Daniel Garber talks with Kitty Green about her new documentary Ukraine is Not a Brothel

Posted in Breasts, Cultural Mining, documentary, Feminism, France, Hotdocs, Protest, Resistance, Sex Trade, Ukraine, Uncategorized, Women by CulturalMining.com on May 9, 2014

Kitty Green at CIUT 89.5 FMHi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, documentary, genre and mainstream films, helping you see movies with good taste, movies that taste good, and how to tell the difference.

Ukraine is at the top of the news. Beginning in November last year, Euromaidan street protests drove President Yanukovych out of office Kitty Green 2and out of the country. Soon after, Russia took control of Crimea, with sites in Eastern Ukraine facing further unrest. But long before any of this, a different form of protest, one you could call unique, was taking root in that country. The group is called Sasha Shevchenko (right) and Inna Shevchenko (left) from "Ukraine is Not a Brothel". Photograph by Ozan Kose.Femen. It’s a self-proclaimed feminist protest group. What’s unusual is the form of their protests: to oppose the oppression and sexual exploitation of Ukrainian women… they expose their slogan-covered breasts for the cameras!

A great new documentary that played at Toronto’s Hot Docs gives an inside view of the Femen protestors and exposes their contradictions. The film is called UKRAINE IS NOT A BROTHEL and I spoke with its Australian director, Kitty Green, on April 29th, 2014 in Toronto. Kitty talks about protests in Ukraine, the sex trade, feminism, Femen, its members, the languages spoken, and the meaning of the word “girl”.

Philadelphia Freedom. Movies reviewed: Jingle Bell Rocks, Let the Fire Burn

Hi, this is Daniel Garber at the Movies forculturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, documentary, genre and mainstream films, helping you see movies with good taste, movies that taste good, and how to tell the difference.

I was in the US for American Thanksgiving. Had a wonderful visit to family and friends, beautiful places, lots to see and do. But you wouldn’t know it if you watched TV news on Black Friday. It’s an orgiastic  frenzy of consumer excess slapped onto an otherwise sedate family weekend. All you could see on TV was the repeated image of two women at a Philadelphia Walmart tasing each other to get at a discount i-Pad. Just crazy.

But they segue nicely into my themes this week: Philadelphia and holiday excess. I’m looking at Canadian documentary about Christmas music. And an American doc about a firebomb dropped on a radical commune in Philadelphia.

mitch_hat_vigJingle Bell Rocks

Dir: Mitchel Kezin

Mitchel is obsessed with Christmas songs., Not the traditional carols or sing-alongs — Silent Night, Jingle Bells —  but the many, possibly countless, record albums released over the past 60-70 years. He believes that, among all the treacle and dross they play constantly for a month and a half every year, there are gems to be discovered. So he goes to every flea market, ducks into every used record store he sees, on the off chance there’s an indie treasure waiting to be rediscovered.

It all started with a Nat King Cole song about a little kid pining for his absentee dad, who won’t be home for Chistmas. His own dad was never there and eventually his parents were divorced. Now he feels driven to recreate the sad feelings john_waters_pic2he remembers from a melancholy tune.

And he’s not alone. There’s a hip-hop producer, a radio DJ, and a rock star, each with their obsessive horde of old Xmas vinyl.

The movie spans decades, including everything from be-bop jazz (that’s Bob Dorough singing with the Miles Davis Quintet in the background) to soul – there’s a risqué song about a Backdoor Santa – to Vietnam protest songs, ordinary pop, bill_adler&rev-run_prod2counter-culture kitsch and hip hop, all the way to the nineties and beyond.

Stars include Flaming Lips, Run DMC, and John Waters, with the movie culminating in an amazing recording session with calypso legend Mighty Sparrow.

Not bad for a documentary. Jingle Bell Rocks is 90-minute look at an ordinary – if oddball – guy with a hording obsession. I can sympathize with the narrator’s plight, but never feel his drive. Anyway, it’s a light subject, not intrinsically exciting. But it’s saved by the music: great tunes.

let the fire burn poster_largeLet the Fire Burn

Dir: Jason Osder

In the mid 1980s, Philadelphia — a city I love — experienced a terrifying event. A home was bombed, and many people were killed. You might think: terrorists? But the bomb was dropped on a row house from a helicopter… by the police! And as the fire grew, the fireman stood by to letthefireburn.photo03watch the flames engulf a city block.

