Daniel Garber talks with Nicole Maroon and Vladimir Jon Cubrt about their new film Luba

Posted in Addiction, Canada, drugs, Family, Hockey, Movies, Poverty, Toronto by CulturalMining.com on March 23, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Luba and Donnie are a married couple with a young son, Matty. Their marriage faltered when Donnie’s drug use got out of hand, but since rehab things are looking up. Little Matty commutes between Lou’s flat and his grandma’s home where Donnie is living. They’re barely staying afloat with precarious jobs — he’s in construction while she’s serving jell-o shots for tips. Will poverty, depression and crack grind them into the dirt? Or can a family be saved by the hope and determination of a strong young woman named Luba?

Luba is also the name of a heartfelt family drama that looks at life in Toronto through the eyes of a family left behind. It stars Nicole Maroon as Luba and Vladimir Jon Cubrt as Donnie. Nicole is a master of Fine Arts whose range includes everything from Shakespeare to City TVs Meet the Family; while Vlad is celebrated on stage, screen and on TV’s Hannibal. The two co-produced Luba and Vlad wrote the script.

I spoke with Nicole and Vlad in studio at CIUT 89.5 FM. They talk about Acting, Luba, Hockey, Ukrainian-Canadians, Jack Nicholson, Toronto, the film’s genesis, why Nicole was cast in the title role… and more!

Luba had its Canadian premier on Saturday, March 24th at 5:30 PM at Toronto’s Scotiabank Theatre as part of the Canadian Film Fest.

At CFF Luba won both the Audience Choice Award for Best Picture and the Reel Canada Indie Award.

In the Trash. Movies Reviewed: A Swingers Weekend, The Go-Getters, Isle of Dogs

Posted in Addiction, Animals, Animation, Canada, Japan, Poverty, Sex, Sex Trade, Toronto by CulturalMining.com on March 23, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

The Canadian Film Fest is on now, bringing lots of new movies to the big screen, movies made right here in Toronto and across the country. Comedies, dramas and real life stories.

Hollywood movies often glamourize everyday life with an idealized view of the world the average person can never attain. But sometimes movies look in the opposite direction… downward, toward the gutter.  This week I’m looking at movies set among the trash. There’s an island of garbage filled with abandoned dogs, a couple of ne’er-do-wells who live in  rubbish, and a married couple who risk trashing their marriage for a weekend getaway.

A Swingers Weekend

Wri/Dir: Jon E. Cohen

Lisa and Dan (Erin Karpluk – Being Erica, Randal Edwards) are a power couple – she’s in real estate and he’s CEO at an energy drink corporation taking a break from their toronto jobs for a weekend retreat in lakeside villa up in cottage country. They’ve invited the attractive TJ and Skai (Michael Xavier, Erin Agostino) he’s an artist, she’s into Yoga – for a gourmet dinner and weekend of kinky sex. But their planned foursome gains a fifth and sixth wheel when unexpected guests show up at the door. Geoffrey and Fiona (Jonas Chernik, Mia Kirchner) are Dan’s old friends whose marriage is falling apart. Can a weekend of bed-swapping inject new life into the respective couples’ relationships? And what are their real motives behind this swingers’ retreat? A Swingers Weekend is a cute comedy that’s surprisingly tame. No nudity, it’s more of a social satire than a bedroom farce.

The Go-Getters

Dir: Jeremy LaLonde

Owen and Lacie (Aaron Abrams, Tomie Amber Pirie) are an odd couple. She’s a streetwalker who works for a disabled pimp called Cerebral Paulie, who keeps her addicted to oxycodone. He’s a nearly homeless alcoholic who mooches drinks from his brother’s skid row bar. He robbed her of her last fiver when she was ODing in a puddle of vomit on the bathrooom floor. It was hate at first site. But circumstances conspire to make them work together so they can buy bus tickets to Brockville to renovate an abandoned home. They try robbing panhandlers, selling sex to teens, and fleecing buskers, but nothing seems to work. Will they ever escape from hideous Toronto? The Go-Getters is an unusual look at the lowest of the low in downtown Toronto. But guess what – this is a comedy! Yup, I’m not joking. Abrams as Owen looks like a younger and dumber Dr House (Hugh Laurie), and Pirie is truly unique as a loud-mouthed hooker with a heart of lead.

