Past, present, future. Films reviewed: Aniara, Peterloo PLUS Prism Prize videos

Posted in 1800s, Canada, Music, Politics, Pop Culture, Protest, Resistance, Science Fiction, Space, Sweden, UK by CulturalMining.com on May 21, 2019

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

100 years ago this week in 1919, the Winnipeg General Strike brought that city to a standstill. But did you know there was another important political demonstration 100 years earlier in Manchester in 1819? So this week I’m looking at movies set in the past, the present and the future. There’s an historical epic set in Northern England, a Swedish cruise set in post-nuclear outer space, and some state-of-the-art Canadian music videos set in the right here, right now.

Aniara

Wri/Dir: Pella Kågerman, Hugo Lilja

It’s the near future. Mimaroben (Emelie Jonsson) is a happy and hopeful flower child who works onboard a cruise ship. The Aniara has champagne bars, shopping malls, discos and restaurants to suit every taste on the 23-day cruise. Passengers are reassured by the stern pilot Isagel (Bianca Cruzeiro) the conservative captain Chefone (Arvin Kananian) and veteran Astronomer (Anneli Martini). Mimaroben has a special job. She works with Mima, an A.I. program where homesick passengers re-experience the natural beauty they left behind. But this is no ordinary cruise ship. They’re leaving an uninhabitable planet Earth for a new home on Mars.

The problem is when we humans are busy ruining the planet we’re also polluting the solar system with space trash. A spare piece of metal hits Aniara sending the spaceship off-course. Can the crew reassure the passengers that everything is OK? Will Mimarobe find love aboard a space ship? Will they ever reach Mars? Or will they forge a new life on the space ship itself?

Aniara is a dark (though sometimes warm and funny) look at a possible future when we’re all pulled out of a numbing consumerist existence and forced to face reality. There are nihilists who have wild sex orgies, law and order types who want people imprisoned, and cultists who form new religions and rituals. The story is based on a Swedish poem written in the 1950s when people were most afraid of nuclear holocaust, but it works just as well in a world facing climate change and ecological disaster.

Aniara is a terrific distopian look at our future — and would make a great double feature with Claire Denis’ High Life.

The Prism Prize

…is an annual Canadian award for that underrated cinematic form, the music videos. This year’s winner is Low by Belle Game. It’s directed by Kevan Funk (Hello Destroyer) and is an exquisitely disturbing short film made in an LA factory producing life-like rubber sex toys and robots. It shows the bodies being assembled, part by part, as the music plays in the background. You have to see it to believe it.

Prizes also went to Soleil Denault, Clairmont the Second and Lacey Duke. And the audience award went to Said the Whales’ “Unamerican” for an unusual photographic stop-motion video by Johnny Jansen.

Peterloo

Dir: Mike Leigh

It’s 1819 in Lancashire in northern England and things are not going well. Soldiers with PTSD are returning home, broke, after the Napoleonic Wars. Local weavers find their wages cut in half by greedy industrialists. And the new Corn Laws, which protect rich farmers from foreign competition, means the price of a loaf of bread is going through the roof. Ordinary people working twice as hard can’t feed their families. Politicians ignore ordinary people, and the magistrates are even worse, flogging an old women for drunkenness, and even hanging a man for taking a coat to keep warm.

Something has got to give. Luckilly it’s also a time of great change. Orators like the middle-class Henry Hunt (Rory Kinnear) are speaking out: put the common people into the House of Commons!  Preachers, rabble rousers, journalists, organizers and advocates – both men and woman – are pulling people together for a mass rally scheduled for August.

They face opponents, though. An effete Prince Regent adorned in white plumes fears a French style revolution. Factory owners want absolute control over their workers. Local magistrates hate and distrust ordinary people. Spies, thugs, and agents provocateurs are hired to make trouble among the protesters. And the military, who normally fight on foreign soil, are called in to quell the masses. What will happen on the day of the rally?

