Daniel Garber talks to Louis Theroux and John Dower about My Scientology Movie

Posted in Docudrama, documentary, Interview, L.A., Mind Control, Movies, Psychology, Religion by CulturalMining.com on February 17, 2017

mv5bnza0ndc2mjcxml5bml5banbnxkftztcwntk1mjcxnq-_v1_sy1000_cr006641000_al_Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

The Church of Scientology, founded by science fiction writer L Ron Hubbard, is an organization now led by David Miscavige.  Miscavige was raised as a Scientologist and has been a practitioner since he was a child. It attracts followers from around the world partly drawn by John Dowerthe success of its celebrity members. But its secrecy — along with rumours of mind control and corporal punishment — also attracts investigative journalists who want to find out what goes on behind closed doors.

Louis Theroux is one of these journalists, stymied from entering the inner sanctum of Scientology. Instead he decides to shoot Louis Theroux_My Scientology Moviehis own Scientology movie in LA,  auditioning actors to play the roles of Tom Cruise and Miscavige, with former members on hand to give first-hand guidance.

My Scientology Movie is a new feature documentary about Scientology, about making a film about Scientology, and about Louis Theroux_My Scientology MovieScientologists doing everything they can to stop him.

It’s presented by Theroux and directed by John Dower.

Louis Theroux is an award-winning BBC writer/broadcaster known for his intriguing but controversial subjects.  John Dower creates acclaimed documentaries like Thriller in Manila. The two of them co-wrote this film which opens today in Toronto at the Hot Docs Cinema.

I spoke to them in London from CIUT in Toronto via Skype.

Christmas movies. Films reviewed: Julieta, Fences, La La Land

Posted in African-Americans, Drama, Hollywood, L.A., Musical, Spain by CulturalMining.com on December 23, 2016

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

It’s Christmas weekend with lots of movies to choose from. This week I’m talking about three excellent movies to see. There’s a woman in Madrid haunted by her past, a married man in Pittsburgh fighting off his demons, and a young couple in LA looking for love in a city of lost souls.

207c9f5a-c8b2-4684-84b8-e2ca620e5350Julieta

Dir: Pedro Almadovar

Julieta (Emma Suarez) is a middle aged woman who lives in Madrid. She is making a big change, leaving her longtime lover Lorenzo (Dario Grandinetti) and moving to Portugal after countless years of waiting. What is she waiting for? Word from her daughter Antia, who disappeared without a trace many years earlier. She’s all ready to go when she runs into her daughter’s childhood friend Beatriz on a street corner, who says she saw Antia in Lac Como. And so begins the telling of a mysterious story divided into three chapters.

As a young woman, Julieta (Adriana Ugarte) is a brilliant and beautiful prof. Her c1bbda5d-7ad7-43d0-8743-6fd52f0acf0dstudents all love her. But when she meets Xoan — a handsome and rugged fisherman — on a train, her life is turned upside down. A man is killed, a deer runs past the train, and she falls heavily for Xoan. Is it love at first sight? She visits Xoan (Daniel Grao) at his home by the water. But he’s not at home, just a suspicious and protective housekeeper (Rossy de Palma) who won’t let Julieta wait for him inside. Eventually they live as a couple and raise their daughter Antia together. Julieta meets Xoan’s friends, including the sultry 47c1af05-dbf2-4911-b667-2e6504d2be42sculptress Ava (Inma Cuesta),

But after a tragic turn of events, Julieta is back in Madrid, raising her daughter alone. She falls into a deep depression, and young Antia spends more and more time with her best friend Beatriz. Still later, Julieta retraces her steps, trying to explain why she lost her daughter so many years ago.

Julieta is a great drama, the product of an unexpected combination. It pairs Almadovar – known for his lush, passionate melodramas and over-the-top comedies — with Canadian author Alice Munro’s quirky, understated stories about women in small town Ontario. Does it work? Yes, yes, yes. With its small fishing boat on a lake, classrooms, caribou running past a train, along with jealousy and infidelity, it’s an intrinsically Canadian story… and yet perfectly Spanish. I really liked this movie.

14707023_1121134524668241_6064690716005417326_oFences

Dir: Denzel Washington

It’s the 1950s. Troy Maxton (Denzel Washington) works as a garbage man for the city of Pittsburgh. Each Friday, he comes home from work with the same things: a sack of potatoes, a piece of lard, a mickey of gin, and his pay envelope. The money goes to his wife Rose (Viola Davis) but he shares the gin with his best friend Bono. Troy met Bono in jail as a young man. It’s also, where he learned to play baseball, and where he met Rose a kindly visitor. He has two sons: Lyons who is a jazz musician (Troy calls it Chinese music) and Cory (Jovan Adepo) a high school athlete. His brother Gabriel – with a metal plate in his head — carries a trumpet to play for St Peter at the pearly gates. Troy, though, is more worried about the Devil.

Troy and Rose are deeply in love, Cory’s doing great in school, everything seems perfect… but it isn’t.. Troy wants to show he’s the man of the house, and everyone’s afraid of him. He tries to stop Cory from going to college on a football scholarship. (He once was a pro baseball player once but now he’s hauling rubbish.) Gabe has moved out, and best friend Bono says Troy is looking too closely at other woman. Can this family stay together? Or is it teetering on the brink of total collapse?

Fences is a small movie that feels more like a filmed play. Great dialogue — adapted from his own script by August Wilson – and basically one setting, with little action other than crossing the floor or sawing a board.  Flashbacks are talked about, not shown. But the grandness of the characters and the stories they tell does come through. Director Denzel Washington doesn’t hog the screen; instead he lets all the other actors bloom before the camera. Davis and Adepo are outstanding, in fact all of them are great. But this film is more stage-worthy than cinematic. Fences is a moving and revealing look at an African-American family in the 1950s.

LLL d 29 _5194.NEFLa La Land

Dir: Damien Chazelle

Mia and Sebastian are strangers in LA. Mia (Emma Stone) is an aspiring actress. She commutes to a major Hollywood studio each day, to work not as an actress but as a barista at a coffee chain. She lives with other actresses who enjoy the party scene but none of whom has made it big. Each audition Mia goes to is worse than the one before. But she’s hoping her one woman show wi’ll convince Hollywood she’s ready for stardom. Sebastian (Ryan Gosling) is a serious musician who composes grand jazz opuses on his grand piano. He’s a jazz purist who would rather die than perform with a fusion band. He pines for the old jazz joints, now rapidly turning into tapas bars. Ironically he ends up working in a rundown piano bar where his hard-ass boss (JK Simmons) makes him play Jingle Bells, over and over again.

