Death Be Not Proud. Films reviewed: The Death of Stalin, Foxtrot

Posted in Army, comedy, Corruption, Death, Drama, Israel, Movies, UK, USSR by CulturalMining.com on March 16, 2018

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM, looking at high-brow and low-brow movies, indie, cult, foreign, festival, documentary, genre and mainstream films, helping you see movies with good taste, movies that taste good, and how to tell the differenc

Which is worse — dying? Or knowing someone’s dying but not knowing when?  This week I’m looking at two great dark comedies that find humour in terrible situations about death. There’s the imminent death of eminent dictator, and the questionable death of an questioning soldier.

The Death of Stalin

Dir: Armando Iannucci

It’s 1953 in the Soviet Union. Joseph Stalin rules the country with an iron fist, and everyone trembles in his presence. So when he orders a recorded copy of a just-completed live musical performance – that wasn’t actually recorded – of course everyone starts to panic. Everyone, it seems, except the musician who played it. She dares to drop a note for him into the re-recorded record envelope. If he reads it, surely her death will follow – and everyone around her. But as fate wll have it, when Stalin reads the message, he falls to the floor with a heart attack.

And with Stalin on his deathbed all his closest political allies come running to see what will happen next, and what their own status will be after he’s gone. There’s Malenkov ((Jeffrey Tambor) Stalin’s right-hand man for 30 years – a bit of a chowderhead but he’s also the one who purges anyone who challenges him. His rival Zhukov (Jason Isaacs) is the proud military leader who beat Hitler in WWII. Molotov (Michael Palin) is the foreign minister (don’t share a cocktail with this guy!) There’s the wily Nikita Krushchev (Steve Buscemi) and the dreaded Beria (Simon Russell Beale), head of the Secret Police (NKVD). And Stalin’s two adult children, his clever daughter Svetlana and his idiot son Vasily, who acts like he’s an aristocrat in a Chekov play. Picture all these historical figures running around all at once, panicking, conspiring, and thinking up ways to best their rivals.

While The Death of Stalin may sound like a dry historical drama, it is anything but. It’s fast-moving, shocking, and hilarious. The director — Armando Iannucci — has made another one of his twisted, foul-mouthed political comedies. This one isn’t in Westminster or The White House, it’s set in the Kremlin instead. The actors are either British – like Michael Palin — or American – like Steve Buscemi – but he lets them keep their real voices, no fake heavy Russian accents here (except from the Russian actors).

The Death of Stalin is a great political comedy.

Foxtrot

Dir: Samuel Maoz

Michael and Daphna (Lior Ashkenazi and Sarah Adler) are a successful Israeli couple Progressive, atheist and sexually open. He’s an architect so their Tel Aviv flat is beautifully designed and tastefully appointed. There lives are nearly perfect… until the day a knock on their door reveals two army officers in uniform. Their son Jonathan, a corporal at a remote posting, has died in the line of duty. Michael is stunned and Daphna collapses to the floor. She is put on meds while Michael stumbles in a daze to talk with his mom in a nursing home.

The army steps in to arrange the funeral, provide the coffin, direct the speech, call their relatives. Don’t worry, they say, we’ll take care of everything. But something is wrong… they can’t provide answers to the most basic questions. Where was he posted? How did he die? And where’s the body? Six hours later they return to say there’s been a terrible mistake. You’re son is still alive.

The story shifts to a remote checkpoint on a purgatorial desert road somewhere near Gehenna. Jonathan (Yonatan Shiray) is posted there with three other young guys. They live in a rusty, ramshackle shipping container made of corrugated steel. It’s slowly disappearing into a muck-filled sinkhole, a couple inches a day. Dinner consists of canned mystery meat cooked on a space heater. They while away their time fiddling with ancient radio receivers, drawing cartoons, telling stories or dancing with a rifle. It’s endless and pointless. Their sole capacity seems to be checking the IDs of passing Palestinians on their way to weddings, funerals or nightclub. The boys approach this job – and their only source of power — with a keen intensity, They shine floodlights at bewildered passersby, force middle aged women to stand in the pouring rain, pointing lethal weapons at their faces, … and worse. That worse incident , and its aermath, brings a new calamity to Jonathan’s family back home, bringing grief, decay and self-harm. Will the family ever recover?

