Daniel Garber talks with director Jac Gares about her new film Free CeCe! at Inside Out

Posted in African-Americans, documentary, LGBT, Prison, Protest, Trans, violence by CulturalMining.com on May 26, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

In June, 2011 in St. Paul Minnesota, an African-American woman and her friends were taunted by a group of white supremacists they encountered on the street. A white woman assaulted her, cutting her face, followed by a violent attack by a white man. The situation escalated when the woman under attack pulled out a scissors to defend herself. The man ended up dead, the woman charged with murder. Her name is CeCe McDonald and she’s a transgendered black woman whose story has captured the interest of activists around the world.

Free CeCe! is a new documentary that tells her story. It’s about the violence, injustice and incarceration faced by transgender people of colour. It is directed by Jacqueline “Jac” Gares an award-winning TV director and filmmaker. Free CeCe! is her first documentary feature film, and it’s having its Canadian premier at Toronto’s Inside Out Film Festival on Sunday, May 28th.

I spoke with Jac in studio at CIUT 89.5 FM via telephone to New York City.

Lifestyles? Films reviewed: My Wonderful West Berlin, The Lavender Scare, Baywatch

Posted in Berlin, Breasts, comedy, documentary, LGBT, Protest by CulturalMining.com on May 26, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Inside Out is Toronto’s LGBT film festival showing dramas, comedies, documentaries and short films from around the world. There are events, free screenings and a chance to talk to the filmmakers and stars at most screenings.

This week I’m looking at two historical Inside Out documentaries about gay life and repression in two cities, Washington, D.C. and Berlin; and an action/comedy about straight life on a California beach.

My Wonderful West Berlin (Mein wunderbares West-Berlin)

Wri/Dir: Jochen Hick

After WWII, a defeated Germany was divided into East and West, its bombed-out former capital, Berlin, into Soviet and Western zones. But the pre-war laws still applied. Paragraph 175 — an anti-gay section of the German criminal code passed by the Nazis in 1935 — made many homosexual acts illegal. But gays and lesbians flocked there – Berlin represented freedom, counterculture and revolution.  And when the Berlin wall went up in the early 1969s Berlin served as a beacon located entirely within East Germany.

The districts of Shöneberg (and later Kreutzberg) became the centres of a queer counterculture. The movie follows the changing city from the 1950s to the 1990s. There’s the well-known drag shows and sex clubs, but also a vibrant theatre scene, and a city filled with gay artists, writers, musicians and filmmakers (including Fassbinder and Rosa von Praunheim). There were gay squatters who set up home inside abandoned buildings. In the 1960s groups of men formed “Male Communes”, living spaces where pairing-off into heterosexual-style marriages was considered bourgeois. Cooking, cleaning and sex were all shared. But could Marxist thought coexist with gay sex?

The movie covers the subculture of the 1950s, the leftist counterculture of the 60s, through the punk movement, the AIDS crisis, and the end of the cold war. Filmmakers played a crucial war in establishing gay culture. The Berlin Film Festival, (where this film recently premiered), is the first major film festival to have a gay film prize, the Teddy awards. My Wonderful West Berlin is a fantastic guide to Berlin’s history, illustrated with contemporary and historical interviews with the people who lived through it. It also includes eye-popping photos and footage of everything from safe-sex porn to Taxi Zum Klo. An excellent look at a complex city.

The Lavender Scare

Dir: Josh Howard

In the 1930s Washington, D.C. attracted educated people from across America to follow their ambitions and live openly gay or lesbian lives. WWII brought together men and women across the country with a new same-sex comradery. And the Kinsey Report (1948) estimated that close to a quarter of all men have had some same-sex experience. This all came to a sudden halt in the early 1950s. Politicians (like Senator Joe McCarthy) claimed communists were lurking in every dark alley. Party members, fellow travellers, socialists and liberals were purged en masse from government jobs and blacklisted for a decade. This Red Scares was followed by the lesser known “Lavender Scare”, an anti-gay purge that started in the 1950s but that lasted for 40 years. Civil servants were spied on by police and J Edgar Hoover’s FBI. Anyone seen in “suspect” bars, observed as having habits different from the mainstream or even “gay” patterns of speech, was interrogated and forced to name names. Each person accused of being gay, lesbian or bi had to name five other suspects, who were also arrested. The excuse was that LGBT people were vulnerable to blackmail — since homosexual acts were illegal, and therefore prone to act as spies for the Soviet Union. But in fact, there was not a single proven incident of LGBT government employees blackmailed into becoming traitors. Instead, thousands of people lost their jobs, had passports revoked, with many driven to suicide.