Mia and Sebastian first meet in an LA traffic jam, and it’s hate at first site. Later, when he rescues her from a bad date, they hit it off. This leads to more meetings where together they explore the classic sites of old 16426304_660736417446295_5158240061357564169_nHollywood: like the planetarium from Rebel without a Cause.

Together, supporting one another, they think they can conquer the world. But will their success be what tears their relationship apart?

La La Land is a very good movie that’s also a musical. That means extras singing and dancing their hearts out on the LA freeway. Gosling and Stone use their real voices and legs, but they’re not Gene Kelly or Julie Andrews. They’re popular actors trying hard to sing and dance. It makes their performances real and touching, but not super fantastic. It combines fantasy, a complex plot, extended flashbacks, and touching moments of love, with beautifully shot images and catchy songs. It’s a tribute to a forgotten Hollywood by young people yearning for purer days. A very good movie.

Julieta starts today and Fences and Lala Land open on Christmas Day in Toronto; check your local listings. This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Halloween Mansions. Movies reviewed: Jem and the Holograms, Crimson Peak, The Hexecutioners

Posted in Canada, Gothic, Halloween, Horror, L.A., Movies, Music, UK, Women by CulturalMining.com on October 23, 2015

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Hallowe’en is a time of ghosts, ghouls and the walking dead. But it’s also a time for costumes, wigs and other disguises. This week I’m looking at three movies. There’s a gothic-horror melodrama about a woman trapped in a haunted mansion in England; another scary pic about two women trapped in a haunted mansion in Ontario; and a kids’ movie about four sisters who form a rock band in disguise and move to a mansion in L.A.

tumblr_nr8saftnQK1tv61rvo1_1280Jem and the Holograms
Dir: John M. Chu

When Jerrica (Aubrey Peeples) was just a little girl, her dad, an inventor in Los Angeles, died. All he left her was his final invention, a mysterious, white contraption. Now she and her sister Kimber (Stephanie Scott) live in a small town with her two half-sisters, and her aunt (Molly Ringwald). This mix-and-match family gets along swimmingly — no evil step-sisters here. tumblr_nr8sg2DJX41tv61rvo1_1280They’re into fashion, music and social networking online. They make their own music, too, but Jerrica is too shy to show her talents to the world. But she records a private tape as “Jem” using a fake wig with pink stripes painted on her face. Kimber posts the tape online, and Jem is suddenly web-famous.

Who is this mysterious songster, viewers want to know? Within days top LA record exec Erika Raymond (Juliette Lewis) is knocking at her door, ready to sign her to her label. But not without the rest of my band Jem, insists. Jem packs up her father’s tumblr_nr8sfdJW7c1tv61rvo1_1280invention and the four of them relocate to an LA mansion under the care of Rio (Ryan Guzman), Erika’s son.

They perform at key locations to adoring crowds, even as they follow the clues her dad’s invention provides her. Will the band survive success? Can record exec Erika be trusted? Will Jem get a swelled head as the leader of the band? And is something tumblr_nr8scclpo41tv61rvo1_1280happening between pretty Jem and handsome Rio?

Jem and the Holograms is a movie for teen girls, based on a Saturday morning cartoon from the 1980s. On the plus side, it gives girls a chance to dream of becoming rockstars not just princesses. And the songs are catchy. But for grown-ups like me, the story is hackneyed and predictable, with not much to offer aside from a chance to see 80s and 90s stars Juliette Lewis and Molly Ringwald have it out.

cpt_photo_0Crimson Peak
Dir: Guillermo del Toro

It’s turn of the 19th Century in boomtown Buffalo, NY. Edith (Mia Wasikowska) is a free-thinker and the heiress to a fortune.  She lives with her protective father and is visited by her late mother in the form of a dark wraith warning of future perils: Beware the Crimson Peak! Lovely Edith wears angelic dresses with winglike shoulder pads, and her pale blonde hair falls in ringlets on her face. She wants to becpt_photo_12 a professional writer and hones her skills at the local press. And she is relentlessly courted by the dependable Dr. Alan McMichael (Charlie Hunnam).

But then a stranger appears in town with his sister. Lucille and Thomas Sharpe (Jessica Chastain, Tom Hiddleston) are baronets, here to raise money. Thomas has cpt_photo_2invented a steampunk contraption that mines clay for bricks, a sought-after commodity. Edith’s father turns him down, but Edith, is drawn into his air of mystery. And after a romantic waltz they fall hopelessly in love, marry, and head off to his mansion in the English moors.

But all is not well. Her father dies in mysterious circumstances. Thomascpt_photo_5 seems to spend more time with his sister than with her, and they have yet to consummate their marriage. And Edith is growing steadily weaker and more tired, her face becoming pale with dark circles under her eyes. But she can still see the ghosts haunting the cpt_photo_15strange mansion, and she is shocked to discover the secrets the haunted mansion holds.

I liked this gothic melodrama. It follows Guillermo del Toro’s usual pattern of young women discovering ghosts hiding in draughty haunted mansions. Though this one seems a bit campier than usual. The look is amazing, especially the scarlet clay that bleeds through the white snow around the mansion. It has its cheesy parts, for sure, and Jessica Chastain, as the scheming sister, isn’t as good as the other three. But a good watch if you like period gothic horror.

Liv Collins as Malison McCourt in The HexecutionersThe Hexecutioners
Dir: Jesse Thomas Cook

Malison (Liv Collins) is a prim and proper career woman who lives in a threadbare apartment with just her cat to keep her company. Her neighbour Mr Poole (Walter Borden) is her landlord, a bible thumper who curses her name. She works for a euthanasia corporation assisting voluntary suicides since they changed the laws a few years earlier. But her first assignment goes terribly wrong, so she is sent on her next job with an old pro. Olivia (Sarah Power) is a vamp in black stockings who smokes, drinks, cusses and carries a sixgun. Nudity and death don’t faze her.