Isle of Dogs

Dir: Wes Anderson

It’s Japan sometime in the future. Megasaki in Uni prefecture is a big city controlled by the evil and corrupt Kobayashi dynasty. The Kobayashi clan own everything from the golf courses to the amusement parks and pharmaceutical labs. And they are all cat lovers who despise dogs. The dogs all come down with an odd disease called snout flu. Mayor Kobayashi – under the thumb of the corpse-like Major Domo – declares all dogs persona non grata. To save the city from infection, he says, he is banishing all the city’s dogs to Trash Island off the coast. This even includes his nephew Atari’s dog Spots. (Atari was adopted by his distant uncle when his parents died in a train crash.)

But when Atari flies to Trash Island in a toy airplane to rescue his pooch, he discovers a strange world rarely seen by humans. It’s ruled by gangs of alpha dogs, headed by a team of five: former pets Duke, Rex, King and Boss, as well as the mysterious Chief, a stray who likes to fight. (He bites.) They vow to help Atari find his dog Spots… or die trying.

Meanwhile, back in Megasaki, student journalists — led by exchange student Tracy — smell a skunk among the cats. They sense there’s a conspiracy targeting dogs and – with the help of a hacker — they vow to save the dogs and the missing boy Atari, and to make City Hall pay for their crimes. But will they make it in time?

Isle of Dogs is an epic fantasy made with stop-motion animation. The humans speak Japanese (with voiceover translation) and the dogs speak a stilted Japanese English. The story sounds simple and a bit goofy, but it’s not. It’s pure, non-stop eye candy, with art and illustration flooding your brain at the pace of a Simpsons episode.

It feels like Wes Anderson made a list of all English words derived from the Japanese — yakuza, sumo, sushi, geisha, samurai, bonsai, kabuki, haiku, anime, manga, otaku, cos-ple, taiko — and worked them all into the film. The thing is, it’s not cheap laughs and cultural plundering, it’s lovingly, respectfully, and exquisitely reproduced.

The constant barrage of images includes Japanese pop art, manga, ukiyo-e, silhouettes, and 2-D animation, all portrayed with a futuristic/retro/ steampunk feel (if such a thing is possible). Wes Anderson has done stop- motion animation before — The Fantastic Mister Fox — but this one is a quantum leap beyond that. None of Mister Fox‘s nudge-nudge, wink-wink snark in this movie; just affectionately rendered geek culture.

Isle of Dogs is stunning to watch. I’ve seen it twice now, and want to see it again, as soon as possible. It’s exquisite, beautiful, awe-inducing… I’m running out of adjectives. I love this movie, and if you revel in the visual and all things Japanese, you must see this animated film.

Isle of Dogs opens today in Toronto; check your local listings. The Go Getters and other films are playing this weekend at the Canadian Film Fest. This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Canadian sex and violence. Films Reviewed: Hollow in the Land, Birdland, Badsville PLUS Film Stars Don’t Die in Liverpool

Posted in British Columbia, Canada, Canadian Literature, Fetish, Gangs, LGBT, Mystery, Sex, Thriller, Toronto by CulturalMining.com on January 26, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Who said Canada is “nice but dull”? I’ve got three new indie Canadian movies this week, chock full of sex and violence. There’s torrid sex among the towers of Toronto, a bludgeoned body in the mountains of BC, and a gang war in the steamy southwest. …plus a UK romance set in Liverpool.

Film Stars Don’t Die in Liverpool

Dir: Paul McGuigan

It’s 1980 in Liverpool. Peter (Jamie Bell) is an aspiring actor who gets a surprise call from an older actress. She’s in the UK performing on stage in The Glass Menagerie and wonders if she can come by. Gloria Graham (Annette Bening) is a former movie star who won an Oscar in the 1950s. She talks like Marilyn Monroe and looks like Gloria Swanson. She was once known for “playing the tart” in Hollywood dramas. Now she wears large sunglasses and silk scarves over her hair.

Peter is surprised to hear from her again. He met her a year ago at a London rooming house which led to a torrid affair spanning two continents. He visited her at her beach house in California and followed her to New York. But she dumped him unceremoniously at her Manhattan apartment and he never understood why. And now she’s back again asking to stay with him in his working class home with his dowdy mother Bella (Julie Walters). Is it because film stars don’t die in Liverpool?