How could this have happened? Some background.

Half a century after the civil rights movement, Philadelphia is still a de facto segregated city. It experienced decades of unrest and white flight to the exurbs. Much of this was related to the combative stance letthefireburn.photo05of the police force and City Hall, led, in the 1970s by Frank Rizzo.

A former police commissioner, Rizzo fought a personal battle against radical groups like the Black Panthers, displaying, at times, seemed more loyalty to his fellow police than toward the people of the city. He was known for his harsh treatment of black people, in general. Well, right in the middle of this was a small, black-to-nature group known as MOVE, headed by the self-named John Africa. They believed in such “radical” concepts as a vegan diet, the raw food movement, animal rights — a new religion that was anti-pesticide letthefireburn.photo02and anti-technology. The kids walked around naked and everyone shared the same last name. They also proselytized loudly in public, using a megaphone, not endearing themselves to their neighbours.

The police accused them of being an armed terrorist group and raided their home. In the melee a cop was killed, but it was never determined where the shot came from. (The police were caught on video brutally attacking an unarmed Delbert Africa.) Nine members of MOVE were convicted of third-degree murder and jailed.

Seven years later, in an apparent act of revenge for the  policeman’s death, they dropped two fire bombs – supplied by the FBI — on the urban commune and stood by, as 11 people, including five small children, letthefireburn.photo01died. Afterwards, the city’s Mayor, W. Wilson Goode, called for an investigation.

This excellent movie tells the story in an unusual way. The documentary is composed entirely of  period news footage, TV interviews, and, most of all, the recorded testimony of the inquiry. There’s no narrator, only voices from that time, preserved on tape. Police and survivors of the bombing all testify why they did what they did and bring light to what was happening that tragic day. (Some police were appalled by what happened and did what they could to rescue people, while others clearly supported it.) Especially poignant is the testimony of a little boy, Birdie Africa, who clears up many of the false claims and misconceptions about what went on. This is a stunning movie and an excellent oral history.

Jingle Bell Rocks (Hot Docs) and Let the Fire Burn (TIFF Bell Lightbox) both open today in Toronto: check your local listings.

This is Daniel Garber at the Movies, each Friday morning on CIUT 89.5 FM and on my website culturalmining.com .

War Docs

Posted in Movies by CulturalMining.com on September 16, 2009

howtofoldaflag_01

How to Fold a Flag
Dir: Petra Epperlein, Michael Tucker

The documentary How to Fold a Flag follows the lives of four soldiers discharged from the 2/3 Field Artillery division of the US army, a group whose time in Iraq was covered in the very good 2004 documentary Gunner Palace. Their lives have drastically changed since returning home. One man who was demoted for writing a critical blog — leaving him ineligible for medical benefits — now works as a cage fighter. Another has made his home in an isolated shack. A third misses the excitement of war and hates his pointless job. A fourth man is running for Congress in Buffalo, but faces cruel attack ads from his rivals. The film also commemorates their friends who never made it home.

The documentary is flush with vibrant, almost lurid displays of red, white and blue flag motifs, expressed in fireworks, parade costumes, graves, shopping malls, news shows, flyers… the image of the stars and stripes is ubiquitous. The men’s lives provide a “what ever happened to…” follow-up to the characters we met in Gunner Palace, but it’s just not as interesting a story.

PENTAGON PAPERS TRIALThe Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers
Dir: Judith Ehrlich, Rick Goldsmith

Far better is the fascinating biography of Daniel Ellsberg’s life, and the role he played both in escalating the Vietnam War in the 60’s and helping to end the war in the 70’s. Ellsberg was a high-ranked Ivy League policy wonk in the US defense department, and his research helped fuel the deceptions that led to of the Gulf of Tonkin Incident (where the US falsely claimed to have been attacked by missiles from North Vietnam). This was used as a justification for ramping up US involvement in a war which eventually killed more than two million Vietnamese, as well as over 50,000 US soldiers. Eventually his disgust with US policy led him to smuggle out thousands of pages of secret documents, later known as the Pentagon Papers, and release them to Congress and the media.

The film — using contemporary TV clips, audio conversations from Nixon’s secret tapes, new interviews with many of the key players, and re-enacted scenes — is a flawlessly researched look at the man Nixon labeled “the most dangerous man in America”.

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