They arrive at a spooky, three-storey mansion lit by candles and 24347_320_470heated by a blazing fire. It’s surrounded by a foreboding hedge maze filled with hideous statues. They have to spend three nights there, until their assignment is complete. The house has a single servant, Edgar (Wil Burd), a creepy and skinny man with a shock of long black hair. His hobby is strangling pregnant possoms. And their client is an old man with a terribly deformed face. He wants to die, but in a very specific way. Mal begins to suffer night terrors – a common symptom of this job – and has a recurrent nightmare. She keeps seeing a strange, suicidal ritual repeated by a death cult wearing hideous masks. Then she begins to see them even when she’s awake! Are these hauntings related to the house — or are the two women to blame for their appearance?

The Hexecutioners is a good example of a slow-build horror. It’s more spooky than scary for most of the film. Its not perfect: some scenes felt repetitive, and I wasn’t crazy about the music-video-style montages that pop up here and there. But the small cast is uniformly excellent,  and it’s great to see a home- grown horror movie that harkens back to early Cronenberg.

Crimson Peak is playing now, The Hexecutioners premiered at Toronto After Dark, a festival of horror, action, fantasy and sci-fi movies, that continues through tonight; and Jem and the Holograms open today. Check your local listings. Also opening is Room, a fantastic movie about a mom and her little boy who live together in a hidden room. I reviewed Room during TIFF, and it’s a must-see. Don’t miss it.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Names. Films reviewed: Beeba Boys, Meet the Patels, The Last Saint

Posted in Canada, Coming of Age, Crime, drugs, Gangs, India, Indigenous, L.A., Movies, New Zealand, Uncategorized by CulturalMining.com on October 16, 2015

12087961_10153304148320345_3900218976445656359_oHi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

The imagineNATIVE Film + Media Arts Festival is on right now, with over a hundred works by indigenous artists and filmmakers. Where else could you enjoy tea ‘n’ bannock while checking out virtual reality and video games by First Nations artists? Go to imaginenative.org for info, or, better yet, drop by the TIFF Bell Lightbox to see it in person. Experience indigenous culture and be sure to remember the names of these artists filmmakers.

Names are important, so this week I’m looking at some movies about names and families. There’s a documentary about a man named Patel, a crime drama about a gangster called Jeet, and a coming-of age drama about a Polynesian-Kiwi named Minka.

d49101d5-8581-4eba-9138-f91214bab2edBeeba Boys
Dir: Deepa Mehta

Jeet (Randeep Hooda) is a charismatic criminal from Vancouver. He lives with his gossipy Mamaji and woebegone Papaji but makes a living trafficking drugs and guns. His underlings dress in garishly-coloured suits, as he carries out his business in a flashy nightclub. And he spends his spare time with Katya (Sarah Allen) 927ebef0-1c64-408d-b8dc-071f838a8b4aan old-skool gangster’s moll he keeps locked away in a luxury condo.

The movie starts with a bang, involving a dead groom and a parking lot shooting. But his rise in power is challenged by a more powerful Sikh gang headed by a man named Grewal. Jeet is sent to a local jail where he meets a petty gangster named Nep (Ali Momen) just in from Toronto. And he wants to join Jeet’s crew. But 6ebfb0be-b20d-44fe-aa5d-a62400ecbca0he has a secret: he’s dating Grewal’s pretty daughter even as he makes his name with the Beeba Boys. Which kingpin will triumph – the upstart Jeet or the powerful Grewal? And where does Nep’s loyalty really lie?

Beeba Boys is a stylized gangster pic typical in every way except for its players – all Desi Canadians – and its locale, Vancouver. Except for a few scenes, it lacks humour (despite a character who insists on telling bad jokes). And the women are all hanger-onners, surprising for a film from a female director. This is a guy’s gangster movie. But the action is good, with plenty of gratuitous violence. It holds your attention, and there are even a few truly surprising plot twist. And the acting is mainly good, including a surprising appearance by Paul Gross as a bad guy. If you’re in the mood for an all-Canadian Sikh gangster pic, this one’s for you.

f07310_6ffd442f4712499c81614a8e1ab773b3.jpg_srz_p_732_1089_75_22_0.50_1.20_0.00_jpg_srzMeet the Patels
Dir: Geeta Patel, Ravi Patel

Ravi Patel is 29 and single. He’s not a doctor, but he’s played one on TV (He’s an actor working in LA). His childhood sweetheart recently dumped him for his fear of commitment. And he foresees a rootless future if he doesn’t do something soon. So he agrees to give in to his parent’s advice and find an Indian woman to marry. Soon he’s plunged into a visit to f07310_ebf8fdfaf18149debdac59e1ef2a06ba.png_srz_p_647_359_75_22_0.50_1.20_0.00_png_srzGujarat and a lesson in his heritage.

The Patel’s are more than just a common last name and a lot of motel owners. It’s a gujarati-speaking caste, not a family, per se. And it has an amazing networks of connections in North America with a registry of singles spanning the globe. Their “bio-data” includes their shade of skin (“wheat-coloured” women — whatever that means — are, apparently, considered more desireable), their education, family f07310_bfd6b3bf34c64d8f984b2e1387b31b17.jpg_srz_p_619_357_75_22_0.50_1.20_0.00_jpg_srzbackground and ancestry.

Followed by his sister Geeta behind the camera, Ravi begins an amazing series of blind dates, speed dates, and online match-ups. But will he ever find love among the Patels?

Meet the Patels has some cool animated sequences, and it told me a lot I didn’t know about a hidden world in North America. But it gets bogged down by endless family discussions and Ravi’s confessions that felt too much like a reality TV show. It’s not the comedy it’s advertised as, but more of an intimate portrait of an insecure, single man.

The_Last_Saint1The Last Saint
Dir: Rene Naufahu

Minka (Beulah Koale) is a young Polynesian guy who lives with his mum Lia in Aukland, N.Z. He enjoys spinning disks and hanging with his only friend, a nihilistic girl named Xi (Like the Warrior Princess, she says).

Lia (Joy Vaele) is a recovering addict, given to terrifying bouts of insane violence involving sharp knives. Minka pleads with social services to help take care of her but they turn him down. So he’s forced to look elsewhere for money. In walks a shady-looking man in black (Calvin 10562543_684630048257143_34249033864046524_oTuteao) who offers him a job at his nightclub. It’s a seedy joint but he does his work. He refuses his boss’s offers of drugs, alcohol or prostitutes, and shuns all violence.

His boss is impressed and reveals his connection to Minka and his mum: he’s his missing father! Still, he sends him out on a dangerous mission to make a delivery in the middle of the night. Minka encounters a musclebound, tattooed Polynesian dealer named Pinball (Joseph Naufahu). In the midst of 10491062_673180262735455_383628263760875119_n‘roid rage Pinball demands to know Minka’s “real name” and threatens to kill him.

