Daniel Garber talks with director Gaspar Noé about his new film Love (in 3-D) at #TIFF15

Posted in 3-D, Breasts, Clash of Cultures, Cultural Mining, Drama, drugs, France, Mental Illness, Movies, Penis, psychedelia, Romance, Sex, Suspicion, violence by CulturalMining.com on November 14, 2015

Gaspar NoeHi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Murphy is an American in Paris. On New Year’s Day he awakens from a sexual dream to find himself miserable and hungover. He is married to a woman, Omi, he barely knows and father of Gaspar Noe 2an accidental baby named Gaspar. He retreats to his one private space, an old VHS box. Inside are the only items that still connect him to his one true love, raven-haired Electra: a stack of stereoscopic photos and a piece of opium. And Karl Glusman, Gaspar Noe photo © Jeff Harris cultural mining 2after a desperate, panicky call from Electra’s mother, he lies back, takes the opium, and retraces what happened to their Love.

LOVE is also the name of a new movie about sexual romance, passion and loss, as seen through the eyes of Murphy, a young American filmmaker and two European women, Electra and Omi. The film was made by the legendary GasparLOVE - Still 2 Noé, known for his mind-blowing movies Enter the Void, Irreversible and I Stand Alone. It had its Canadian premier at the Toronto International Film Festival, and is opening in Toronto today. I spoke with Gaspar on location (some background noise) at TIFF15 in September. He talked about actors Aomi Muyock’s hair colour, Klara Kristin’s electricity, Karl Glusman’s looks, Dustin Hoffman,  Douglas Sirk, Winston Churchill, himself, intimacy, sperm, “Gaspar Julio Noe Murphy”, Wild Bunch, Irreversible,  tunnels, circles, the colour red, psychedelic images, Enter the Void, a fourth dimension, humidity, old movies… and more!

Photos by Jeff Harris

“Enter the Void” is like dying in slow motion on DMT

Posted in Movies by CulturalMining.com on October 7, 2009

enterthevoidEnter the Void
Dir: Gaspar Noé

Psychonauts — DMT aficionados — say that one puff of that extreme, psychedelic drug is so powerful it can make you collapse before putting down the pipe. The reaction lasts just a few minutes but might seem like hours, or even days. They say the brain’s pineal gland excretes a large dose of dimethyltryptamine (DMT) right before you die. It makes your whole life pass before your eyes, just before you expire. That’s what they say.

Gaspar Noé’s new, spectacularly, overwhelmingly trippy movie Enter the Void, is a 2.5 hour hallucinogenic experience, seen directly through the eyes of a Canadian druggie living in Tokyo. Oscar rarely appears (except when looking in a mirror) but you see everything he thinks, remembers, sees, or imagines, as repeated loops of his life and death are projected on the screen.

Oscar (Nathaniel Brown), a low-level drug dealer, and his sister Linda (Paz de la Huerta), a stripper, live in a Tokyo entertainment district resembling Dogenzaka. They have been close since a childhood blood-oath, but are separated when a failed drug deal at a bar, The Void, tears Oscar free from his body. Like in the book The Tibetan Book of the Dead that he leaves in his apartment, Oscar is in limbo. He is now forced to perpetually view strobing neon, sordid sex, drugs and violence as he floats through solid walls and bends time and space. Stove burners morph into drains and psychedelic star bursts; aerial cityscapes turn seamlessly into handmade, day-glo models of Tokyo buildings and back again.

Enter the Void is like nothing I’ve ever seen. It is an extremely absorbing and mind-blowing — but looooong — work of art. Each time you prepare for the dream’s inevitable ending, it introduces a new tableau. French enfant terrible Gaspar Noé has surpassed his earlier, drastic films by moving beyond the simple, horrific violence and shocking scenes and flashbacks that fueled Seul contre tous (1998) and Irréversible (2002). Enter the Void is his best and most ambitious film to date.

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