The movie follows mainly white, middle-class, educated, professionals in Washington — navy brass, diplomats, post office workers — both men and women, and how the Lavender Scare changed their lives. The film takes a mainstream, middle-of-the-road look at LGBT politics. It covers an early gay and lesbian advocacy group known as the Mattachine Society, and the founder of its DC branch Frank Kameny. At protests, he ordered men to wear suits and ties and women dresses, to demonstrate that they were just like “ordinary” people. (Trans not welcome here.) The Lavender Scare is a mainstream, suitable-for-television look at US government persecution of gays and lesbians and the effect it had on their lives. It’s lavishly illustrated with snapshots and period footage.

Baywatch

Dir: Seth Gordon

Mitch (played by wrestler-turned-actor The Rock) is a huge, egotistical lifeguard adored by everyone on the beach. Along with two women, CJ and Stephanie (Kelly Rohrbach, Ilfenesh Hadera), the Baywatch team save lives on a daily basis. They also function as an unofficial police force, patrolling the waves for drug pushers and petty thieves. Today’s the day they choose three new rookies out of the hundreds who apply. This year’s choice? Summer (Alexandra Daddario), an athletic young woman, Ronnie (Jon Bass), an out-of-shape computer geek, and Brody. Brody (Zac Efron) is a former olympic swimmer with pop-idol good looks, who rides a vintage motorcycle. He’s also impulsive, brash and selfish, and prone to excess drinking.

Brody and Mitch do not get along.

Then bad things start happening. Dead bodies wash up on shore along with packets of a designer drug. And there’s a new dog in town, Victoria, a rich and ruthless villain (Priyanka Chopra). Is she somehow connected to these crimes? Can the lifeguards stop corruption at City Hall? And can the Baywatch team just learn to get along?

Baywatch is an action/comedy based on the hit 90s TV show. There are a few inside references to the original version, along with chase scenes, rescues and shootouts. But let’s be real; this movie is really about boobs and dicks on the beach. Virtually every scene involves close ups of unzipped one-piece swim suits. And the penis jokes never end. I’m not exaggerating. There’s one scene involving Ronnie’s erection stuck in a wooden lounge chair that lasted for 5-10 minutes.

Is Baywatch funny? Not very. Is it exciting? Not really. Is it surprising. Not at all. Men get all the punchlines, while women provide the scenery. But did I hate it? No. How could I? It’s just like sitting on a beach, watching all the people walk past.

Baywatch opens today in Toronto; check your local listings. The Lavender Scare and My Wonderful West Berlin are playing at the Inside Out Film Festival. Go to insideout.ca for tickets and showtimes.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Daniel Garber talks to OCADU artist-in-residence Isaac Julien with Yuling Chen

Posted in Art, Cultural Mining, LGBT, Migrants, Movies, Toronto, UK by CulturalMining.com on March 31, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

In the late 1970s and early 1980s,  Thatcher’s England was a place of great unrest and mistrust. The country was rocked by strikes, demonstrations and riots. It was also the time of a burgeoning music scene, with fashion, art and the punk movement inspiring international change. It was into this world that Isaac Julien came of age in London’s East EndAs an artist and filmmaker he embraced three separate movements: the Afro-Caribean scene, London’s gay nightlife and the largely white progressive left. His work incorporated themes of sex, politics and interracial  relationships. Over the decades to follow, his focus shifted from film to art installations.

From young soul rebel to international art star, Julien’s moving image installations can now be seen in Europe, Asia and around the world. Recently two of his works ran at the Royal Ontario Museum, another is on at the Museum of Modern Art, and two of his early films will be screening at Toronto’s Images Festival. He’s artist in residence at OCAD University (the Ontario College of Art and Design) where he is mentoring five students who will follow him to London.

Yuling Chen is a Toronto artist, originally from Hainan, China. She creates animation, video and performance art and is studying with Isaac Julien.

I spoke to Isaac Julien and Yuling Chen in studio at CIUT. 

 

 

Hidden identities. Films reviewed: Made in France, Moonlight, The Handmaiden

Posted in 1930s, 1990s, African-Americans, Crime, Cultural Mining, Drama, France, Korea, LGBT, Sex, Terrorism, Thriller by CulturalMining.com on October 28, 2016

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Hallowe’en weekend is a time of mysteries and hidden identities. If you want to stay home and shiver, there’s a new movie streaming channel called shudder.com that only does the scary. Everything from Japanese horror, to low budget slashers, to classics like Werner Herzog’s Nosferatu. (And don’t miss The Editor, the hilarious spoof of 1970s Italian giallo horror.) But if you want to head out, there are some great movies opening in Toronto. This Hallowe’en, no monsters; instead I am looking at hidden identities. There’s a shy Korean maid who’s actually a con artist, a French terrorist who’s actually an undercover journalist, and a black kid in 90s Miami, whose sexual identity is a secret… even to himself.

