Time. Films reviewed: Anthem of a Teenage Prophet, Jordan River Anderson: The Messenger, Pain and Glory

Posted in Canada, documentary, Indigenous, LGBT, Movies, Romance, Spain, Suburbs, Supernatural, Theatre by CulturalMining.com on October 25, 2019

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Time is malleable. This week I’m looking at three examinations of time. There’s a Spanish drama about a director reclaiming his past, a YA drama about a teen who can see the future, and a documentary about the present-day problems of indigenous, special-needs kids.

Anthem of a Teenage Prophet

Dir: Robin Hays

It’s 1997 in small-town Stokum, Michigan. Luke (Cameron Monaghan) is a highschooler in small town. He’s into skating, music and art. He lives with his straightlaced dad and flaky mom (Juliette Lewis). He used to climb towers with the tall and wiry Fang (Grayson Gabriel) his best friend since kindergarten, but they had a falling out. Now he’s hanging with Stan, a popular B-ball jock, and Stan’s girlfriend Faith (Peyton List). But everything changes when he follows Stan to a party at Fang’s place. After lots of drinking and smoking, Luke has a vision: Someone will be killed in the morning in a hit-and-run just outside their school. They dismiss this as a stoner daydream, but record it on video, just for fun. And sure enough, best friend Stan winds up dead, exactly as predicted.

Eyewitness news picks up the story and soon there are media trucks parked out on his front lawn. He’s stared at at school, and somehow blamed for Stan’s death. Only Faith stands up for him. Will his prophetic dreams continue and can he use it to save people from dying? Are Faith and Luke just mourning Stan or is their something more between them? And what happened between Luke and Fang that soured their friendship, and will they ever make up?

Anthem of a Teenage Prophet is based on a popular YA novel, and holds many of its standard features: rudderless youth looking for meaning, potential love story, friendship, bullying, and prejudice; and a hint of the supernatural. And it’s set in the late 90s, a world of Thrasher, Mortal Combat, white rap and ironic T-shirts. Beautiful scenery (it was actually shot in BC) nice soundtrack and credible acting, Anthem is a good, though not great, teen movie.

Jordan River Anderson, The Messenger

Dir: Alanis Obomsawin

Norway House is a beautiful Cree community in northern Manitoba. But, due to pregnancy complications, little Jordan River Anderson was born in a Winnipeg Children’s Hospital. There he received constant attention from doctors, therapists and experts helping the boy communicate and understand what was going on around him. He was partially paralyzed, could not speak and breathed using a respirator. But he could only spend limited time with his parents and family since he needed constant care. Most special-needs kids are eventually sent from hospital to their parents home or a halfway house with caregivers near to their family. But Jordan never left the hospital – he died there. Neither the province nor the federal government would put up the funds it required for the move, care and refurbishing.

Why? Because he’s indigenous.

Enter Cindy Blackstock, a lawyer and social worker specializing in indigenous cases. She crafts a bill, The Jordan Principle, to ensure no child would be left unfunded to to intergovernmental disputes. It is passed unanimously in the House of Commons. Jordan’s Principle says that a child of need will be cared for by the first level of governmental contacted. All is well. Sadly no. Not a single kid is helped since it’s passage. The government budgets the funds to fight Jordans Principle in court, but not a penny more in its budget to pay for care needed for indigenous special needs kids.

Jordan River Anderson The Messenger is the sixth in a series of documentaries by Alanis Obomsawin, outlining the struggles between First Nations and the Canadian government since the founding of this country. It follows Blackstocks legal battles and the very personal stories, captured in photos and home videos, by Jordan and other indigenous families with special needs kids. This is a one-hour documentary that deals with a heartbreaking story, but one that ends on a hopeful note.

Photo of Alanis Obomsawin by Jeff Harris.

Pain and Glory

Wri/Dir: Pedro Almodovar

It’s present day Madrid. Salvador (Antonio Banderas) is a celebrated Spanish director at the peak of his career. He is looking back at his old notebooks, and letters, taking stock of his life. And he finds it miserable. His body is failing him, his creative well has gone dry. No sex, no love, no pleasure aside from swimming. But as he looks at his life two periods come back to him. As a child he lives with his mother (Penelope Cruz), who takes in laundry, and his father. They are forced to make their home in whitewashed caves, underground. But young Salvador (Asier Flores) is a precocious lad, singled out for his talent by a priest at his school. He teaches a handsome teenaged bricklayer Eduardo (César Vicente) how to read and write. In return poses for a painting by Eduardo. Little Salvador idolizes Eduardo but doesn’t understand his feelings. With his parents now gone, what remains from his childhood?

The other period he reflects on is making his first movie in the early 1980s. It is being shown at the Cinematheque in Madrid, and they want him to appear alongside that films lead actor Alberto (Asier Etxeandia). The problem is Alberto is a heroin addict, hates Salvadors guts and they haven’t seen each other for more than thirty years, What was the scandal that led to such a long lasting grudge? Can it be mended? And who is the missing piece in that puzzle?

Pain and Glory is a fantastic and fascinating autobiographical film by Pedro Almodover. It is ostensibly fictional, the names have been changed, but is clearly based largely on Almodovars life. It plays with time, character and genre, flashing back to early times, and repeating short scenes with subtle differences. It starts with Salvador writing a book, but somewhere, secretly turns into him crafting a film, leaving the viewer to piece it together. Lush and colorful, moving and funny, Pain and Glory is an intricate recreation of Almodovars own life andwork.

Pain and Glory starts today, and Anthem of a Teenage Prophet starts next Friday in Toronto; check your local listings; and Jordan River Anderson, The Messenger is one of many movies at ImagineNATIVE through Sunday.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

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