada, thousands of private sponsors raised money to bring Syrians to safety. But what happened to them when they reached these shores and met their sponsors?

Sponsorland is a new documentary that follows a year in the life of a family of asylum seekers who end up in scenic – but very white — Prince Edward County, Ontario, far from the big city they expected. It also looks at their sponsors and the role they play in welcoming and supporting refugees.

Sponsorland is the work of award-winning filmmaker Michèle Hozer, whose documentaries tell a distinctly Canadian story, celebrating names like Romeo Dallaire, Glenn Gould and Tom Thomson.

This documentary features a family of Syrian refugees with 11 children. Ramez, the second oldest son, is currently a high school student in Picton, Prince Edward County.

I spoke to Michèle in studio at CIUT and to Ramez by telephone.

Sponsorland has its world premier on Wednesday, September 8th at the Isabel Bader Theatre in Toronto and on Friday at the Regent Theatre in Picton. It will be broadcast on TVO on November 15th, 18th and 19th.

Daniel Garber talks with director Boris Ivanov and activist Justin Romanov about Putin’s Blacklist

Posted in Cultural Mining, documentary, LGBT, Movies, Politics, Protest, Russia by CulturalMining.com on October 27, 2017

Boris Ivanov (l), Justin Romanov (r)

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Since Donald Trump was elected US President we hear new news stories each day about possible Russian involvement in that election. But rarely do we hear anything about Russian politics, it’s government and Russian President Vladimir Putin. Why is he so popular? What are his politics? Who opposes him? And what does it mean to be on Putin’s blacklist?

On Putin’s Blacklist is a new documentary that tries to make sense of it all. It looks at diverse topics like the politicization of the foreign adoption of Russian orphans; political dissidents, propaganda, nationalism and LGBT rights. Using extensive media clips, new political commentary and documentary footage, On Putin’s Blacklist provides an insider’s look at Russia today. The film is written and directed by award-winning filmmaker Boris Ivanov. It features Justin Romanov, the well-known Russian-Canadian LGBT activist.

I spoke with Boris and Justin in studio at CIUT 89.5 FM.

On Putin’s Blacklist is now playing in Toronto.

Made for the Big Screen. Films reviewed: Suburbicon, Human Flow, Faces Places

Posted in 1950s, Anthropology, Art, Clash of Cultures, Crime, documentary, France, Migrants, Refugees, Rural, Suburbs, War by CulturalMining.com on October 27, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Do you find it hard to keep up with all these Fall Film Festivals? Here’s some coming in November whose names are nearly self-explanatory: EstDocs shows documentaries from Estonia – This year is Estonia’s 100th anniversary since it first declared itself a republic. ReelAsian is one of Toronto’s biggest festivals, showing features from East and South Asia and their diasporas. And guess what Black Star shows? It’s a curated series of classics at TIFF featuring black movie stars: Dorothy Dandridge in Carmen Jones, Sidney Poitier in In The Heat of the Night, and Denzel Washington in Malcolm X.

This week I’m looking at some movies — a thriller and two art documentaries – with strong visual elements that deserve to be seen on the big screen. These films are about migrating across continents, driving across France… or just staying put in the suburbs,

Suburbicon

Dir: George Clooney

It’s the late 50s in a cookie-cutter suburb. Nicky (Noah Jupe) is a twelve year old boy who lives with his mom and dad in a middleclass, white, Episcopalian home. His father, Mr Gardner (Matt Damon) works at a middle management office job, while his mom (Julianne Moore) stays at home. She uses a wheelchair to get around since she was almost killed in a car accident a year earlier. Her sister (also played by Juliane Moore) helps out around the house. Life is bland, suburban and normal.

Then two big things happen.

First, a middle class black family moves into the house behind theirs. This makes Nicky happy because they have a son his age– someone he can play baseball with. His all-white neighbours, though, didn’t like it one bit, and try to intimidate them into moving away. The second thing is a home invasion by a pair of lowlife criminals. They tie up the family to chairs at the dinner table and knock them out with ether. And when Nicky wakes up, his mom is dead and the killers are gone. Stranger still, his aunt quickly moves in to take her place and dyes her hair to look exactly like his real mom. What’s going on?