Later, he encounters a gang of intimidating, torturing Tongans and other unexpected strangers. Can he survive the night? And will his family ties save him or drag him deeper into a life of crime.

The Last Saint is an excellent coming-of-age look at a good guy driven to crime. The acting is great, with nearly every portrayal compelling, especially Koale.

Beeba Boys and Meet the Patels both open today in Toronto. Check your local listings. The Last Saint screens tonight as part of ImagineNative.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Scoundrels, Nazis and Pimps — the world’s worst lovers. Movies reviewed: Tangerine, Madame Bovary, Suite Française

Posted in 1940s, African-Americans, Cultural Mining, Drama, France, L.A., Romance, Sex Trade, Trans, WWII by CulturalMining.com on July 3, 2015

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Some relationships just don’t work – you look back and wonder what possessed you. But then there are the ones that everyone knows should never have happened. This week I’m looking at new movies about women who make terrible choices in lovers. There’s a middle-class woman in 19th century France who falls for rich scoundrels; a woman in 1940s France who falls for a Nazi, and a woman in contemporary LA who falls for a pimp.

Mya Taylor and Kitana Kiki Rodriguez in TANGERINE, a Video Services Corp release. Photo courtesy of Video Services Corp.Tangerine
Dir: Sean Baker

It’s Christmas Eve in LA. Sin-Dee and Alexandra (Kitana Kiki Rodriguez, Mya Taylor)
are best friends who work in the sex trade on the streets of Hollywood. Alexandra wants to be a professional singer, while Sin-Dee (short for Cinderella) just wants her Prince Charming. But Chester (James Ransone) is hardly a prince. He’s a white pimp/ drug dealer in an electric blue hoody, as skeezy as theyMickey O’Hagan and Kitana Kiki Rodriguez in TANGERINE, a Video Services Corp release. Photo courtesy of Video Services Corp. come. But he says he’ll marry her. So she is not a happy camper when she hears he’s been sleeping with another woman. And not just any woman –one who’s white and cis-female (both Sin-Dee and Alexandra are black and transgender). So she heads out to find Dinah, the strung-out blonde (Mickey O’Hagen) and set her straight.

Kitana Kiki Rodriguez in TANGERINE, a Video Services Corp release. Photo courtesy of Video Services Corp.Meanwhile, Razmik (Karren Karagulian) is an Armenian cab driver who frequents the same hood. He’s married with a kid, but would rather spend Christmas with people like Sin-Dee and Alexandra. His wife doesn’t care, but his mother-in-law suspects something is up. So she heads out to catch Razmik  in the act. Things come to a head when all the characters converge on a Hollywood donut shop.Kitana Kiki Rodriguez, James Ransone and Mya Taylor in TANGERINE, a Video Services Corp. release. Photo courtesy of Video Services Corp. Will the cheaters come clean and the liars tell the truth?

Tangerine is a low-key, low-budget indie look at the streets of LA. It concentrates on the funnier aspects but doesn’t shirk on the grittiness and precariousness of people’s lives. The cast is uniformly good, especially stately, elegant Mya Taylor and wild-child Kitana Kiki Roidriguez. Does Tangerine perpetuate negative stereotypes of transwomen? Perhaps, but since the performances are so sympathetic and well-rounded it feels real, not exploitative. This is a good one.

X6qlRg_madamebovary_03_o3_8649075_1434144833Madame Bovary
Dir: Sophie Barthes

19th century Normandy, near Rouen. Beautiful but naïve Emma (Mia Wasikowska) is a woman raised in a convent who is married to a simple country doctor. He’s boring, unambitious and a bit of a prig. He says beds are for patients, not doctors. And Emma soon discovers that means beds are for sleeping, not for good sex. So she’s left alone all day with nothing to do.

Soon enough there is a parade of men at her door promising a better life. vgRvz5_madamebovary_02_o3_8649010_1434144830Monsieur Lhereux (Rhys Ifans) is an oleaginous salesman who tempts her with Parisian fashions and golden candlesticks. She has to look good if she wants her life to improve. And never mind the cost – she can buy whatever she wants on credit! Uh oh…Leon (Ezra Miller) is the last romantic, an aesthete with delicate features. Won’t she go for a walk with him? Cynical Homais (Paul Giamatti) says he will help them climb the ladder to success, if they just take some risks. Then there’s the Marquis 58V4EY_madamebovary_01_o3_8648982_1434144827(Logan Marshall Green), a local rake who takes her for hunting, with horn and hound. He sends her love letters and says she can run off and live in his castle. Will Madame Bovary find her true love? Or will she succumb to trickery… and inescapable debt?

Madame Bovary – based on the famous novel by Flaubert — is a cautionary tale about the dangers of upward mobility. This film is a straightforward retelling of the story. But it reveals the tragic ending in the very first scene. I guess the director assumes everyone knows the story already so it can’t be a spoiler… but at least she should pretend to be interested. As it is, this movie is devoid of suspense, humour and passion. I couldn’t connect with any of the characters – they aren’t even particularly likeable. Though visually stunning and rich in detail (it’s like a work of art to watch), this movie doesn’t have much else going for it.

(L-R) MATTHIAS SCHOENAERTS and MICHELLE WILLIAMS star in SUITE FRANÇAISE

(L-R) MATTHIAS SCHOENAERTS and MICHELLE WILLIAMS star in SUITE FRANÇAISE

Suite Française
Dir: Saul Dibb

It’s France in the 1940s, right after the German invasion. Pretty, young Lucille (Michelle Williams) lives in Bussy, a suburban town just east of Paris. She barely knew her husband Gaston before he was sent off to fight in the war. Now she lives with her unfriendly mother-in-law (Kristin Scott Thomas), a prosperous landholder, on her country estate. And – despite the refugees pouring out of Paris, scared for their lives – Lucille’s mother-in-law is doing quite nicely, thank you. She has even raised the rent of her long-time tenant farmers, even pushing them out of their homes to make room for desperate refugees with more money. But when the Germans arrive, everything changes. They are forced to share their home with Lieutenant Bruno, a handsome aristocrat (Matthias Schoenarts). He seems like a nice man, fond of classical piano music. He plays one song – the Suite Française of the title – that she’s never heard before. (Lucille studied music before the war.) She is forbidden to speak with him… but sharing intimate quarters leads to an increasing familiarity between the two.