Film Stars Don’t Die in Liverpool is a wonderful romance based on Peter Turner’s memoirs about his encounters with a once famous actress twice his age. Bening is perfect as an over-the-hill diva who still sees herself as a Shakespearean teenaged Juliet while rejecting aging and her own mortality. And Bell is endearing as the starstruck Peter.

The story is straightforward but the director experiments with style. Peter has flashbacks while walking through a door signalled by a subtle change in lighting and music. And surprising results come from identical scenes which are shown twice but with very different points of view.

Definitely worth seeing.

Hollow in the Land

Wri/Dir: Scooter Corkle

It’s nowadays in the BC interior, a land of mountains, pulp mills and grow-ops. Ally (Dianna Agron) is a pretty but tough woman in her twenties, blonde hair beneath her hardhat. By day, she works at the town pulp mill, and at night looks after her 17-year-old brother Brandon (Jared Abrahamson). And every so often she spends the night with her lover Char (Rachelle Lefevre). Ally may be Brandon’s sister but she acts like his mother, warning him to stay out of  trouble with the cops – or they’ll throw him in jail, just like their dad. He’s in prison for running down a teenager while drunk. And the kid he killed happenis to be the son of the family that owns the pulp mill. Which is very bad news in a company town.

The two cops – friendly Darryll (Shawn Ashmore) and hard-ass Chief (Michael Rogers) – never let them forget it. So when a dead body turns up, and Brandon is the chief suspect, only Ally believes in her brother. It’s up to her to play detective, follow the clues, uncover the motive, track down the killer and find her brother who ran away into he woods. And she has to do all this before the killer kills her.

Hollow in the Land is a pretty good detective mystery/thriller, but with a few problems. I get that it’s noir so most of the scenes are at night, but you’d think they’d light up people’s faces properly so you can see who’s who. But the BC locations are amazing. The movie starts out very confusing, with dozens of characters and a foggy plot, but as it develops, it gets much more interesting. And Diana Agron is great as Ally – tough but tender — who carries it through to a satisfying end.

Birdland

Dir: Peter Lynch

It’s present-day Toronto. Shiela (Kathleen Munroe) is a tough as nails former cop with her own security firm. She’s a whiz with surveillance cameras and disguises. Her mild-mannered husband Tom (David Alpay) works at a museum cataloguing bird carcasses. But when she discovers he’s having an affair with a mysterious woman in a blue kimono, she decided to investigate. But when the affair leads to murder she realizes it’s all much bigger than she suspects. And someone is trying to cover it up. There’s an oil magnate pulling strings, a protester, a femme fatale, a nightclub entrepreneur, and a cop — her ex-partner — investigating the crime. And they all seem to share the same hobby — BDSM sex parties. Who is the killer? Who is having sex with whom? And who’s behind the conspiracy?

Birdland is full of politics, Big Oil, the police, museums, nightclubs, detectives, and kinky sex. And everything is projected against a fabricated bird metaphor:  there’s a man named Starling, an ornithologist, a nightclub with a bird concept, characters who sing Lullaby in Birdland, a bird rescue team… But what’s the point? The “bird” themes don’t come from the characters, it’s superimposed on them. There are some cool concepts and images in Birdland, but it just doesn’t work. I was never sure if I was watching a messy story to justify the not-so-sexy, softcore porn, or if the sex was there to justify an extremely confusing plot. It might work as a miniseries but it packs in too much stuff for a single movie.

Badsville

Dir: April Mullen (Written by Benjamin Barrett and Ian McLaren)

It’s a dead-end town in the southwest in the 1950s (or 60s?). Wink and Benny (Ian McLaren and Benjamin Barrett) are lifelong friends and members of the Kings, a local gang. Wink works in a greasy spoon and hangs with his buddies in the seedy bar or bowling alley. He serves as a mentor for Lil’ Cat (Gregory Kasyan), a local kid with a junkie for a mom. Wink wants him to “stay gold”. The Kings are mainly Latino while their rivals, the Aces, are white. They regularly meet to rumble, meaning big fistfights supplemented with metal pipes and pieces of wood, all lit up by blazing oil drums.

Sounds like fun.

But when he falls for Suzy (Tamara Duarte) a newcomer with a secret past, it looks like things are going to change. Wink might finally achieve his dream – escaping Badsville for a better life in Colorado. And this is what pushes Benny over the edge. He loves Daddio – that’s what he calls Wink – and not just as a friend. So he sets in motion a series of events that he hopes will stop Wink from leaving, but that end up putting all their lives in jeopardy.