img_3644-640x426Made in France

Dir: Nicolas Boukhrief

Sam (Malik Zidi) is a red-bearded, freelance journalist, the son of an Algerian dad and a French Marxist mom. To research a story, he attends a radical mosque that holds meetings in a metal-gated storage locker. There he meets three other French men. Christophe (Francois Civil) is a rich Catholic guy who sees himself as img_3865-640x426a gangsta, like Tony Montano in Scarface. Driss (Nassim Si Ahmed) is a tough boxer, radicalized while in prison for drug offences. Sidi (Ahmed Drame) is a good son, whose African cousin was killed by French soldiers in Mali. Ironically, only Sam, the undercover journalist, has any religious training or can speak Arabic.

img_8249-640x426They fall under the command of a mysterious man named Hassan (Dimitri Storoge). His motives are a secret. He says he trained at a bootcamp in Pakistan and is in contact with a terrorist group. Sam is married with a kid, and is staying in a flop house to keep them safe. But when he reports his story to the police, they threaten him with prison unless he stays with the cel and finds img_9133-640x426out who their “big boss” is. Can he survive life with this ragtag gang and the sinister Hassan? And will innocent people die in the process?

Made in France is a tight thriller told from the point of view of would-be homegrown terrorists. It has never been screened there, for obvious reasons – it was made just before the terrible Charlie Hebdo shootings and postponed again following the Bataclan massacre. But it still stands up as a good crime thriller.

MoonlightMoonlight

Wri/Dir: Barry Jenkins

Chiron is a small, shy kid who lives in a mainly black neighbourhood in 1990s Miami. He is relentlessly bullied after school, with his crack-head mom never there to defend him. Juan (Mahershala Ali, Luke Cage) comes to his rescue when he sees the kid chased into an abandoned building. He takes him home where his wife feeds and comforts him. But Chiron remains completely silent, not trusting himself to speak. Juan vows to be his protector and Moonlightserves as his mentor, teaching him to swim at the local beach. The boy views him in awe and adulation. Ironically, Juan is the neighbourhood drug kingpin, the one supplying the crack that’s destroying his mother.

Chiron is relentlessly bullied and beaten up. Only one friend, Kevin, shows any affection. He can’t understand why he lets other kids beat him up, and call him the “F” word. He gradually matures, but is always drawn back to that stretch of moonlit beach where he formed and later expressed his sexual identity.

MoonlightMoonlight is a superb coming-of-age drama, portrayed by mainly unknown black actors. It’s moving and surprising. The gradually-paced, subtle story is told in three chapters: as kid, adolescent and adult (wonderfully played by Alex Hibbert, Ashton Sanders, Trevante Rhodes)

Chiron goes through a troubled childhood, an explosion in high school, adopting an unexpected persona as a grown-up. But in each section he revisits his declining mother, his unreliable best friend Kevin,  and that stretch of moonlit beach. Fantastic film, brilliantly told.

97b32291-67f9-48f7-a0c7-bcf7a46c6544The Handmaiden

Dir: Chan-Wook Park

It’s 1930s Korea. Sook-Hee (Kim Tae-Ri) is a shy handmaiden who lives in a grotesque mansion run by a fabulously rich Japanese baron. Hired for her Japanese ability, she works for an uptight heiress named Lady Hideko (Kim Min-Hee). Imperial Japan annexed Korea in 1910, and is now trying to Japanize the entire country.  When a suitor arrives seeking the Lady’s hand in marriage, Sook-hee serves as her confidant. The 383a2f0a-21c2-41ac-bb80-cc81816180dedashing Count Fujiwara (Ha Jung-Woo) has swept her off her feet and promises a wonderful life in Japan. But Sook-Hee seems to have fallen hopelessly in love with her naïve mistress, and wants to school her in the Sapphic arts. This love triangle spells trouble.

But wait! Nothing is quite what it seems. All the players in this drama are actually Korean speakers. Uncle Kouzuki is a nouveau riche 30465dc1-7ad7-4f9f-96c0-809875d0d181Korean robber baron who invested his money in Japanese erotic books. His proper niece reads them aloud to a select crowd of well-paying gentlemen. Meanwhile, both Sook-Hee and the Count belong to a Korean street gang of pickpockets and con artists, who, in a complex scheme,  have infiltrated the mansion to defraud them of their millions. Jealousy, lust romance and deceit swirl around 0981b274-14bd-480d-9e06-5bc5179f5ed7this strange foursome. But who’s fooling whom?

Based on Sarah Waters’ Dickinsian novel, The Handmaiden is a fun, sexual romp relocated from Victorian England to prewar Korea. With trapezes, bondage, marionettes, even tentacles, this movie is a total perv-fest. The story is told and retold from the point of view of the three characters. But far from a lesson in lesbian politics, the movie seems told from a male perspective, its twisted plot serving mainly as a vehicle for the audience’s sexual titillation.