MICHELLE WILLIAMS stars in SUITE FRANÇAIS

MICHELLE WILLIAMS stars in SUITE FRANÇAISE

Meanwhile, farmers Madeleine and Benoit (Ruth Wilson, Sam Riley) are forced to accommodate their own lieutenant, the cruel and vindictive Kurt (Tom Schilling). Benoit wasn’t drafted because he walks with a limp, but he hates the Germans with a passion. And when he sees the officer making passes at his own wife, he’s furious. He locates a hidden rifle, and sets out to defend both his honour and his country.

And as the story develops, the true nature of the characters reveal themselves, and we begin to question our first impressions of who is good and who is bad.

The film is an adaptation of the novel by Irene Nemirovsky written while the war was still going on. She was killed in a Nazi concentration camp but the manuscript was hidden for 60 years. It was rediscovered and published as a bestseller just ten years ago. It makes an engrossing romantic historical drama. The acting is terrific, especially Kristin Scott Thomas as the mother-in-law, as well as the farm family.  It’s a rare look at the war seen while it was taking place. I liked this film a lot.

Madame Bovary and Suite Française starts today in Toronto, check your local listings; Tangerine opens next Friday. Also now playing is the documentary Deep Web, about the dark side, online. I interviewed director Alex Winter during Hot Docs.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Fish out of Water. Films Reviewed: What Happened Miss Simone?, The Overnight

Posted in 1960s, comedy, Cultural Mining, documentary, L.A., Movies, Music, US by CulturalMining.com on June 26, 2015

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

With the Pan Am / Parapan Am Games coming to Toronto (one field is a pebble’s throw from this station) the city is welcoming strangers from across this hemisphere. There’s a celebration of Panamerican culture in documentaries screening at the Bloor Cinema, as well as short documentaries about Everyday Ambassadors playing as part of PanAmMania and screening at Nathan Phillips Square on July 11th.

This week I’m looking at Fish Out of Water: a documentary about a would-be concert pianist tossed into the worlds of jazz and soul; and a comedy about a young couple from the Pacific Northwest floundering in LA culture.

1517459_321391588070445_9092701473599202779_nWhat Happened, Miss Simone?
Dir: Liz Garbus

Nina Simone, the “High Priestess of Soul” is revered today in Europe and North America as one of the great singers of the 20th century. Her rich low voice is saturated with emotion and musicality. But her life and fame had its ups and downs. How did she go from star to political activist to skid-row torch singer and back to legendary diva? This fantastic bio-documentary traces her uneven path.

Nina Simone was born Eunice Kathleen Waymon into a family of poor black preachers in North Carolina in 1933. By the age of three, she is already playing piano at her mom’s church, and her musical talent catches the eye of many parishioners. One, a white woman, sets up a scholarship fund and10862637_311209889088615_3613607397890030736_o private lessons with a Miss Massinovitch, a strict piano teacher with a Russian-sounding name (she’s actually English). Her goal is to become the first black concert pianist, and her teacher instills in her a love of Bach. She goes on to study at Julliard in New York, but her dreams are crushed when she is refused entry into the prestigious Curtis Institute in Philadelphia – probably because she is black. (This is before integration.)

To earn money, she starts playing piano in Atlantic City bars. And, so her mother doesn’t find out, she plays under the stage name Nina Simone (Niña is Spanish for girl, Simone after French actress Simone Signoret). And when she becomes known for her voice, she is funneled into the slot of “jazz singer” – a popular genre but not something she is 10958820_322827554593515_6218808686065354153_ntrained in, nor particularly likes. But with so few career choices available, she can’t pick and choose.

In the 1960s, she starts to tour and marries Andrew Stroud, a former cop who doubles as her manager. He’s hardboiled and conservative, and wants her to stick to hits to bring in the bucks. But Simone is shaken by the bombing of a black church in Birmingham, Alabama, killing four little girls. She gravitates toward the civil rights movement and performs at Martin Luther King’s historic march at Selma. Later she writes and performs the song Mississippi Goddamn to show her anger and frustration at the violence and discrimination faced by African Americans across the country..11008445_334102973465973_4393093998390268430_n

By the 70s, she is firmly established as a member of the black arts elite. She lives with her husband and daughter in New York state, and her daughter is best friends with their neighbours the Shabazz family, the kids of Malcolm X. But as her fame begins to fade, she divorces her violent husband and her money starts to run out. She flees, first to Liberia with her daughter, and later ends up performing alone in seedy French bars for a handful of francs.

There’s much, much more to her story, and this amazing movie covers it all. Director Liz Garbus takes you right into her life with interviews with her family and close friends. Like in her documentary Bobby Fischer Against the World (2011), she explores the fine lines between genius, fame and madness. Using period footage, photos, and most of all her music, you get a real taste of Nina Simone as a perfectionist diva and incredible singer and pianist, as well as a troubled, lonely woman losing her grip. I strongly recommend this documentary.

Jason-Still-#1The Overnight
Wri/Dir: Patrick Brice

Alex and Emily (Adam Scott and Taylor Schilling) are a young couple with a little son, RJ. Alex is a stay-at-home dad, both optimistic and insecure, with a bad goatee and shlumpy clothes. Emily is a smartly-dressed careerist with little tolerance for her husband’s B.S. They recently moved down to LA from Seattle so Emily can pursue her career. She’s always busy, but Alex is bored. They don’t have any friends and it’s hard to meet new people. And while the two are deeply in love they don’t a great sex life: Alex has body issues. (He thinks his penis is too Adam-Still-#7small.)

One day Alex meets Kurt (Jason Schwartzman) at a picnic in the park when they catch their two sons playing together. Seeing a potential friend, they say eagerly yes to a pizza party at Kurt and Charlotte (Judith Godrèche)’s home. They are an older couple, rich successful and privy to the ways of LA. Kurt is a semi-hipster who indulges in odd paintings – he sees himself as the Georgia O’Keefe of anuses. And French Charlotte is an amateur actress, known on the web for a peculiar practice involving her breasts.

But the party takes on a strange turn when the kids are put to bed. Kurt and Charlotte initiate a series of games unknown to the naive out-of-towners. Like fish out of water, they’re unsure whether Group-Still-#5this is how normal people in L.A. behave or if they’re being seduced by a couple of swingers. Will they succumb to the older couple’s seedy charms? Or will they flee the house screaming?

