Getting away. Level 16, Triple Frontier, The Panama Papers

Posted in Action, Adoption, documentary, drugs, Heist, Morality, post-apocalypse, Women by CulturalMining.com on March 8, 2019

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

It’s international Women’s Day, a great time to check out some movies directed by women. If you haven’t seen the great Colombian film Birds of Passage, see it now. And Objects of Desire, a retrospective of French master Claire Denis’s films is also playing now at TIFF. She’s one of my favourites.

This week I’m looking at people trying to get away with something. We’ve got orphan girls running for their lives, war vets running off with sacks of loot, and journalists rushing to publish the biggest data dump in history

Level 16

Wri/Dir: Danishka Esterhazy

Vivien and Sophia are two teenagers at an all-girls boarding school for orphans. They wear identical uniforms: skirts, shirts and ties during the day, and floor-length cotton gowns at night. Classes consist of B&W educational films from the 1950s shown on flatscreen TVs. Their teacher, the strict but beautiful Miss Brixil (Sara Canning), visits each unit to teach them feminine virtues like cleanliness, subservience, obedience and silence. And their most important exams are not about reading or math but applying cold cream to their cheeks and taking their vitamins.

They live under a panopticon with surveillance cameras recording every move and thedisembodied voice of a Doctor (Peter Outerbridge) who tells them what to do. They’ve never been outside this drab institution, since the air and sunlight out there are “hazardous”. Besides, it’s important to stay pretty and clean so a nice family will adopt them some day. And now that they’re at Level 16, that someday is coming soon.

Headstrong Vivien (Katie Douglas) is excited to hear she might be leaving this place; she’s been counting the days. But all her hopes and dreams are shattered when the nearsighted Sophia (Celina Martin) tells her a secret: don’t swallow the vitamins! When Vivien takes her advice she is shocked by what she finds out. The “vitamins” are actually sedatives and what happens to their limp bodies at night is not nice at all. What is this place? Why are they there? What is it like outside its walls? And can they ever escape?

Level 16 is a scary and weird speculative fiction look at a distopian future as seen through the eyes of teenaged girls. It’s full of strange anomalies: why do the guards speak Russian? Where did all these fake-happy educational film clips come from?  Does this movie take place in the past… or in the future? It feels like a cross between Never Let Me Go and The Handmaid’s Tale.  It’s a low budget film shot on a single location (and one that is bland, industrial and and claustrophobic to look at), but it had enough shocking twists to keep me fascinated until the end.

Triple Frontier

Dir: JC Chandor

Santiago (Oscar Isaac) is a paramilitary cop working in an unnamed Latin American country. His police team raids low level drug traffickers… but they are also on the take. Any witness who tries squeal on Lorea’s — the fugitive drug kingpin — whereabouts is immediately executed to keep him quiet. But Santiago (an American) has his own informant in Lorea’s HQ. He discovers for himself where the big man is hiding. Rumour has it there are millions in cash just sitting in the jungle, waiting to be taken. So he flies back to the States to meet with his former special-ops army buddies. They loved their time in the military, but it hasn’t treated them well as veterans.

Miller (Charlie Hunnam) is a low-level army recruiter with a bad goatee who delivers the same speech over and over. Davis (Ben Affleck) tries to support a teenaged daughter from a failed marriage with the pittance he earns flogging condos. Morales (Pedro Pascal) is a helicopter pilot whose license was taken away for drug offenses. And Ben (Garrett Hedlund), Miller’s brother, is an MMA cage fighter — not a great long-term career plan.

Santiago says, let’s get what the government never gave us but that we deserve: millions in cold hard cash. And don’t worry, it’s a flawless plan. Sure enough, the heist works great. In fact, it works too well. They are faced not with millions of dollars but hundreds of millions, far too heavy for them to carry. Their momentary greed makes their exit plan impossible. Can they lug their bags of loot through the jungle, over a mountain pass and down to a the ocean (through the multinational “triple frontier” of the title)? Or will mother nature – and the vengeful locals who inhabit it – kill them first?

