July 22, 2011. Final Fantasy. Movies reviewed: Captain America, Harry Potter and the Deathly Hallows Part 2, Shirome

Posted in Action, Bullying, Comics, Crime, High School, Horror, Magic, Monsters, Mystery, Nazi, Sex, Uncategorized, violence, War, Women, 日本电影, 日本映画 by CulturalMining.com on July 24, 2011

Hi, this is Daniel Garber at the Movies, for culturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, genre and mainstream movies, helping you see movies with good taste, and movies that taste good, and what the difference is.

It’s hottest summertime when a young person’s fancy turns to … fantasy (to mangle a quote.) School’s out, offices are closed, cottages are open, job vacations are on, and blockbusters, filled with the fantastical, pack the theatres. This week I’m looking at three movies about the supernatural with their origins tied to traditional youth culture: One’s adapted from a kid’s book, one from a comic book, and one starring a group of teen idols In an unusual situation.

Harry Potter and the Deathly Hallows, Part 2

Dir: David Yates

Everyone knows who Harry Potter is – the English orphan boy who discovers he’s a wizard, studies magic at the Hogwarts academy, and – with his friends Ron and Hermione — is in an ongoing fight with his evil nemesis, the snakelike Voldemort. Well this movie, the second half of the last book of the series, picks up exactly where the last one left off. Harry and his friends must find and destroy the rest of the horcruxes (little objects that hold part of Voledmort’s power) or else everything they live for will be lost, the school will be ruined, and all the people enslaved.

This final movie was filled with long serious scenes of gravitas, Harry grimacing at the camera, the good guys giving their all for the final battle, the confrontation between good and evil. The usual villains are there – Snape, Draco Malfoy, Bellatrix Lastrange and the Death Eaters – but some startling twists and discoveries show that things aren’t always what they first appear to be. A lot of the humour, the traditional school scenes, and the fun sense of adventure are missing here, but audiences seem to lap it up anyway – who wants it to be just another episode when it’s the final one? There was a long ovation after the last scene in the theatre, with scores of costumed viewers — more adults than kids — applauding a blank screen as the credits rolled.

I enjoyed it (although most of the 3D effects were pretty lame – you may as well see it in 2D and save a few bucks) but, like the last book in the series, it left me with the hollow, sad feeling that an era was over.

The next movie

Captain America

Dir: Joe Johnston

…had – for me — a lot of points in its favour before I even saw it. It’s a WWII European action drama of the allies versus the Nazis, it’s adapted from a comic book, and it uses a fun sub-genre called body transformation or body growth. This usually involves a 98-pound weakling who gets sand kicked in his face who (through some natural or supernatural phenomenon) turns instantly into an invincible super hero. On the negative side, Captain America looks militaristic, it’s overly nationalistic, and more than a bit corny. In the 50’s Captain America was trotted out as a symbol of American conservativism, Cold War anti-communism and McCarthyism, and by the 60’s and 70’s was thought of as a hopelessly dated, and almost fascistic caricature, a symbol of the country’s misadventures in Vietnam.

So… what about the movie? Steve Rogers (Chris Evans) is a scrawny kid from Brooklyn who wants to join the army. He never runs away from a fight, despite his skinny body, asthma, and flat feet. He hates bullies, and stands up to them, but it’s left to his best buddy, Bucky, to rescue him from the dust-ups. But he’s rejected from joining the army until a German scientist who had fled the Nazis brings him into an elite squad of potential superfighters. He trains alongside much bigger guys, but catches the attention of the beautiful and sultry, but tough, British Spy Agent Carter (Hayley Atwell).  The scientist chooses him for his experiments because of his true heart, and because he has compassion and no killer instinct. So after an injection he’s transformed into an almost indestructible hero – strong, fast, muscular and agile. And he carries a round metal shield. But instead of being a fighter, he’s made the centrepiece of a kitschy Victory Bonds team who tour America to raise money, performing on stage in elaborate musical numbers with red, white, and blue, high- kicking dancing girls.

Meanwhile, his nemesis, Dr Shmidt (Hugo Weaving), — an evil man who is out-nazi-ing even the Nazis in his Nordic mysticism and a master race – is preparing ultimate victory. He’s also super-powerful but he is cruel and selfish where Captain America is kind and just. Schmidt and his lackeys say “Hail Hydra” (instead of Heil Hitler) in deference to his plans. And where Cap is handsome, Schmidt is hideously ugly once he removes his face mask, revealing a red skull underneath.

Will Captain America prove himself as a real hero not an imitation one? Will he be able to give back what he owes his buddy Buck for past rescues? Will he consummate his love for Agent Carter? And will he be able to beat the indestructible villain?

Although mainly just a war and battle movie, Captain America was very enjoyable to watch. The art direction – yes, that’s what I mean, the whole look of the movie – was amazing, and its corniness was presented with enough tongue in cheek to balance the kitsch. And the 3D effects were fantastic, with some especially pleasing shots of 3D faces against flat, green-screen projections, like in Lars Van Trier’s Europa. So if you like comic-book war scenes, with lots of explosions, and simple two dimensional characters, this is a good movie for that.


Dir: Shiraishi Koji

It’s typical for Japanese idols, talents, or stars to be followed around by cameras all day long. So it sort of makes sense that their a strange video about a pop group. In this tape, an under-aged Japanese girl group called Momoiro Clover is shooting a promo when they are asked to make an appearance, on camera, at an old, abandoned school. Apparently, legend has it, a spirit known as Shirome – “White Eyes” – will grant them any sincere and heart-filled wish, as long as its repeated three times in front of its marker – a butterfly on an old wall. But if they disobey the rules they may be found dead, just like other people who had tried this.

Their manager convinces them to wish for a chance to appear on the annual Red and White New Years Day Show, where celebrities, singers and idols perform for all of Japan. But a teller of ghost stories spooks them and they don’t know what to do. Should they accompany the exorcists and psychics into Shirome’s den in the old abandoned schoolhouse? Or should they run away as fast as they can?

This movie is a strange one.  It’s 50% treakly, cutesy over-performing teen idols talking to an ever-present video camera, pursing their lips, posing, and repeating their routines, or bursting into catchy music-video numbers. And 50% Japanese-style horror, with a strange, little white butterfly appearing on grainy footage enchanting and choking various characters as it flutters past. And the usual crackling video, starting and stopping, and almost unnoticeable evil seeping in and out of recovered footage. Picture Paranornal Activity, but instead of actors, starring a Japanese girl group. Death by kawaii-sa?

A strange movie indeed.

Harry Potter and Captain America are playing now, and Shirome and other new Japanese films are playing this weekend only at the Shinsedai Film Festival – go to shinsedai-toronto.com .

This is Daniel Garber at the Movies for CIUT 89.5 FM, and on my web site, Cultural Mining . com.

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