The Overnight is a very funny comedy with a great small cast. It’s almost like a classic drawing room comedy, though bedroom comedy is more accurate. Its humour doesn’t rely on clever lines or pratfalls; it’s the characters and the uncomfortable sexual/social situations they find themselves in that makes it funny.

Though written and directed by Patrick Brice, The Overnight is produced by the Duplass Brothers and has their hallmarks — sexual situations, weirdness, social comedy — all over it. It also has the feel of improvisation within a structured plot. This is a great comedy with an indie feel.

The Overnight opens today in Toronto; check your local listings; and What Happened, Miss Simone is now playing on Netflix.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Daniel Garber talks to actor Barrett Crake and writer/producer Eric Staley about their new film Eternity: The Movie

Posted in 1980s, Breasts, comedy, Coming of Age, Cultural Mining, L.A., Music, Musical, Uncategorized by CulturalMining.com on October 24, 2014

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Hi, This is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

It’s the 1980s. Naive and starry-eyed, blond Todd Lucas arrives in LA with just the shirt on his back and the song in his heart. His dream? Make it big as a musician. But to pay his rent he takes a day job at a discount clothing store. There he meets dark, moustachioed BJ Fairchild, who’s into sex, Eternity_Postersaxes, and girls, girls, girls!

Together the two of them form an R&B duo. The band’s called Eternity. But will it last? Will their friendship persevere? And is  something in their relationship that will make it last… an Eternity?

So asks a new musical comedy called Eternity: The Movie that opens today in Toronto. Eric Staley, Barret Crake 1 Eternity the Movie © Daniel Garber CIUT 89.5 FM culturalmining.comEternity is a high-camp look at bad sweaters, big hair, music videos, and the whole hardboiled LA music scene of the 1980s.

I spoke to Eric Staley and Barrett Crake here in Toronto. They shared their thoughts on singing, Hall & Oates, R&B, auditions, moving to LA from Texas, San Diego, quadruple threats, sucking breasts, the 80s, Myko Olivier, Care Bears and Rainbow Brite, Madonna, Eric Roberts, playing the guitar, a possible tour with Eternity, karaoke and Eternity: the Movie.

 

Intensity. Films reviewed: River of Fundament, Why Don’t You Play in Hell?, All Cheerleaders Die

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, documentary, genre and mainstream films, helping you see movies with good taste, movies that taste good, and how to tell the difference.

What makes a movie “intense”? Do you squirm in your seat, look away from the screen, maybe shout cries of indignation. Or is it the depth and breadth, the intensity of the images, sounds and story? This week I’m looking at intense movies. There’s an epic art film about rival Egyptian gods in modern day America; a crime action/ comedy/musical about rival Yakuza gangs; and a comedy/horror about football players vs bloodsucking cheerleaders.

Luminato2014_River of Fundament_Photo by Hugo Glendinning_001River of Fundament
Dir: Matthew Barney; Music: Jonathan Bepler

In a house, floating down the Hudson river near Manhattan is a wake for the late author Norman Mailer, attended by various literati. Also attending are a series of people – seemingly invisible to the crowd – dripping with human feces. They are the reincarnation of various ancient Egyptian gods, like Osiris, Hathferiti, Horus, and Set – who come back to life after swimming across the river of excrement. Mailer, who wrote the potboiler set in Ancient Egypt the movie is based on, also shows up as a ghost (played by his son, John Buffalo Mailer). Simultaneously, a marching band in LA is sanctifying a holy Chrysler car dealership. And in Detroit, a golden Trans-Am (with a phoenix tattooed across its hood) is being destroyed with a man in a golden straitjacket inside. And a CSI-team riding motorboats examines the wreckage. And an army of spectators descends into an empty reservoir for the showdown between two Egyptian deities as two women caress their pregnant bellies. Death, destruction, reincarnation and rebirth; gold leaf and brown feces; opulent banquets crawling with worms and maggots, all existing together as the rivers flow slowly downstream.

OK, that’s the condensed version. The actual movie is six bloody hours long (including two River of Fundament Photo Chris Wingetintermissions.) Six hours! And a lot of it seems to involve vomit, feces, urine, diarrhea, and bodily organs being pulled out of animal carcasses. Perhaps I exaggerate – maybe only, say, two of the six hours was disgusting, and four hours were astonishingly beautiful. It is an overwhelming experience, a movie done in English in the style of a classic opera, including libretto. And it’s filmed in enormous and spectacular locations, with aerial views of flames shooting from industrial towers; musicians playing and choirs singing simultaneously on motorboats speeding down rivers. Or shirtless trumpet players marching among parked cars; or a nude, Amazonian pornstar, her arms stretched over head, holding her sex partner (a tiny bearded man) lying horizontally above her.

I hated and loved this movie swearing I’d walk out a dozen times, but always drawn back to see what happens next. Unbelievable.

地獄でなぜ悪い2Why Don’t You Play in Hell?
Dir: Shion Sono

A team of aspiring college film geeks form a club inside a decaying old movie theatre. They call themselves the “F*ck Bombers”. And when they find a potential star – a brawling Bruce Lee lookalike high school student – they are consumed by a desire to make a real movie. But 10 years pass and still no luck. Meanwhile, two rival yakuza gangs are in a permanent state of war. The Muto gang dress in Godfather suits and carry guns, while the Ikegami gang wear classic kimono, armed with Samurai swords. Teenaged Mitsuko – the daughter of the Muto gang boss — is still famous for the jingle she sang as a child on a toothpaste TV ad. And the Ikegami boss still has a deeply-buried crush on the girl whom he met a decade earlier in a brief, blood-drenched encounter. Now, her gangster dad is turning to the movie business and bankrolls a film, that, he says, must star his reluctant daughter. But when a famous director quits, he pulls a random guy off the street to direct it instead. This while a gang war is about to erupt with many innocents caught in the 地獄でなぜ悪い 1middle.

Confusion, violence mayhem… But what about that amateur movie club – could they somehow take over the movie? To do so they’d have to convince the rival gangs to let them record – on 35 mm film – a bloody and violent showdown involving the two sides.

My bare-bones description does not do justice to this fantastic musical comedy – including an unbelievably bloody, 30-minute-long climactic battle scene. It has to be seen to be believed. Shion Sono is one of my favourite Japanese directors. His movies are outrageous and shockingly violent but also amazingly sentimental, earnest and goofy at the same time: an odd, but oddly pleasing combination.