Made in France is playing tonight as part of the Cinefranco International Film Festival. Go to cinefranco.com for details. Moonlight and The Handmaiden both open today in Toronto: check your local listings. This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Daniel Garber talks with Tickled director David Farrier at #HotDocs

David Farrier Tickled Photo © 2016 for cultural miningHi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

David Farrier is a New Zealand TV journalist who specializes in odd and off-beat stories. So when he sees an ad online looking for athletic young men, aged 18-23, for Competitive Endurance Tickling, he sees a potential story. But when he contacts the company, run by a secretive woman named Jane O’Brien, he gets a surprising reaction: a series of abusive and David Farrier Tickled Photo © 2016 for cultural mining 2threatening email.

Followed by three men flown all the way to New Zealand from LA, threatening a lawsuit if he doesn’t drop the story. Just for investigating some guys being tickled.

Tickled is also the name of a fascinating and disturbing new documentary about hidden identities, vast conspiracies, and cyber bullying. All surrounding a phenomenon – professional tickling — largely unknown to the general public. It’s co-directed by actor, journalist and crypto-zoologist David Farrier who’s also the film’s narrator and subject.

I spoke to David at Dublin Calling in Toronto at Hot Docs earlier this spring. Tickled opens today in Toronto.

Photos by Jeff Harris

Daniel Garber speaks with Kristin Archibald about I Love You Both

Posted in Cultural Mining, Family, LGBT, Movies, Romantic Comedy, US by CulturalMining.com on June 4, 2016

IMG_8094Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Krystal and Donny (Kristin and Doug Archibald) are twenty-something twins. They are closer than close: they live together, share secret codes, and text each other whenever they’re apart. Sometimes they even crawl into the other’s bedroom for comfort. And they need it — with their dead-end jobs and horrible relationships.

But at a mutual birthday party a new face enters the picture. Andy (Lucas Neff) is the ILoveYouBoth1nicest guy either of them have ever met. And both straight Krystal and gay Donny are head-over-heels in love. But who’s the third wheel here? And which one does he love? The answer may surprise you.

I Love You Both is the name of a new first film, having its international premier at Toronto’s Inside-Out Festival. The award-winning movie explores bisexuality, kinship and twinship. It was made by a real-life brother and sister: Kristin and Doug Archibald.

I spoke with Kristin at CIUT in Toronto.

Human commodities. Films reviewed: Teenage Mutant Ninja Turtles: Out of the Shadows, I Promise you Anarchy, Burn Burn Burn

Posted in 3-D, Action, Animals, comedy, Cultural Mining, LGBT, Mexico, Movies, Punk, Road Movie, UK, US by CulturalMining.com on June 4, 2016

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM..

Do you ever feel like your body is just a list of things to be bought, sold or traded? This week I’m looking at movies about people forced to treat bodies as commodities. There are skate punks in Mexico trying to sell human blood, two women in the UK trying to scatter human ashes… and mutant turtles in Manhattan trying to live like human beings.

10150582_236914753098962_7581709544636208661_nTeenage Mutant Ninja Turtles: Out of the Shadows

Dir: Dave Green

Donatello, Micheleangelo, Raphael and Leonardo – Donny, Mike, Raf and Leo for short – are giant CGI turtles who speak like California surfers from the 1980s. They live in Manhattan in a hidden laboratory with their friend April (Megan Fox) and their sensei, a giant rat. Their lair serves as home base in their relentless battle against crime and evil. And in their free time they jump around the city’s rooftops, catching basketball games and eating pizza. But always hidden from view: humans might 13329513_358477130942723_2973235416009902388_omistake them for monsters or freaks. Now they are fighting an evil villain named Shredder who escaped from prison along with sidekicks Be Bop and Rock Steady. The bad guys plan to assemble an Arc Capacitor made from three parts hidden around the world. If they succeed they will enslave civilization. But not if the turtles can stop them.

10547968_271120509678386_8705934401065890056_oI heard this movie was awful, worse than terrible, so I saw it with zero expectations. And you know what? I kinda liked it – simple story, good 3-D special effects, lots of explosions and chase scenes with people falling out of planes without parachutes. Cowabunga! On the negative side, the lines aren’t very clever and it’s hard to reconcile the fuzzy CGI models with the real live people standing beside them. The strangest thing: for a movie aimed at kids, it doesn’t have any young characters — not a single (non-turtle) actor younger than thirty in the entire film.