Badsville is a new take on classic exploitation gang movies and SE Hinton novels. We’re talking Jets and Sharks here, not Crips and Bloods. And they’re not in high school either, they’re much older. The film looks at masculinity and friendship with a bit of racial politics in the mix. Directed by April Mullen, it’s a first effort by the two non-actors who play Benny and Wink, and also wrote the script. It’s low budget and not perfect – but it works.

Film Stars Don’t Die in Liverpool, Hollow in the Land, Birdland and Badsville all start today in Toronto; check your local listings.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Daniel Garber talks with Cynthia Banks about The Caregivers Club

Posted in Disabilities, documentary, Family, Mental Illness, Old Age, Toronto, TV by CulturalMining.com on January 12, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

A malady is sweeping the nation, an illness with no effective medication, no clear cause and no known cure. It starts out mild but its effects get worse and worse, ultimately leading to death. More than half a million Canadians suffer from it. What is this plague? HIV? Opioid addiction? Bird flu? No, I’m talking about dementia caused by Alzheimers. And patients with dementia need constant care.

The Caregivers Club is a new documentary that looks at three patients with early-onset dementia and the very different decisions made by the people who care for them. It follows a mother who lives in her own home with caregivers hired by her adult daughter; a wife assisted by her husband; and a man who lives in a nursing home as his wife raises their three young kids. The film was written and directed by noted Toronto documentarian Cynthia Banks.

I spoke to Cynthia by telephone from CIUT.

The Caregivers Club is playing on CBC Docs-POV at 9:00 pm on Sunday, and streaming online beginning today.

 

Daniel Garber talks with producer Jason Charters and director Larry Weinstein about Dreaming of a Jewish Christmas

Posted in China, Christianity, Christmas, Christmas songs, Cultural Mining, documentary, Eating, Judaism, Music, Toronto by CulturalMining.com on December 22, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

It’s the 1960s. Chestnuts roasting on an open fire… outside the snow is falling and friends are calling yoo-hoo… it’s Christmastime in the city. Mom, Dad and the two kids get in the car to go out for their traditional family dinner. Is it ham? Turkey? No… it’s Chinese food! Beause these folks are dreaming of a “Jewish Christmas”.

Dreaming of a Jewish Christmas is a new documentary that looks at the secular celebration of a religious holiday in North America and how it’s reflected in popular culture – especially in Christmas songs. It re-eneacts a 1960s dinner in Chinatown with new performances of classic Christmas songs by Steven Page, Dione Taylor and Aviva Chernick.

The film was produced in Toronto by Jason Charters and Liam Romalis at Riddle Films and directed by Oscar nominee Larry Weinstein.

I spoke with Jason in studio at CIUT and with Larry via telephone.

Dreaming of a Jewish Christmas is playing on CBC Documentary Channel on Dec 24 and Dec 25.

Lots of Indies! Films reviewed: The Disaster Artist, Sweet Virginia, Wexford Plaza

Posted in Acting, Canada, comedy, Coming of Age, Drama, Film Noir, L.A., Mumblecore, Realism, Toronto, violence by CulturalMining.com on December 1, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Indie movies are in this year, picking up prizes and heading for the Oscars. They are the most innovative films out there, flouting expected cinematic rules, sharing a sense of realism missing from big-budget movies.

This week I’m talking about three new indie movies opening today. There’s a hit man staying at a motel, a security guard working at a strip mall, and an indie movie about making indie movies.

The Disaster Artist

Dir: James Franco (Based on the book by Greg Sestero)

Greg Sestero (Dave Franco) is a model and aspiring actor in San Francisco. He’s taking classes, looking for his big break. Problem is he’s a terrible actor: way too shy and withdrawn. Enter fellow student Tommy Wiseau (James Franco). He’s a body–builder with a redone face, a mane of long black hair and an unintelligible accent. (He says he’s from New Orleans). He’s entirely without talent, but brimming with self-confidence. Greg sees him acting in class, shouting and literally climbing the walls. The teachers all cringe, but Greg is dumbfounded. This is what he wants to do, this is what he wants to be like. Soon they move to Tommy’s LA pied a terre, find agents and start up the ladder toward movie stardom. At least that’s the plan. When the studios don’t come knocking at their door, they decide to shoot their own movie, called The Room. Tommy will direct and produce (he’s bankrolling the whole thing) while the two of them share top billing. But will The Room be any good?