Then things get worse. White violence scalates against their new black neighbours escalates. A detective visits Gardner at his office investigating his wife’s murder. He’s suspicious. So is an insurance investigator. Then the killers themselves show up again making new demands. What do they want from him? When Nicky catches his Dad and his fake-mom in a compromising position on the pingpong table he realizes something is very wrong.

Suburbicon is a zany — but violent – mystery/thriller that looks at the dark side of a 1950s suburb, as seen through the eyes of a little boy. It also deals with segregation, but that’s really just a subplot — an attempt to give it relevance. It’s written by Joel and Ethan Coen, with the usual over-the-top violence and absurdist comedy, but it doesn’t feel like a Coen Brothers movie. This is George Clooney’s work. Aesthetically, it’s amazing, with incredible art direction that brings to life a stylized version of suburban America.

It’s a fun story, but that’s all it is — entertaining fluff.

Human Flow

Dir: Ai Weiwei

Millions of people around the world are housed temporarily in makeshift shelters. These refugees flee their homes or villages in fear for their lives. Many more are migrating across borders looking for a place to call home, now that war or famine or poverty has made their previous homes uninhabitable. This human flow, these crowds of people risk their lives qs they walk through deserts, through fields and cities, crossing oceans in leaky boats, as they search for sanctuary.

This movie follows refugees and migrants around the world: Rohingya in Bangladesh, Syrians walking through Europe, central Americans climbing those walls at the US/Mexican border. It takes us to Gaza, Kenya, Afghanistan, Turkey and Hungary, looking at how these people fare in unwelcoming environs.

Human Flow is huge, epic in scope and very long for a documentary – almost 2 ½ hours. It takes you to different locations without any narrative or order, punctuated with poetic quotes and info scrolling across the screen. There are some exciting parts — like the rescue of migrants in boats on the Mediterranean – but much of the film has a constant “flow”, just drifting to scene after scene. Ai Weiwei is primarily an artist so the filming is gorgeous and grandiose. It uses drone shots looking down from way, way up in the air where refugee camps look like tiny white pills arranged in neat rows. Then it zooms down, until you gradually see what looks like ants and then finally, real people with faces. Human Flow is visually stunning and informative.

I just wish it were an hour shorter.

Faces Places (Visages Villages)

Wri/Dir: Agnes Varda and JR

Agnes Varda is the Belgian-born artist and filmmaker who rose to fame in the French New Wave. JR is a contemporary artist known for his postering. He plasters his work — giant-sized, black and white paper photos – onto outdoor walls. Together they travel across France taking pictures of ordinary people they meet on their way: a coal miners daughter, a waitress, a farmer, and a woman who raises goats. They also pay homage to important figures from Agnes’s past: a man who modeled for her on the beach, the grave of photographer Cartier-Bressson, and Jean-Luc Godard’s home.

They make strange pair. Agnes is short, with a pageboy haircut, her white hair partly dyed with a red halo around the fringe. She’s 88. JR is tall and lanky. He won’t reveal his real name and keeps his face disguised with a fedora and dark glasses. He’s 33. They travel in JR’s little truck that has the image of a camera lens on the side. It functions as a photobooth that prints out the huge paper photos he take. And Agnes films it all, recording the process and people’s honest reactions to JRs art. The posters might wash off of walls by the next high tide , but they will remain longer on film.

Faces Places is a delightful personal documentary about art and photography, both still and in motion.  It shows us the transience of people and images.

Human Flow is now playing, and Suburbicon and Faces, Places open today in Toronto; check your local listings. 

This is Daniel Garber at the Movies, each Friday morning on CIUT 89.5 FM and on my website culturalmining.com.

Daniel Garber talks with Alanis Obomsawin about Our People will be Healed

Posted in documentary, Education, Environmentalism, First Nations, High School, Music by CulturalMining.com on October 20, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Photos by Jeff Harris

Above the northernmost tip of Lake Winnipeg, Norway House is a Cree First Nation community that works. It has a wonderful school system, local radio station, police, cultural groups, a language renewal program, music, dance and more. Traditional rituals are preserved, and young people are mentored by elders about their relationship with the land and their history. But — after 150 years under the Indian Act, with broken treaties, disease, death, and poverty; forced assimilation, mass incarceration, cultural genocide, residential schools, widespread discrimination, racism, rape and murder – this is a people that needs to be healed.