VmnrVO_teprometoanarquia_03_o3_8724673_1440102244I Promise you Anarchy (Te prometo anarquía)

Wri/Dir: Julio Hernández Cordón

Miguel and Johnny (Diego Calva Hernández and Eduardo Eliseo Martinez) have been friends, almost brothers, since they were kids. Miguel is solidly middle class from the suburbs, while Johnny is downtown and not as rich. They travel around Mexico City on long boards with a group of pals. They skate free style, do tricks, read Thrasher, smoke a bit of grass, maybe slam some poetry. Johnny likes skating naked around deserted Jai Alai 58Kx4A_teprometoanarquia_02_o3_8724638_1440102239courts. And once everyone has gone home Miguel and Johnny retreat to a giant steel vat, for some afterhours groping. Johnny might have a girlfriend named Adri, but he’s chill with sexing it up with Miguel.

Their biggest wish is to build a huge skate park downtown, but that takes money. Miguel has found a way to earn quick cash: selling their blood to clinics. It’s organized by Gabriel, an actor at the Churubusco Studios, who pimps their blood to unknown destinations. With the promise of a huge peso payout, they’re asked to bring 50 donors to their favourite hangout. They round up everyone they know — all their friends, acquaintances, even casual strangers. nZ6XjP_teprometoanarquia_01_o3_8724605_1440102239But things go terribly wrong when sleazy criminals enter the picture. Can Miguel and Johnny stay together despite the chaos and mayhem?

I enjoyed this low-budget look at skaters in Mexico City. Good soundtrack, unusual locations. At times it feels almost like a documentary about life on the street – are they all actoirs or just people playing themselves?. The story doesn’t seem completely real, but that doesn’t matter. There are some amazing long takes of skaters just gliding through central plazas, in V formation… like migrating birds.

10665747_557978830998084_4416378503890536433_nBurn Burn Burn

Dir: Chanya Button 

Seph, Alex and Dan are the fast friends in London. Seph (Laura Carmichael) has flouncy blond hair and a clever mind, but is forced to work as nanny and personal assistant. She’s dating James, a well-meaning but douchey guy who is a financial trader in central London. Alex (Chloe Pirrie) has a stark haircut and a tightly-lipped mouth. She doesn’t like talking about herself. She’s in a long-term relationship with a woman. Dan, the third friend, (Jack Farthing) is the life of the party, given to practical jokes and staying up all night.

The three friends are back together again, at yet another party. 11923199_728527537276545_7075186293857167413_nThis time it’s Dan’s wake. He died suddenly, age 29, struck down by cancer. He’s gone but not forgotten. And he leaves Alex and Seph with a final task: to scatter his ashes at four crucial places around the British Isles. At first, they brush off Dan’s wish. Then Seph loses her job and Alex — after OD-ing on scotch eggs, a uniquely British malady — catches her lover with another woman in flagrente delecto. They decide to pack it in and head for the road.

11221394_728527390609893_6299213542631975827_nThey drive through ancient ruins and natural landmarks in England, Wales and Scotland, carefully following Dan’s painstaking directions and explanations. He accompanies them with a video he made before he died. On the way they encounter a pagan wicker man festival, nightclubs from Dan’s childhood and a number of unexpected sites. And the two of them are forced to reveal hidden secrets and confront buried truths

I liked this one — it’s and quirky and funny road movie. The Burn-Burn-Burnmain characters are acerbic not smarmy. While the story may be formulaic, the odd people they meet on the way are fun and original: a bearded hippy, a neurotic tour guide, a runaway housewife, even Al’s own mum. With humour, nice scenery, food for thought, and even a few tears, Burn Burn Burn is a well-made grand tour.

Teenage Mutant Ninja Turtles opens today in Toronto; check your local listings. Burn Burn Burn and I Promise You Anarchy are both playing at Toronto’s Inside Out LGBT Film Festival. Go to insideout.ca for showtimes.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Significant Hair. Movies Reviewed: Viva, Green Room, Sing Street

Posted in Cuba, Cultural Mining, Horror, LGBT, Movies, Music, Punk, Skinhead, Thriller by CulturalMining.com on April 21, 2016

Movies for culturalmining.com and CIUT 89.5 FM.

Can hairstyles hold messages about your job, your politics, your musical preference or your sexuality? This week I’m looking at movies about men with significant haircuts: a family drama from Cuba, a thriller/horror from the US, and a musical from Ireland. There’s a boy in Havana who’s dying to try a wig on; some punks trying to avoid dying when the skinheads are wigging out, and a kid in Dublin who will change his hairstyle for a girl he’s dying to meet.

A017_C001_11119KViva

Dir: Paddy Breathnach

Jesus (Héctor Medina) is a young man who lives alone in Havana. His dad was a prize fighter who ran off when Jesus was three (his picture is still on the wall.) Later, his mom died leaving only her record collection of classic Cuban boleros and torch singers. And her threadbare apartment. Now he’s 18 and all alone, an adult orphan. He earns a meager living cutting the hair of old ladies in his neighbourhood, along with one important client.