It’s not a spoiler to say that the title of this movie, Peterloo, refers to the massacre of hundreds of unarmed men, women and children in Manchester’s St Peter’s Field by military and local police on horseback. But most of this terrific historical drama looks at the period leading up to the demo and the subsequent government attack on its own people.

It’s an ensemble picture with many dozens of characters, each with their own memorable stories, portrayed over the course of the film. Fantastic music, settings, costumes, and acting, in many ways it’s like a great Hollywood epic from the 1960s, with a “cast of thousands” moving en masse across a wide screen. But it also shows the poignant individual stories of the odd characters you meet along the way. It is long (and somewhat confusing) but always interesting and politically relevant.

Peterloo is another memorable movie from the great UK director Mike Leigh (Secrets and Lies, Mr Turner). I liked it a lot.

Aniara and Peterloo both open today in Toronto at the TIFF Bell Lightbox. Check your local listings. And you can watch the top ten Prism Prize music videos at prismprize.com.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com.

Daniel Garber talks to filmmaker Kevan Funk about Hello Destroyer

Posted in Canada, Depression, Drama, Hockey, Morality, Movies, violence by CulturalMining.com on March 10, 2017

Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Tyson Burr is a minor league hockey player in Prince George, BC. He’s a rookie at his first job but is already getting a reputation as a destroyer, an enforcer who keeps the other teams’ players at bay. Violence on the ice is strongly encouraged. But when an overzealous fight sends a player to hospital, Tyson falls from hero to zero overnight. He is forced to move back home, work at manual labour and try to pull what’s left of his life back together in the rise, fall and rise again of a hockey destroyer.

Hello Destroyer is a first feature which premiered at TIFF16 and was chosen as one of Canada’s Top Ten Films of 2017. It’s a thoughtful and impressionistic examination of violence and self-worth in a distinctly Canadian setting. The film is written and directed by prize-winner Kevan Funk, and opens today in Toronto.

I spoke with Kevan Funk, in studio, about hockey, violence, masculinity, Canadian machismo, Todd Bertuzzi, hockey movies…  and more!

O Canada. Films reviewed: Hello Destroyer, Maliglutit

Posted in 1910s, Canada, Depression, Drama, Hockey, Indigenous, Inuit, Nunavut, violence by CulturalMining.com on January 7, 2017

the-true-north-the-story-of-capt-joseph-bernier-tc-fairley-charles-e-israel-illus-james-hill-1957Hi, this is Daniel Garber at the Movies for culturalmining.com and CIUT 89.5 FM.

Happy New Year! It’s the sesquicentennial. You’ll be hearing that word a lot. It means it’s been 150 years since Canada’s Confederation in 1867.

CRTC chief Jean Pierre Blais thinks Canadian TV should be designed to appeal on the world stage – we shouldn’t worry about Canadian culture. Writer Charles Foran, in the Guardian, calls Canada the world’s first post-national country. He’s quoting Justin Trudeau, but I think they’re missing the point. There is a strong the-rivers-end-by-james-oliver-curwood-triangle-press-circa-1946national identity. It’s just not an ethnic-based nationalism. It’s not a jingoistic nationalism. It’s not an exclusive identity, it’s an inclusive one that is welcoming and tolerant and multifaceted. But we do have a distinctive Canadian culture.

And part of our identity is Canadian literature, art, music and film. In this Sesquicentennial year look out for lots of chances to consume Canadian culture. The NFB has put thousands of films and documentaries online. And there’s Canada on Screen, a nationwide retrospective running all year with 150 of the best docs, animation, features and TV. All screenings are free!

This week I’m looking at Canadian movies playing as part of the annual Canada’s Top Ten series. We’ve got a hockey drama out of the far west, and a western from the extreme north.

hellodestroyer_still_05Hello Destroyer

Wri/Dir: Kevan Funk

Tyson Burr (Jared Abrahamson) is a minor league hockey player in Prince George, BC. He’s a rookie at his first job. He’s welcomed by a hazing where the players hold down the newbies while they forcibly shave their heads and pummel them. It helps them feel “part of the team”. Violence builds manhood and comradery. He’s known as a destroyer, an enforcer who keeps the other teams’ players at bay – fighting on the ice is just another part of the game. Tyson is at his physical peak and on top of the world. But he admits to another rookie that he has doubts and fears of hishellodestroyer_still_09 own.