Our People Will Be Healed is the name of a new documentary that premiered at TIFF and is now showing at ImagineNative, Toronto’s Indigenous film festival. It is the work of master director Alanis Obomsawin, Canada’s doyenne of documentary filmmaking, who has recorded the lives and issues of First Nations in fifty films over fifty years.

I talked with Alanis on location at the National Film Board in Toronto during TIFF 17.

Our People will be Healed is playing at the ImagineNative Film Festival in Toronto on Saturday, 21 October 2017 at 3:00 pm at the TIFF Bell Lightbox.

Urban stories. Films reviewed: STEP, Menashe PLUS TIFF17 preview

Posted in African-Americans, Baltimore, Brooklyn, Dance, documentary, Drama, Family, Judaism, Movies, Yiddish by CulturalMining.com on August 12, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

TIFF, the Toronto International Film Festival is still a month away, but already some of the movies are generating buzz, even before anyone’s seen them. Here are some I want to see. Call Me by Your Name looks at a boy in northern Italy who has a crush on an older visiting student. It’s directed by Luca Guadagnino who brought us This is Love. Mary Shelly could be a conventional historical biopic about the author of Frankenstein, but what’s so interesting is this is the second film by Saudi director Haifaa Al-Mansour, who brought us the delightiful Wadjda five years ago. The Shape of Water features Sally Hawkins as a mute cleaning woman working in a secret weapons lab, who discovers she can communicate with a Creature from the Black Lagoon kept captive in a glass tank. It was made in Toronto by the great Guillermo del Toro. I’ll have some more buzz about Canadian movies next week.

But this week I’m talking about two American films centred on urban life: a documentary on school life in Baltimore, and a drama about home life in Brooklyn.

STEP

Dir: Amanda Lipitz

BLSYW (or “Bliss”), the Baltimore Leadership School for Young Women is a public charter school with a clearly stated goal: that all of its students (mainly African-American girls and young women) will not just graduate each year but will continue on to college or university. And at the core of this school is their Step team. Step is a competitive sport that combines athletics, dance and theatrical performance, driven by music and rhythm. The intense practice and teamwork helps motivate the young women to succeed in their studies and fosters a sense of responsibility.

This documentary follows three of the students — Cori, Tayla and Blessin – as they attempt to achieve their goals. The three use their brains, skills and charisma to succeed. This also means getting their families to cooperate. The cameras follow them home so you meet their families, atoo. And at school it’s Coach G and their guidance counsellor who carry the story on. Together can they break away and rise up from the poverty and oppresssion faced by so many Baltimoreans for so many generations? Or will life, and the normal pressures they face, drag them down?

STEP follows their lives in the newly formed school against the background of the killing of Freddy Gray by local police. It shows how the Black Lives Matter movement — and the political awakening that accompanied it — enters the girls’ lives and even their Step performances.

This is a fascinating and inspiring look specifically at one charter school in Baltimore. It doesn’t deal with controversies over the charter system in general, or how charter schools might affect other schools in the public system. But it does provide a feel-good story that hopefully will motivate youth throughout that country to achieve their goals. Either way, it’s an enjoyable, funny and touching look at the lives of three girls.

Menashe

Dir: Joshua Z Weinstein

Menashe (Menashe Lustig) is a single dad who lives in a self-contained Hasidic community in Brooklyn. He’s chubby with an unkempt red beard and rimless glasses. He has a low-paying job at a local grocery store unloading boxes, sweeping the floor and as a cashier. And for fun, he studies religious books, and sings songs with his friends over a cup of schnapps. He’s coping with his economic troubles, but faces an even bigger one: the community disapproves of single parent households. He has lived alone with his young son Rievele (Ruben Niborski) his only source of happiness since his wife died earlier that year. But they’re pressuring him to marry again, and arranging dates. He wants none of that — can’t they just leave him alone? Apparently not. And to force the issue, his brother in law Yitsig has forced his son to move in with his family until Menashe marries again. He did this with the approval of their rabbi, so Menashe is forced to go along with it or his son could be kicked out of school.