Mama (Luis Alberto García) runs a bar popular among foreign tourists. It features travestidos, drag queens who perform on stage in makeup, wigs and gowns, lip-synching and dancing for an appreciative audience. Jesus is there backstage to Héctor Medina in VIVA, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.4clean and style their wigs.

But when one performer suddenly quits and Mama is left with an open space, Jesus volunteers to take her place. He knows all the songs by heart, and he longs to express himself. Mama is dubious. It’s not just the clothes she says, you have to feel it, get inside of it, live it. But after begging and cajoling he’s allowed to try out. His persona is named Viva. At first clumsy and awkward soon Viva dares to get off the stage and walk among the clients. Viva spots a new customer, a rough-looking middle-aged man, and gathers her courage to approach him. But when she sings to him and touches him, he punches her in the face, knocking her to the floor. They kick the man out, and help patch up Jesus’s split lip. He goes home feeling miserable. But who does he find in his apartment? The same man. I’m Angel, he says, and I’m your father.

Jorge Perugorría and Héctor Medina in VIVA, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures2-1Turns out, Angel didn’t exactly run away. He’s been in prison for 15 years, and now he’s home again. He’s a mean, selfish drunk and spends all his money on cigarettes and rot-gut rum. He takes over the apartment: food, coffee and bed. He’s macho and wants his son to harden up. Jesus is self-reliant and tough in his own way, but definitely not macho. Jesus hates this stranger who has taken over his life, but… Angel is his father, and the only family he has. Or is he? Mama says Jesus is welcome to come back to the club, to stay with his new “family” — he’ll even get a room to live in. Angel forbids him from dressing up like a woman and “humiliating” himself on stage. But that is the only place where Jesus finds fulfillment… and his sole source of money. As a gay man in Cuba there are very few jobs open for him. It’s that or the sex trade.

But Angel has a secret of his own — the reason he’s come home to spend time with Jesus. Can the two of them get along? Can they accept each other for who they are? And will Viva ever enter the picture again?

Viva is a moving drama about contemporary gay life in Havana. The cast is all Cuban, and is shot on location. It doesn’t cover up or apologize for the seamier side of Havana, including its poverty. It stars Jorge Perugorría as Angel, one of Cuba’s best-known actors, famous in North America for his role in Strawberry and Chocolate, another Cuban movie with a gay theme. Héctor Medina is a newcomer but also very good. Surprisingly, though, this movie is officially considered an Irish production — its writer and director are both from there. I don’t speak Spanish, but I’m told the dialogue, words and accents are muy authentico.

12642920_1557369967920554_2236015225478540444_nGreen Room

Dir: Jeremy Saulnier

Sam, Pat, Reece and Tiger are hardcore anarcho-punks from the east coast. Their band is touring middle-America, playing at dive bars and roadhouses in Corn Country. They’re musical purists – no social networking or  iTunes. It’s vinyl discs and live performances – or nothing. The r0BLjE_greenroom_01_o3_8676897_1439243368problem is they’re not making any money. And when a promised gig goes south, they have to siphon gas out of parked cars just to keep driving. So when a local punk offers them a paid show at a country roadhouse, they jump at the chance. Just don’t talk politics they’re told. And don’t play zmQWRr_greenroom_03_o3_8677014_1439243414anything political.

The place turns out to be a bar for white-supremicist skinheads. And the green room (that’s where bands wait before they go on stage) is laden with neo-nazi, stickers, confederate battle flags and white power logos. Nice…But a few skins aren’t going to stop them. They start their set with a cover of the Dead Kennedy’s classic Nazi Punks F*ck Off! Dead silence. The skinheads aren’t pleased. Still, once they switch to their heavy loud tunes the crowd is slamming and enjoying the concert. All is good. But just as they head out, Pat (Anton RgkQ20_greenroom_05_o3_8677128_1439243450Yelchin, Chekov on Star Trek, 2009) remembers he left his smart phone in the green room. He busts in only to see something he shouldn’t have seen: a skinhead girl lying dead on the floor with a knife sticking out of her head. Pat dials 911 but they grab his phone.

Soon enough, the whole band is locked into the room with one door and no windows, along with a nasty-looking skinhead guard and Amber (Imogen Poots) a skin who was friends with the dead woman. No telephone. And no one knows they’re there.

O7LNWN_greenroom_02_o3_8676969_1439243390Things take a turn for the worse once Darcy shows up (Patrick Stewart, Jean-Luc Picard from Star Trek:The Next Generation). He’s cold, sinister and forboding. A big guy in the Stormfront circuit, Darcy owns the club. He doesn’t want the police there, and he doesn’t want the punks talking about the murder. And he has dozens of True Believers – young neo-nazis who want to make their first kill – at his beck and call.