Foxtrot – named after both the dance and the military code – is a dark, ironic and satiric look at the creeping militarization of people’s lives and it’s horrific results. This army is a portrayed as a new Catch-22, one filled with ridiculous errors, secrecy and coverups. The film itself adopts that unexplained mysterious tone – places are left unidentified, some characters not given names. Visions of censorship – symbolized by the black tape covering images of vintage softcore porn – carries over into everyday life and family folklore. The dystopia of the dirty and rusty army post is run by sympathetic characters but is rotten to the core. I called this a dark comedy, but it’s also a very moving drama, cushioned by the absurdist and surreal tone that overlays everything. This is a visually splendid film that relies more on images than dialogue. Foxtrot is a great, but scathingly critical, movie.

I recommend it.

Death of Stalin and Foxtrot both open today in Toronto; check your local listings.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

 

 

Best Movies of 2017

Posted in Movies by CulturalMining.com on December 29, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

New Year’s Eve is just around the corner.

Once again, the Cassandras are predicting the end of Hollywood, and the death of movies. Certainly, it’s been a trying year. Politically, the change in US president combined with the widespread use of social networking as a news source has spearheaded a widespread attack on journalistic integrity. And the exposure of sexual harassment in movies and TV meant a loss of credibility in the Hollywood infrastructure. Brexit – if it goes through – could damage cultural production in both Europe and the U.K. The big studios are consolidating like crazy. Disney just bought Fox, and a Timewarner/Comcast merger is in the works. Net neutrality is out the window. Finally the big studios are releasing their movie plans years in advance, which seem to consist solely of cartoons, space movies, superheroes and comedies based on bad TV shows.  And in Canada the government signed a sweetheart deal with Netflix, saying the media giant should produce Canadian content… but only if they feel like it. No pressure! And no tax on your Netflix bill!

Sounds awful, doesn’t it? Then how come there were so many fantastic movies this year. So many I can’t possibly put all the great ones on my list of the best of 2017.

But here goes, in no particular order – my list of movies that played in Toronto – either in theatres or at film festivals in 2017. These are all movies that moved, surprised and delighted me in some way. (Not included: documentaries and animation.)

First two movies that were made the previous year but finally reached the big screen in 2017:

I, Daniel Blake is Ken Loach’s deeply moving look at an ordinary guy screwed by by British austerity measures.

Certain Women is Kelly Reicharts look at women out west who don’t quite get it right.

Honourable mentions to the surprising crime drama Good Time, the subtle A Ghost Story, and the funny Wilson.

Next some genre movies I really liked:

Get Out is a dryly funny and satiric horror movie played out against the backdrop of the American racial divide.

Verónica is a Spanish movie set in the early 1990s about a teenaged girl in Catholic school who lets loose demons when she plays with a Ouija board during a solar eclipse.

Now some fantastic movies that opened in the fall and are still playing.

Three Billboards Outside Ebbing Missouri is a cutely violent story of a woman – played by Frances McDormand – trying to bring to justice the unknown killer of her daughter.

Call Me Your Name is a flawless take on first love in Italy in the early 1980s. It’s not the sappy sentimental story it looks like in the trailer, but an intelligent and subtle drama.

The Shape of Water is about a mute cleaning woman working in a government lab in the Cold War 1960s who falls for a man who is part fish.

There are many more great movies – like Ladybird, Florida Project, Wonderstruck, Happy End, Thelma, BPM and The Square – that should also be mentioned.

Here are some movies made in 2017 but scheduled for release in the new year, that must be seen.

Lean on Pete is a touching and realistic tale of a kid and the horse he takes care of, setting off in a journey in unknown territory.

Loveless is a heart-wrenching story of a kid in Moscow who runs away from home after he overhears his parents say neither of them wants him.

Foxtrot is a sharply satiric comedy drama that looks at a middle aged couple who discovers their son — who works at a military checkpoint – might be dead.

A Fantastic Woman is about a woman whose life falls apart when her lover dies, and his family discovers she is a transwoman.

Sweet Country is set in the Australian outback in the early 20th century. Its a classic western, but told for once from the indigenous point of view.

And finally, The Captain, is a fast moving, jaw-dropping, absurdist drama about a German deserter at the end of WWII. He puts on an officer’s uniform, totally changing his identity, status and sense of morality.

As usual, I had a whole year to decide but end up scribbling down my choices right before I record it. So I’m sure I left out a lot of great movies, but hopefully you will catch some of these.

Once again, the list:

The Captain, Sweet Country, A Fantastic Woman, Foxtrot, Loveless, Lean on Pete, The Shape of Water, Call me By Your Name, Three Billboards outside Ebbing Missouri, Veronica, Get Out, Certain Women, I Daniel Blake.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

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