Reanin Johannink in All Cheerleaders DieAll Cheerleaders Die
Wri/Dir: Lucky McKee, Chris Sivertson

Maddy (Caitlin Stasey) is suspicious of the cock-of-the-walk football captain at Blackfoot High. For Terry (Tom Williamson) his boys are dogs and the cheerleaders are bitches who he uses and abuses. So to get back at him – for what he’s done – she joins the cheerleaders squad. But she leaves her shy and goth-y BFF Leena behind. Leena (Aussie actress Sianoa Smit-McPhee) is an active wiccan, who practices necromancy using glowing crystals she Brooke Butler in All Cheerleaders Diecarries in a leather pouch. Well, at a beach party things go wrong. A mighty rift develops between the football players and the cheerleaders, which ends up with the girls’ car spinning off the highway into a ravine, killing all on board. Luckily, it’s Leena to the rescue. She mixes their blood with the crystals, and they all come back to life. They’re just like they used to be – Caitlin Stasey in All Cheerleaders Diewell sort of. Now they’re the living dead, functioning like an interconnected hive of bees. And, periodically, they have to suck blood to survive. When they’re not cutting class, making out in the handicapped washroom, or smoking up in the pot van.

Who will survive the longest? The vampiric cheerleaders or the abusive football jocks? This movie is not so intense, though quite bloody and violent. It’s your typical comedy horror with a good dose of Buffy the Vampire Slayer-style supernatural fun thrown in. I thought it was lots of fun – and a good date movie.

All Cheerleaders Die opens in Toronto today, check your local listings, The River Fundament played at Toronto’s Luminato – go to Luminato.com for more of Matthew Barney’s films; and Why Don’t You Play in Hell is showing next week at the Toronto Japanese Film Festival: go to jccc.on.ca for tickets. And look out for the Niagara Integrated & Italian Contemporary Film Festivals: coming soon!

This is Daniel Garber at the Movies, each Friday morning on CIUT 89.5 FM and on my website, culturalmining.com

Sticking Your Neck Out. Hot Docs Movies Reviewed: An Honest Liar, Point and Shoot, Demonstration

Posted in Barcelona, Cultural Mining, Dance, documentary, Hotdocs, L.A., Libya, Magic, Prison, Protest, Resistance, Road Movie, Uncategorized by CulturalMining.com on May 3, 2014

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, documentary, genre and mainstream films, helping you see movies with good taste, movies that taste good, and how to tell the difference.

Cel-phone cameras are ubiquitous now. So it’s getting harder to separate the relentless recording of everyday life from a real documentary. Filmmakers really have to stick their necks out to find something amazing and surprising and beautiful. But some do just that. This week, I’m looking at three films playing at Hot Docs. There’s a magician who exposes tricksters; an adventurer who joins a (non-religious) jihad; and political demonstrators… who dance?

An_Honest_Liar_1An Honest Liar

Dir: Justin Weinstein and Tyler Measom

The Magnificent Randi was a Toronto-born magician and escape artist who modeled himself after the Great Houdini. Like Houdini, he is famous for his deception and dramatic escapes.  And like Houdini, he devoted his second career to exposing the fake fakers: the ones who bamboozle audiences into thinking their tricks are for real. I’m talking faith healing televangelists like Peter “out poison!” Popov, the fake TV psychics, and the pseudo-scientific prestidigitators. He has a long-held rivalry with Uri Geller, the spoon bender from the 60s and 70s who claims he has telekinetic powers.

Randi also showed how easily scientists can be fooled as they tried to probe alien An_Honest_Liar_3abductions and ESP. Using young collaborators and his own deceptions, Randi manages to fool even a dedicated scientist if he tried. He secretly places students (who claim they have special abilities) into the experimental pool, and later reveals his tricks – much to the dismay of the scientists. He provides the scientists with a list of what to look out for, but still manages to slip through the cracks. Today he lives in California with a dramatic white beard and walks with gold-topped cane.

This is a fascinating and very well-crafted story, with a twist all its own. Turns out his longtime partner and collaborator, Puerto Rican artist Jose Alvarez, has a lie he keeps under wraps for three decades. Ironically, the two met on the old TV quiz show To Tell The Truth. These honest liars make for a very interesting movie.

Point_And_Shoot_3Point and Shoot

Dir: Marshall Curry

Matthew Van Dyke was a coddled kid from Baltimore, “the only child of an only child of an only child”. Fascinated by movies like Lawrence of Arabia, the blue-eyed boy dreams of exotic and dangerous adventures.  At the same time, he’s also a cube of quivering jello with OCD (obsessive-compulsive disorder) and a remarkable sugar phobia. So, after university (Middle Eastern Studies), Matt decides to take a crash course in Manhood. He sets off on a motorcycle trip from Gibraltar to Afghanistan, across North Africa and the Middle East. He documents all his travels with a video camera and a helmet attachment. In Iraq and Afganistan, as a freelance war reporter, he falls in with US soldiers. They teach him the basics of rifle shooting, machine gunning and missile launching. OK… fun and exciting, I’m sure, but mere backpacking adventures do not a Hot Docs movie make.

But here’s what happened next. When he reconnects with a Libyan hippie friend he’d Point_And_Shoot_1met in his travels, he ends up sneaking into Libya during its civil war. He joins the Benghazi rebels, fighting Gaddafi’s soldiers, and standing beside men shouting Allahu Akbar as they fire missiles at far off targets! Things take a turn for the worse and Matt ends up in solitary confinement in a government prison. His mother and girlfriend are terrified. Will he get out? And if he does, where will he go next?

Point and Shoot is a great adventure story about a man who carries a Leica camera in one hand and an AK 47 in the other. It is politically naïve — the movie doesn’t talk much about geo-political issues, ideologies, or the long-term ramifications of that war. Its real strength is as a first-hand look at a fascinating and exciting personal adventure.

Demonstration_1Demonstration

Dir: Viktor Kossokovsky (and 32 others)

A year ago, Spain was in economic turmoil when it’s right-wing government imposed crushing austerity measures. This led to huge demonstrations. In 2013, 32 students in Barcelona, each armed with a video camera, record it all, right in the middle. The general strike, the crowds, and the peaceful marches… and the less than peaceful responses from the riot police. The demonstrators seem split between those who wear Gandhi masks – peaceful disobedience – and the hacktivists in their Guy Fawkes masks.