It turns into a battle between the punks (and a skinhead ally) armed with nothing more than a box-cutter, lightbulbs, a single handgun and a fire-extinguisher; and a gang of skins looking to kill. Once killer dogs enter the battle, people start dying.  Can any of them survive an all-out attack? Or will they disappear in a shallow grave in the woods?

Green Room is a great action/thriller/horror movie. My heart was pounding about a third of the way through, and didn’t let up til the end. It’s a typical house-in-the-woods type horror movie, but without the bikini-clad college students of a typical slasher pic. The women – including Sam (Alia Shawkat)–  are as tough as the men. And Imogen Poots is amazing as the Chelsea who joins the fight; so good, I didn’t recognize her until the closing credits.

12768265_228216354192538_6006492979310558347_oSing Street

Wri/Dir: John Carney

Cosmo (Ferdia Walsh-Peelo) is a middle-class kid at a private Jesuit school in Dublin in the 1980s. He lives at home with his parents, his little sister and older brother Brendan (Jack Reynor) a pothead who dropped out of college. But when his family falls on hard times he is sent to a rougher school run by the Christian 12771938_228217334192440_5486446044202041047_oBrothers. (Canadians know the name from the Mt Cashel orphanage in St John’s, Newfoundland, notorious for its horrific abuses.) Cosmo gets bullied from day one, especially by a skinhead. The school is run by men in black priestly gowns from neck to feet, and who are not adverse to corporal punishment. But all is not pgo441_singstreet_02_o3_8934407_1453302712lost. Because across the street from the school he sees a beautiful girl who looks like a model. She even has a proper model’s name: Raphina (Lucy Boynton). Thinking quickly he invites her to star in his band’s video for their next song – and she agrees. Only problem is, there’s no video, no song, and no band. Somehow Cosmo has to make it happen. He meets Eamon (Mark McKenna) and together they start writing music. But will they have it all ready in time for the school prom?

Something about this movie grabs me – I really like it. It’s your basic boy-meets-girl/ coming-of-age story, and it’s set in the 80s but there’s nothing old or tired about it. Sing Street feels fresh and new.

Green Room and Viva both open on April 29th in Toronto: check your local listings. And starting today in Toronto is the wonderful Irish musical Sing Street.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Daniel Garber talks with writer/directors Christina Zeidler and John Mitchell about Portrait of a Serial Monogamist

Posted in Art, comedy, Cultural Mining, Interview, Lesbian, LGBT, Movies, Romance, Toronto by CulturalMining.com on February 5, 2016

Christina ZeidlinToronto is a city of small towns within small towns. Elsie lives in a tight-knit arts community in Toronto’s west end. She has good job at a TV station and a loving relationship with Robyn, an artist. But big changes are coming. Her show faces a corporate takeover, Robyn John Mitchellfaces her first gallery show, and Elsie decides on a change of her own: she’s dumping Robyn — nicely of course! — and repeating her pattern of being a “serial monogamist”.

Portrait of a Serial Monogamist is the name of a new feature film that looks at the lives of women in the close-knit LGBT arts community of Parkdale. It was written and directed by Christina Zeidler and John Mitchell and opens in Toronto next Friday (Feb 12, 2016).

I spoke to Christina (by phone from LAX) and to John in studio at CIUT 89.5 FM.

 

 

LGBT Movies. Films Reviewed: Grandma, The New Girlfriend, Saint Laurent PLUS Inside-Out

Posted in comedy, Cross-dressing, Cultural Mining, Drama, Fashion, France, Gay, Lesbian, LGBT, Romantic Comedy, Trans by CulturalMining.com on May 22, 2015

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

inside out lgbtff 25 logoInside Out is Toronto’s LGBT international film festival, and it’s on now, for the next ten days, with comedies, dramas, experimental films and documentaries. Major stars and directors will be appearing at their films and there are even free screenings. This week I’m looking at LGBT dramas from the US and France. There’s a biopic about a man who draws dresses, a comedy about a man who is drawn to dresses, and a grandmother who fought hard for the right to wear pants.

10350354_816276301776400_9136838441934971649_nGrandma
Wri/Dir: Paul Weitz

Elle (Lily Tomlin) is a radical lesbian feminist poet in California. She’s retired from her position as writer-in-residence at a UC campus, and hasn’t written a word since Vi, her partner of 36 years, died. Once a celebrated activist and public intellectual, another Adrienne Rich, now she’s just a bitter old cuss. But just as she is unceremoniously giving her current lover the boot, there’s a knock on the door. It’s her granddaughter asking for help. Sage (Julia Garner) is a pretty, young high school student with a problem: an unwanted pregnancy. She needs 600 bucks for an abortion. But that’s easier said than done. Grandma’s broke! So the two of them climb into her ancient jalopy and drive off to find the cash.