His brother in law is everything Menashe is not. He makes good income selling real estate, lives in an expensive brownstone. Itsig has a silken black beard almost two feet long and wears a black coat and fur hat when he goes outside. He treats Menashe disdainfully, calling him demeaning names to his face.

But Menashe is granted reprieve: his son can move back home until the one year anniversary of his wife’s death. Can he prove he’s a fit father by then? Or will his clumsy nature and bad luck alienate his father son relationship and what’s left of his status in the insular ultra-orthodox community?

Menashe is a touching and realistic drama based on actual events in the actor Menashe’s life. Most remarkable of all is the dialogue is entirely in Yiddish, peppered with a few English words, like “plastic bag” and she’s “not my type”. The cast is largely composed of non-actors. A gently-paced movie, it gives a look behind the scenes, from the plastic wash basin kept under his bed, to the large white cap Ruben wears to sleep each night. Menashe is a slice-of-life family drama rarely scene on film.

Step and Menashe both open today in Toronto; check your local listings.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

 

 

Daniel Garber talks with Kliph Nesteroff about Funny How? at Just For Laughs Film Fest and Viceland

Posted in comedy, Comics, documentary, Reality, TV by CulturalMining.com on July 28, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Comedians and their audience share an unspoken contract. Standup comics provide the funny things, the audience supplies the laughs. But the unknown variable, the big question hovering at the back of the comic’s mind is always: Funny how?

Funny How? is the name of a new documentary series that takes you behind the scenes of stand-up comedy. It’s showing at the Just For Laughs Film Festival in Montreal, and is broadcast on TV on Viceland. Funny How is hosted by Kliph Nesteroff, the celebrated author, producer and comedy historian.

I reached Kliph in Montreal by telephone from CIUT 89.5 FM in Toronto.

Kliph Nesteroff’s new series Funny How? premiers at the Just for Laughs Film Festival and will be broadcast on Viceland TV.

For information about Just For Laughs go to hahaha.com.

 

Secrets. Films reviewed: Two Men in Manhattan, Army of Shadows, Rumble: Indians Rock the World

Posted in 1940s, 1950s, African-Americans, documentary, Drama, France, Indigenous, Manhattan, Music, WWII by CulturalMining.com on July 28, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Is there anything you wouldn’t tell your partner, best friend or parents? This week I’m looking at movies about secrets: two classic French thrillers by Jean-Pierre Melville, and a new Canadian documentary. There’s French resistance fighters with secret identities, a journalist in Manhattan chasing a secret story, and the secret, indigenous roots of rock and roll.

Two Men in Manhattan (1959)

Wri/Dir: Jean-Pierre Melville

It’s the late 1950s. Moreau (Jean Pierre Melville) is a reporter for AFP (Agence France-Presse), based in Manhattan, who receives a strange assignment. A top diplomat at the United Nations didn’t show up at the General Assembly… he has completely disappeared. The missing man is a French diplomat, and a war hero with a sterling reputation. Moreau has to track him down and find out what’s going on.

So Moreau turns to a freelance photographer Delmas (Pierre Grasset) for help. Delmas is a notorious alcoholic and a womanizer, but one who knows what’s going on behind the scenes in downtown manhattan. Moreau has to drag him out of bed with his latest pickup to get him to come along.

Turns out Grasset was the right one to turn to – he knows how to find the diplomat by who he’s been scene with late at night. But while Moreau is a respected journalist, Grasset will do anything for a buck. Their search takes them to a series of meeting with exotic women: a jazz singer in her recording studio, an actress backstage at intermission, a stripper in her change room and a sex worker in her boudoir. And, unbeknownst to them, they’re being followed by a mysterious woman in a car. Will they find the diplomat, and if they do will the story be suppressed or sold to the highest bidder?

This is neat noirish movie with a moral dilemma on the ethics of journalism. It’s also the only time Melville appears in one of his own movies.

Army of Shadows (1969)

Wri/Dir: Jean-Pierre Melville (Based on the novel by)

It’s 1942 in Vichy France. Most of France is occupied by Germany, but for most people life hasn’t changed. But not for Philippe Gerbier (Lino Ventura) a middle-class engineer. He is arrested by gendarmes, not by Nazis,  and sent to a relocation camp, built by the French to hold prisoners of war from Germany. Now it’s the other way around.