The short answer is no.

But that doesn’t convey the awfulness of the film they’re making. It’s spectacularly, stupendously, unbelievably bad… but in a very distinctive way. (It has since become a major cult hit — so bad it’s good — seen everywhere.) Its humour derives from the bad acting and non-sensical script, and from Tommy Wiseaus total obliviousness to his own social ineptitude and to how bad the film actually is (he imagines it’s a masterpiece).

This movie — The Disaster Artist — isnt a remake, it’s a move about the making of The Room. It recreates and incorporates the funniest, worst parts of the original, but also what was going on behind the camera. It’s a bro comedy, starring real life bros Dave and James Franco, who is just so funny as Tommy. And though it is ostensibly an indie movie, it may have broken a record for the number of Hollywood cameos:  Hannibal Buress, Seth Rogan, Sharon Stone, JJ Abrams, and dozens of others.

The Disaster Project is a really funny movie.

Sweet Virginia

Dir: Jamie M. Dagg

Sam (Jon Bernthal) is a former champion bull rider who used to earn his living in the rodeo circuit, until he had an accident. Now he runs a motel called Sweet Virginia nestled somewhere between two foggy mountains. Lila (Imogen Poots) is his assistant helping out in his office. All is well until the town is shaken by an unexpected killing: three men gunned down at a late night poker game. Elwood (Christopher Abbott) a man with anger issues, is staying at Sam’s motel. Turns out he’s a hit man, the one that killed the three men, including Lila’s husband. He also killed the husband of Bernadette (Rosemarie DeWitt) who is having a secret affair with Sam. Who hired him? Lila! She hated her husband and wants his money. She promises Elwood big bucks in exchange for his murder (The other men he kills are just “collateral damage”). But when Lila can’t get hold of the money, things take a turn for the worse. Will the bad guys pay for their crimes? Or will there be more violence to come?

Sweet Virginia has all the makings of an excellent movie. Great cast, good acting, wonderful locations, and beautiful cinematography. So why does it suck?

This movie is all wrong. It reveals everything in the first few minutes, ruining any suspense. It wastes a lot of screen time introducing characters who are killed off in the first 15 minutes. And the rest of the move just creaks along, revealing dull, pointless and violent lives, with no surprises. I get the feeling the only reason this movie was released is because Bernthal is starring in the Netflix series The Punisher right about now.

Wexford Plaza

Wri/Dir: Joyce Wong

Betty (Reid Asselstine) is a cheery and voluptuous 19-year-old starting her new job. She’s a security guard at a rundown strip mall in Scarborough called Wexford Plaza. She’s forced to wear a too-small uniform: black polyester pants with an ugly yellow polo shirt. Her high school friends have moved on; she only sees them on instagram. She works with Rich and Anton (Francis Melling and Mirko Miljevic) two immature asshats who smoke pot, leer at her breasts and tell off-colour jokes at her expense. Then she meets Danny (Darrel Gamotin), a bartender in the mall. He’s a nice guy, older, successful and self-confident, and seems interested in her. He has her back when she drinks too much, and she returns the favour (along with sexual benefits) when he gets sloshed. She forsees a long term relationship… until things go drastically wrong. He turns on a dime, from good guy to cold bastard. What’s going on? Is he just using her?

Wexford Plaza is a realistic comedy/drama that tells the same story twice, first from Betty’s and then from Danny’s point of view. Similar events occupy the same time and space but seem radically different. Words considered crucial by one – slurred out while drunk – are completely missing from the other one’s memories. Reid Asselstine is great, subtly exposing Betty’s burgeoning sexuality tempered by her self-doubt. This is a good coming-of-age drama set in the desolate strip malls of Toronto.

Sweet Virginia, The Disaster Artist and Wexford Plaza all open today in Toronto; check your local listings.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

 

Daniel Garber talks with Moze Mossanen about My Piece of the City

Posted in Canada, documentary, Housing, Movies, Musical, Poverty, Toronto by CulturalMining.com on November 17, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Regent Park is a section of Cabbagetown in Toronto’s east end. After WWII, tenements were razed to the ground replaced with lowrise housing surrounded by grass parks. It was meant to lessen poverty and crime, but it didn’t quite work out that way. Now they are replacing it all with clean, market rent condos integrated with public housing. But what will become of the longtime residents of this unique piece of the city?