This movie, though, is about the beauty of crowds, and movement. The running back and forth, the burning dumpsters, and the attacks from helmetted police.  It’s set to Minkus’s Don Quixote, and its beautiful and revealing. Against a backdrop of Gaudi’s Demonstration_4curvy, drippy architecture you see an old-timer who has been demonstrating most of his life, and young students out for their first demo. And some secrets revealed: dozens of “Black Bloc” activists are seen climbing happily into police vans (not arrested); they’re all agents provocateurs, planted in the crowd to ignite violence and justify police attacks.

Demonstration is an artistic look at a public protest.

All of these movies and more are playing through Sunday at Hotdocs. All students and seniors can go to daytime screenings for free! Go to hotdocs.ca for details. And Toronto’s Jewish Film Festival also opens today and continues all next week, including a brand new Canadian movie called the Pin – about young lovers hiding in Lithuania during WWII – and it’s in Yiddish. Looks interesting… Go to tjff.com for more info.

This is Daniel Garber at the Movies, each Friday morning on CIUT 89.5 FM and on my website, culturalmining.com

Not Forgotten. Movies Reviewed: The Face of Love, Advanced Style, The Internet’s Own Boy: The Story of Aaron Swartz PLUS Hot Docs

Posted in Cultural Mining, Death, documentary, Fashion, Internet, L.A., Manhattan, Movies, Uncategorized, US by CulturalMining.com on April 18, 2014

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, documentary, genre and mainstream films, helping you see movies with good taste, movies that taste good, and how to tell the difference.

Things change, people die, time passes… But some things – and some people – are not easily forgotten. This week I’m looking at three movies about people who should be remembered.

There’s a romantic drama about a widow who can’t forget her husband; and I’m looking at two films coming to Hot Docs – Toronto‘s International Documentary Film Festival. One’s about a young man, a hero of the internet; the other’s about some stylish, elderly women becoming famous on-line.

LOL_RN_088.CR2The Face of Love
Wri/Dir: Arie Posen

Nikki (Annette Bening) and her husband (Ed Harris) are still deeply in love after decades of marriage. They live in LA, and go to a beach resort in Mexico every year. But one day his dead body washes up on the beach, and Nikki is devastated. Can she go on without him?

Five years later, things seem normal. Nikki’s working again. She dresses houses for real estate dealers to make them look lived-in, even though they are empty and lifeless. Sort of like Nikki. But she goes through her daily routine: talking with her neighbour Roger (Robin Williams) and skyping with her adult daughter. Roger used to be her husband’s best friend, but now he has feelings for Nikki (she’s not interested).

But one day, at an art museum she used to visit, she catches a glimpse of a man. HeLOL d05 _87.NEF looks exactly like her late husband. He could be an identical twin.

Tom (Ed Harris) is an artist and teacher. And after some clever stalking and faked coincidental meetings, Nikki manages to meet Tom, and date him. She is madly in love with her late husband, and finds what she’s missing in Tom. He sees her adoring eyes and takes it as the sort of passion he never got from his ex-wife. She sees Tom as her actual husband, returned look of love d02_84.NEFto her.

For Nikki it’s like a dream, and she’ll do anything to stop from “waking up”. She hides Tom from her daughter and from Roger next door. And she hides from Tom the fact he’s her late husband’s doppelgänger. And Tom has a deadly secret of his own that he’s not telling her. Is Nikki crazy? Is Tom deluding himself? Is this love or just an illusion? And can it last?

I kind of liked this mysterious romance: it feels like a soft-core Alfred Hitchcock movie: mystery without murder, conspiracy without crime. Ed Harris and Annette Bening make a good couple, simultaneously low-key but also passionate. It’s not an exciting movie, though. Don’t expect a thriller from a movie about relationships.

Advanced_Style_2Advanced Style
Dir: Lina Plioplyte

Ari Cohen is a young man who lives in New York City. He’s a photographer and a blogger. Because of his great respect for his own grandmother he decides to celebrate the many older women he sees decorate that city’s sidewalks. He Advanced_Style_3approaches women over 60 and asks if he can take their picture for his blog (also called Advanced Style). But he’s not looking for just any old lady. They have to have charm, style, and panache. He looks for women who use their clothes, makeup and hats to construct a work of art: themselves.

And these women all have their own stories. One worked as a dancer in Harlem’s famed Apollo Theatre in the Depression. Another was a magazine editor. One is a renowned party hostess, another teaches art. And they each have their own style Advanced_Style_1trade marks, from a woman who constructs elaborately stylized bright orange false eyelashes; to another who owns a vintage clothing shop, to a punk-rocker in her 60s.

It’s not like their lives are perfect. Says one woman, “everything I have two of, one hurts.”But they’re finding a second (or third) wind with their looks on display on posters, on TV, in fashion magazines and now in this great movie. Advanced Style is a hilarious, heart-warming and surprising crowd-pleaser.

The_Internets_Own_Boy_3The Internet’s Own Boy: The Story of Aaron Swartz
Dir: Brian Knappenberger

Aaron Swartz might not be a famous name, but it should be. He grew up with the internet, and was lecturing computer scientists and lawyers as a teen. He helped launch crucial features of the Internet, including RSS, Creative Commons. He played an essential role in the social network and news comment site Reddit, and was a millionaire many times over while still a kid. But instead of retiring to an easy life in silicon valley, he decided to devote himself to internet freedom through activism and hacktivism.

You may have heard of SOPA. It was an attempt to give US government control over web content. Basically, if a site was seen by the film and music industries as violating their copyright, the government could just close a site down. It was thought of as an easy, anti-piracy law, and it easily passed in Congress. But thanks to Aaron’s efforts, 115,000 websites – eventually including huge ones like Wikipedia, Google and Facebook – turned opinion around and defeated the very restrictive bill. This film is a biography of all the things Aaron Swartz did, and how he was dragged

Knappenberger_Brian_6down and eventually driven to suicide (not a spoiler) after being relentlessly pursued by the FBI and government prosecutors. The filmmaker directed the excellent We Are Legion a few years ago, and this extremely moving and informative film is even better. I think everyone should see this movie.

The Face of Love opens today in Toronto, check your local listings; And The Internet’s Own Boy: The Story of Aaron Swartz has its international premier on Hot Doc’s opening Night next Thursday, with Advanced style having its world premier the following Tuesday. Go to hotdocs.ca for more information.

This is Daniel Garber at the Movies, each Friday morning on CIUT 89.5 FM and on my website, culturalmining.com

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