They are generations apart:

Grandma: Oh for the days of Betty Friedan and The Feminine Mystique.
Granddaughter: Mystique? Like, the blue-skinned villain in X-Men?

Can they ever see eye to eye? Can Sage get her abortion? And will Elle come to terms with the ghosts from her past? Grandma is a delightful, road-trip comedy. It has a great script, cute story with a social conscience, and the acting is good all around. A lot of fun.

unenouvelleamie_aff_allThe New Girlfriend (Une Nouvelle Amie)
Dir: François Ozon (based on the novel by the late Ruth Rendell)

Rich Laura and middle-class Claire take a blood oath when they’re just girls: they swear to be fast friends forever. Young and beautiful, they stay close. Claire Claire (Anaïs Demoustier) marries clean-cut Gilles (Raphaël Personnaz: Quai d’Orsay), while Laura chooses the more sensitive David (Romain Duris). But after the birth of her first child, Laura breaks the pact… by dying! Claire is crushed. How can she live without her best friend? She begins to see her everywhere; across the street, just around a corner. David meanwhile has fallen into a deep funk. She goes unenouvelleamie05to visit him, but is shocked when she sees a woman at his home taking care of the baby. Is it Laura? No… It’s David, in a dress. I miss Claire, he explains, and it helps comfort the baby. Just don’t tell anyone, especially not his mother-in-law.

unenouvelleamie09Initially shocked, Claire gradually adjusts to David’s cross-dressing. But to allay potential suspicions, she tells her husband she has found a new girlfriend – “Virginia”. Their bonds begin to grow… as do the suspicions of her husband and his mother in law. But are they ready to meet Virginia?

This is an always-surprising social comedy about changes in identity, friendship and family, sexuality and gender.

6c9eb5e0-7200-4390-a3f3-9dc6cddbbc5cSaint Laurent
Dir: Bertrand Bonello

Yves St Laurent (Gaspard Ulliel) is a successful fashion designer in Paris. He’s slim and impeccably dressed known for his trademark black-framed glasses. He launched the celebrated Mondrian dress in 1965, and turns out new haut couture collections twice a year. The operation is divided into three parts. He’s the creative side. He personally draws every garment design by hand. Behind the scenes, a dedicated army in white lab coats rush to cut the cloth, drape it, stitch it, and get it onto the backs of runway models’ in time. And in the 375ebac0-ff59-46de-9473-f3adf19f86f8boardroom, his lover Pierre Bergé (Jérémie Renier) handles all the business deals. YSL, the fashion house, is a profitable, well-oiled machine.

While the streets of Paris are seething with revolution, Yves is ensconced, oblivious, in his presentation rooms, dressing privileged women. 8f3454f8-da44-40ee-ab78-627d2dc05286Then there’s his personal life. He and Pierre collect priceless tchotchkes from around the world to display in their home. Yves also collects people; he has an entourage of models, and muses like Loulou de la Falaise (Léa Seydoux). He spends his time at Parisian discotheques, or at his retreat in Marrakesh.

But in the early ‘seventies, things start to collapse. He falls under the sway of an aristocratic socialite. Jacques (Louis Garrel) is handsome, rich and decadent, and never seems to work. His days are spent posing on modern furniture. His nights are filled with acid trips and gin-soaked gay orgies. Yves88520acb-a05b-4ff2-897b-4fdd82e388f1 is infatuated with him, but the constant pill-popping is dragging him down. Can Pierre rescue Yves and turn him back into a profitable name? Or will he succumb to Jacques’ lotus-eating lifestyle? And will Yves’s audacious new collection be the talk of Paris or booed off the stage?

Saint Laurent is a captivating, challenging, movie. It’s way too long – 2 ½ hours long! – and, at first glance, seems superficial and pointless. But it’s not. 4f8e78ec-73a0-46f1-ad8d-eea8ad0fc9a6It’s visually stunning. Every scene is perfectly composed like turning a page of Vogue magazine. The director tries some surprising techniques, some of which work, some don’t. A long business meeting is conducted in French and English with simultaneous interpreting. Is that necessary? But a Mondrian-like split screen with 9 separate panels, and an amazing sequence with a dozen miniature black-and-white dogs scampering down the hallway for a pet audition, more than make up for the jarring parts. And the acting — especially Ulliel as the fragile, opaque and zen-like Yves Saint Laurent — is fantastically perverse.

Grandma and The New Girlfriend are both playing at Inside Out LGBT film11259478_674551145983743_4305327555853919907_n fest this week: go to insideout.ca for details. And Saint Laurent opens commercially today in Toronto; check your local listings. I liked all three of these movies. But if violent, post-apocalyptic road movies are more to your taste, I strongly recommend Mad Max: Fury Road., now playing. Don’t miss it!

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

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