My Piece of the City is a new documentary that looks at Regent Park, then and now, in the form of a theatrical production performed there each summer. The Journey combines song, dance, spoken poetry and drama in a celebration of the neighbourhood, its history and the people who live there.

It is written and directed by award-winning Canadian filmmaker Moze Mossanen, known for performance-based documentaries like Nureyev, Roxanna, and The Rings of Saturn. His works play in cinemas and are broadcast across Canada and around the world.

My Piece of the City will have its world premier on November 18th, 2017 at the Regent Park Film Festival.

I spoke with Moze Mossanen in studio at CIUT 89.5 FM.

Daniel Garber talks to OCADU artist-in-residence Isaac Julien with Yuling Chen

Posted in Art, Cultural Mining, LGBT, Migrants, Movies, Toronto, UK by CulturalMining.com on March 31, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

In the late 1970s and early 1980s,  Thatcher’s England was a place of great unrest and mistrust. The country was rocked by strikes, demonstrations and riots. It was also the time of a burgeoning music scene, with fashion, art and the punk movement inspiring international change. It was into this world that Isaac Julien came of age in London’s East EndAs an artist and filmmaker he embraced three separate movements: the Afro-Caribean scene, London’s gay nightlife and the largely white progressive left. His work incorporated themes of sex, politics and interracial  relationships. Over the decades to follow, his focus shifted from film to art installations.

From young soul rebel to international art star, Julien’s moving image installations can now be seen in Europe, Asia and around the world. Recently two of his works ran at the Royal Ontario Museum, another is on at the Museum of Modern Art, and two of his early films will be screening at Toronto’s Images Festival. He’s artist in residence at OCAD University (the Ontario College of Art and Design) where he is mentoring five students who will follow him to London.

Yuling Chen is a Toronto artist, originally from Hainan, China. She creates animation, video and performance art and is studying with Isaac Julien.

I spoke to Isaac Julien and Yuling Chen in studio at CIUT. 

 

 

Family relations. Films reviewed: The Second Time Around, Wilson, Personal Shopper

Posted in comedy, Drama, Family, Fashion, France, Supernatural, Toronto by CulturalMining.com on March 24, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Family ties can span generations. This week I’m looking at movies about family relationships. There’s a grandmother looking for love, a middle-aged misanthrope looking for his daughter, and a young woman in Paris looking for her twin brother… even though she knows he’s dead.

The Second Time Around

Dir: Leon Marr

Katherine (Linda Thorson) is an elegant, silver-haired widow who loves the opera. She dreams of someday seeing a performance at La Scala. She lives with Helen, her grouchy daughter (Laura de Carteret), Helen’s husband, and her granddaughter Sarah, an art student (Alexis Harrison). But when she breaks her hip, she is placed in a retirement home for rehab and recovery. It’s a huge change. Up to now, she has always lived in a family home: with her parents, then her husband and finally her daughter. Not to worry, her temporary home is full of new friends.

There she meets Isaac (Stuart Margolin), a gruff and grumpy old man who complains about everything. A former tailor, he smokes cigars, plays poker with his buddies, and is never far from a mickey of rye. But when she catches him unobserved, mending clothes for a friend while softly singing a yiddish tune, she discovers Isaac is actually a pretty nice guy. Sparks fly and their relationship develops… perhaps to something bigger?

The Second Time Around is a gentle, low-key drama with the feel of a high school movie of the week. Retirement homes apparently have clubs, cliques, lunchroom gossip, even a senior prom — in a place where everyone’s a senior. It also deals with a slew of real life issues, including death, disabilities, depression… as well as passionate sex. And it features Canadian TV stars from the past half century: Louis Del Grande, Paul Soles, Jayne Eastwood and the late Don Francks in his last movie role. I just felt it hard to connect with what was, essentially, The Retirees of Degrassi Street.