Triple Frontier has strikingly beautiful scenery, famous-name actors and a well known director and scriptwriter. So how come it sucks?

Well, it’s a boring and sexless buddy action flick with inane, bro dialogue: I got your back… I love you man… we deserve this. Do you really care if they get away with the money they stole? More than that, it reeks of exceptionalism. It’s co-written by Mark Boal, who brought us the vile Zero Dark Thirty, a movie which said we Americans are always the good guys, torture is useful and all Muslims are potential terrorists. For this movie just substitute drug traffickers for terrorists, and South Americans for Muslims. Almost every person they encounter is corrupt, dangerous, and out to kill us. It’s up to our heroic soldiers to stop these caravans of latino drug traffickers from invading our border.

OK, I admit there is a good chase scene near the beginning, but the rest of it is a total waste of two hours and five minutes.

Ugh.

The Panama Papers

Wri/Dir: Alex Winter

It’s 2016 in Munich, Germany. Bastian Obermayer, an investigative journalist at the Süddeutcher Zeitung receives a mysterious message. A whistleblower calling himself John Doe says he has some information to send him. But because of its importance and sheer volume he has to be sure his identity is kept secret and the information gets released, What is this information, where did it come from, and why is it so important? The data leak is from Mossack Fonseca, a Panama law firm known for its secrecy. Their clients include both organized crime and upstanding world leaders all hiding their money so they don’t pay taxes. The amount of money lost in taxes worldwide is stupendous: it’s the reason social services have been cut and why the wealth distribution gap between the ultra rich and everybody else is the highest it’s been in a century.

The Panama Papers tells this story through the eyes of the journalists involved in its release. It feels like a chapter of All the Presidents Men, but on a much bigger scale. The papers were shared – in secret! – with over 300 investigative journalists worldwide. And the outcome and blowback that followed changed the world. The Prime Minister of Iceland, top figures in FIFA, Argentina, Pakistan and Spain were forced to resign. Others in Russia, the US and Syria were also implicated in the multinational scandal. And top journalists like Malta’s Daphne Gaizia, were murdered because of their role in exposing these crimes.

The Panama Papers is a great documentary that churns politics, investigative journalism and conspiracies into a potent brew.

The Panama Papers is now playing at Hotdocs Cinema, you can catch Triple Frontier’s stunning cinematography on the big screen before it moves to Netflix, and Level 16 opens next Friday; check your local listings.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Daniel Garber talks with director Alex Winter about his new documentary Deep Web at Hot Docs

Posted in Cultural Mining, documentary, drugs, Internet, US by CulturalMining.com on April 25, 2015

Winter_AlexHi, This is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM. Most of us solve our online privacy worries by looking for an unbreakable password or a new encryption technique to protect our email and financial transactions. We don’t realize that a completely anonymous, hidden world coexists alongside the internet. It’s a vast area handling the digital code transmissions that keep our systems functioning. It holds dark networks Alex Winter at Hot Docs Deep Web  photo © Jeff Harris cultural miningthat allow communication without exposing IP addresses. What exactly goes on in the Deep Web? A new documentary brings it all to the surface. It’s called Deep Web and it’s having its international premier at Hot Docs International Documentary Film Festival in Toronto. It delves into dark nets including the Silk Road, and the man accused of running it all, Ross Ulbricht. Deep_Web_6It’s written, directed and produced by Alex Winter. Alex is an actor and pop culture icon known for his excellent adventures who now is also an accomplished director and documentary filmmaker. He focuses on the history of the right now — the changes we’re all witnessing on and off line, more or less as they’re happening. I speak to Alex Winter by telephone in Los Angeles. He covers the deep web, privacy, anonymity, crime, human rights, dissidents, controversies, BBS, Napster, online communities, technology, regulations, search and seizure, JP Barlow, openness… and more!

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