The coach (Kurt Max Runte) tells the team they should aim to be heroes. You’ve got to hammer your steel into excalibur! We are fighters, brawlers, men! That’s when they’re winning. But when they are losing he bawls them out and tells them to fight back – aggressively. Tyson does just that, and sends a player to hospital.

hellodestroyer_still_07The coach and team lawyers, rather than reaching out to him, throw Tyson beneath the proverbial bus. They make him read a prepared statement talking all the blame, all the responsibility. Suddenly he plummets from hero to pariah. He gets kicked out of his home, suspended – temporarily they say – from the team, and is forced to move back in with his parents.

He’s also plagued with guilt – he wants to apologize to the guy he hurt, to tellhellodestroyer_still_04 him he didn’t mean to, but that doesn’t fit with the league’s plans. From beating players on the ice, his new job at a slaughter house, hacking at bloody carcasses in the cold.

He seeks solace and solitude with another guy who has fallen on hard times, and doesn’t hold it against him as they salvage an old shack. Can Tyson face his hellodestroyer_04doubts and regain his self-respect, or will he continue in a downward spiral of loss and self-destruction?

Hello Destroyer is a moving look at violence and self doubt in the world of professional sports. But don’t expect to see a conventional, movie of the week type drama. This is an impressionistic, introspective art-house movie. No slow-mo punch fights or zooms at key moments. No reaction shots. The camera hellodestroyer_02always stands back, following Tyson from behind, or capturing a conversation through a half-open doorway. Dialogue might be muffled or turned off entirely. Jared Abrahamson carries the whole movie – the frustration, anger and self-loathing – on his shoulders, and pulls it off admirably. This is a good first film.

maliglutitsearchers_02Maliglutit (Searchers)

Dir: Zacharias Kunuk

It’s 1913, in Igloolik. There’s a party going on in a large igloo with singing, storytelling and all around good times. But there’s friction as well. A couple of foul mouthed men are openly groping The father’s wife and not sharing the food they caught. Those are both against Inuit law. The offenders are kicked out, and ride off on their dog sleds. But they haven’t seen the last of them.

Following a spiritual forecast, the hunters – father and son – head out to catch caribou, leaving the kids, women and elderly behind. And while the hunters are away they hear dogs barking and strange noises outside. Is it a bear attack? No it’s something worse. The bad men are back, breaking down the walls of their home, attacking and killing almost everyone. They rope up the mother and maliglutitsearchers_04daughter and tie them to their sleds, as bounty. But the women refuse to cooperate and “be nice”. They fight back.

Our heroes spot their home through a telescope and know something is terribly wrong. There’s a gaping wound in its side. In the igloo, dying grandfather passes him a bird talisman. He summons the bird’s call to help him track the attackers. Who will survive this life and death battle?

maliglutitsearchers_01Maliglutit is a great movie — part mystery, part western, part historical drama — with information you might only get in a documentary. It captures an era after western contact and technology – they use a telescopes and rifles, and drink tea – but before Christianity, snowmobiles, forced resettlement and the killing of dog teams. It loosely follows the classic John Wayne The Searchers, a so-called Cowboy and Indian movie, but this time from the indigenous point if view. Like all of Kunuk’s movies it is stunning to watch with its arctic vistas and intense whites, blacks and blues, punctuated with the occasional splash of red blood or the glow of fire.

See NFB movies at nfb.ca; Canada’s Top Ten starts on January 13th – go to tiff.net/seethenorth for details;  and for information about the year-long, sesquicentennial retrospective go to tiff.net/canadaonscreen.

This is Daniel Garber at the Movies, each Friday morning, on CIUT 89.5 FM and on my website, culturalmining.com

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