Wilson

Dir: Craig Johnson (Based on the graphic novel by Daniel Clowes)

Wilson (Woody Harrelson) is a middle-aged man who lives in a tiny house, with a small dog, in an unremarkable city. He has two personality traits that don’t go together. He loves social contact and will talk to strangers; but he also hates people and thinks the world is going to hell. He’s an opinionated, overbearing misanthrope who swears like a sailor. When his old man dies and he realizes he’s all alone in this world, he climbs into his wood-panelled station wagon and sets out to find his ex-wife Pippi (Laura Dern). She was a pregnant, drug-addicted sex worker when she left him 17 years earlier. Last thing he heard she got an abortion and moved far, far away. But Wilson doesn’t use computers, smartphones or social networks. So he doesn’t realize she lives in the next county over, and that all those years ago, she put their baby up for adoption. Now they team up to find the 17- year-old. But can a misbegotten family hold together based only on rude behaviour patterns and DNA?

Wilson is a very funny, dark comedy about a man looking for his place in a world he doesn’t like. It’s based on the graphic novel by the amazing cartoonist Daniel Clowes, who brought us works like Ghost World, and Like a Velvet Glove Cast in Iron. It’s not your typical slapstick comedy. Rather, it’s a hilariously sad look at the fate of unlikeable outcasts and what they can learn.

Personal Shopper

Wri/Dir: Olivier Assayas

Maureen (Kristin Stewart) is a personal shopper for a super celebrity named Kyra. Her boyfriend lives in Oman, and her twin brother is dead. She roams the aisles of haut couture houses choosing sequinned gowns, leather harnesses and priceless baubles for her boss. She carries blank cheques to pay for it all but earns little money herself. She puts up with Kyra’s tyrannical behaviour because she needs to stay in Paris until she receives a sign from her twin brother. Lewis had the same heart defect she suffers from and they both vowed who ever died first would communicate with the other.

She spends the night in the spooky, empty house where Lewis used to live, to see if he would talk to her. Instead she sees a troubled spirit that scratches crosses into the furniture. Later she starts receiving anonymous texts on her phone, by someone who seems to know her every thought. It pays for hotel rooms and sends her cryptic paper notes. Is the mysterious stalker a man or a woman, living or dead? And should she be excited… or terrified?

Personal Shopper is a great new drama – in English, but set in Paris – from French director Olivier Assayas, who recently brought us Clouds of Sils Maria. This one’s even better. It neatly combines theosophy and spiritualism with high fashion and celebrity culture. Maureen bridges the two sides. I like Kristin Stewart – my main problem with her is she’s not a great speaker. She tends to mumble and always speaks the same way. Luckily in this movie she relies less on her voice, and more on her body, her face, her movement. She broods and she panics. She poses with her naked torso at a fashion house, or curls up into a ball in a haunted mansion. Stewart is the movie, and she does a good job of it. I really liked this movie.

Personal Shopper, Wilson and The Second Time Around all start today in Toronto; check your local listings. The Canadian Film Fest is on now, and Sundance Now a curated indie, doc and art house channel — starts streaming in Canada today.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

Daniel Garber talks with Sarah Kolasky and Adam Garnet Jones about Great Great Great

Posted in Canada, comedy, Cultural Mining, Drama, Movies, Romance, Secrets, Sex, Toronto by CulturalMining.com on March 17, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Lauren and Tom have been together for five years. Lauren is smart, sexy and successful, while unemployed Tom is a mild-mannered homebody who really loves her. They’re a perfect couple… until two things happen. First Lauren’s parents divorce. Her mom says a good marriage isn’t good enough – she deserves a great one. Then Lauren discovers her new boss is Dave, a man she had a passionate tryst with years before she ever met Tom. Dave is older and aggressive; Tom is faithful but wimpy. Should she stick to brunches and Lego with Tom? Or go for 50 Shades of Dave. Which relationship is just good enough, and which one will be great, great, great?

Great Great Great is a new feature, a bittersweet comedy drama, shot in Toronto and playing next Thursday at the Canadian Film Fest. It’s co-written by Adam Garnet Jones and Sarah Kolasky. Adam also directed the award-winning film Fire Song – I spoke to him on this show in 2015. Sarah who plays Lauren, is an accomplished producer, writer and sketch comic from Toronto.

I spoke to Adam Garnet Jones via telephone from Winnipeg and Sarah Kolasky in studio at CIUT.

We talk about sex, relationships, nudity, Toronto, Daniel Beirne, comedy… and more!

GREAT GREAT GREAT won Best Feature at the 2017 Canadian Film Fest.

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