The camp holds a ragtag assortment of Russians, Poles, Jews, Algerians, Communists, as well as random Frenchmen arrested for no known reason. He has plans to escape with a young communist but is suddenly sent to the Gestapo headquarters for interrogation. After a daring escape, he joins a Resistance cell in Marseille consisting of tight knit group of men and one woman:

There’s handsome Jean Francois (Jean Pierre Cassel) who is in awe of his older brother, a philosopher. Mathilde (Simone Signoret) is a tactical genius, inventing fantastical ways to break into enemy headquarters without being noticed (Signoret convincingly switches from French to German). Other members are known only by their code names: La Masque, Le Bison, Felix. Together they smuggle allied forces to safety in England, relay messages sent by radio, and keep one another out of the hands of the enemy. Army of Shadows is a realistic thriller, based on a novel by a member of the French resistance( as was the director himself – in fact Melville was his nom de guerre)

It’s full of dark episodes and plot twists, that doesn’t portray the French, including the Resistance, in the best light. It’s full of secrets and lies, and the cold-blooded executions of their own comrades and closest friends who may have divulged secrets.

The movie bombed when it was first released – perhaps it was still too close to the events it portrayed, or maybe its politics didn’t jibe with Paris in 1969 – but decades later, after it was finally released on North America, it was a critical success. It is now considered a masterpiece.  Ventura, Cassel, and especially Signoret are all fantastic.

A must-see.

Rumble: The Indians who Rocked the World

Dir: Catherine Bainbridge, Alfonso Maiorana

When people talk about rock and roll they’re sure to mention its influences: jazz, blues, folk and country. It uses tunes from Europe, rhythms from West Africa but with words and feelings that are purely American. But what about aboriginal North Americans – First Nations, Metis and Native Americans? This documentary looks at both the musicological influences and the genetics of the musicians themselves – the drummers, guitarists and singers most people took for white, black or hispanic.

Link Wray pioneered the use of guitar feedback (his hit Rumble was a huge influence on bands from Led Zeppelin to the Who). He was Shawnee. Robbie Robertson, founding member of The Band, is Mohawk and learnt his music on the Six Nations reserve. Early blues great Charley Patton was Choctaw, and singer Mildred Bailey was Couer d’Alene.

The film covers territory from centuries past to present-day struggles, like activist and folk singer Buffy Ste Marie who performed at Standing Rock. And many of the black musicians who still perform at the New Orleans Mardi Gras dressed in “tribal” costume are descended from indigenous ancestors.

Music styles covered in the movie range from heavy metal to pop rock, country to folk, and soul to R&B. The musicians point out the singing styles, the drums from their childhoods.

Rumble is a really great music doc.

Rumble opens today in Toronto at the Hot Docs cinema; check your local listings. Two Men in Manhattan and Army of Shadows are part of the Jean Pierre Melville retrospective, Army of Shadows: The Cinema of Jean-Pierre Melville, which continues through August. Go to tiff.net for details.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Daniel Garber talks with Stefan Avalos about Strad Style at Hotdocs

Posted in Depression, documentary, Joy, Movies, Music, Obsession, Rural by CulturalMining.com on July 21, 2017

Photos by Jeff Harris.

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Danny is a violin maker who lives alone in a remote farmhouse in a cornfield somewhere in Ohio. By chance, he hears a rising European virtuoso, Razvan Stoica, online and is entranced by his violin playing. They become virtual friends. So when Razvan expressed his interest in playing on a legendary violin – created by Stradivarius’ contemporary Giuseppe Guarneri – Danny vows to make him one just like it, and present it to him in time for an upcoming performance in Amsterdam. Has he bitten off more than he can chew? Or will he succeed, through a combination of hard work, perseverance and an ineffable something he calls Strad Style?

Strad Style is a new, feature-length documentary. It a close-up and intimate look at a reclusive man dealing with personal problems even as he embarks on a grand venture. Strad Style premiered at Toronto’s Hot Docs Documentary Festival. It is directed by Stefan Avalos, an accomplished L.A. -based filmmaker and features violin maker Danny Houck.

I spoke with Stefan Avalos on location at Hot Docs in May, 2017.

His film, Strad Style, will be released on VOD, SVOD via Gravitas Ventures and on iTunes on November 7, 2017.

 

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